A 138bpm rave anthem blending elements of Trance & Techno together with eerie cinematic ambience to create Kaos.

Verrükt

Thando lwam nawe talks about two pupils that are inlove but having issues with the relationship because of people...

Qualimuse_ft_Lilitha_Thando_lwam_nawe_amapiano.mp3

Produced, mixed and mastered by Joel Hostettler aka. Mysthetik

https://linktr.ee/joel_hostettler

Mastered by Joel Hostettler: https://www.kybernetiklab.com

Bowed Peaks

Autumn Reflection (no beats)

This week’s podcast features music made by Naviar’s community inspired by
Marco Alessi’s poem “Endless echo / footsteps on an empty house / once full of life”

Tracklist:

Audio Obscura - Echo Footsteps
noksidam - Empty House Once Full Of Life
Marco Lucchi - Once full of life (with Night Note)
Nadìr - Forgotten Games
Thoribass - Endless Echo

https://www.naviarrecords.com/2023/10/25/naviarhaiku512-endless-echo/

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Peter Herrmann
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #292 – Endless echo – Wednesday 8th November 2023

2023-12-19

Abandoned House, But Who Wound The Clock

2023-12-23

Snow Covered All Tracks

This symphonic poem was composed in 2001 as a hommage to Wagner and Buckner. It employs as cantus firmus quotation of Polish religious song: "Holy God, Holy Mighty, Holy and Immortal, have mercy on us." The piece was revised in 2021.

Pawel Strzelecki: "Supplication" for Orchestra (2001, rev. 2021).

Immersive collaborative album of Atmøsphäre and Dionisaf, steeped in cold textures, shadowy resonance, and layers of abrasive noise, conjures a bleak sonic tundra — where icy drones, distorted textures, and shadowy pulses stretch across vast, unforgiving landscapes.

Produced, mixed and mastered by Tom Lievens (Atmøsphäre) and Dionis Afonichev (Dionisaf)
Cover picture by Tom Lievens
Cover design by Dionis Afonichev

Northern Dreamscapes

Behind the Waterfall

Inspired by Naviar Haiku 623:
https://www.naviarrecords.com/naviarhaiku623-dont-pick-it/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (La Palma, Spain, 2015)


pick and give to me - Naviarhaiku623

Variation 1 (from album : `´ 'Seven Meditativ Waves'

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)