performed by Rosalind Ventris, for her album SOLA

Boreal (for sola viola)

The ascending You & I

17Jul25
My naviarhaiku602 track
https://naviarlab.tumblr.com/post/789227947919900672/naviarhaiku602-scent-of-plum
😊

the mountain path [naviarhaiku602]

pict free wallpaper
The calm and majestic Mount Fuji - Good night.
(Yes, I'm currently reading a Japanese author :-)

2025-07-26

おやすみ

"However vast the darkness, we must supply our own light.”  ― Stanley Kubrick

Track list and start times:
00:00  S Hollis Mickey – Cocoon (February 16)
09:30  Thomas Köner – Meta Incognita
15:52  Loop(c)y – On The Threshold Of The Invisible
19:35  Pedro Oliveira and Morgan Sully – Hind's Lament
27:50  Banabila & Machinefabriek – Bad Wiring
34:28  Chaperone – morose vandal the white-out memorial
39:28  Sebedeus – On entering the age of final farewells
43:54  Western Kill Company – Salt the Earth
46:38  Simon Bridgestock – Terrariums
49:32  Black Vines – Glass Memory
56:04  The Asynchronous Drone Orchestra[s] – 19th July 2025 (excerpt)
1:01:10  Grey Frequency – Midwinter (MMXX)
1:09:02  Ingrid N & the Ambient Hermit – Soul Echoes from a Forgotten Era (excerpt)
1:18:40  Max Andrzejewski – Mythos II: Aüe
1:24:35  Robert Carl – Updraft
1:33:52  Seasons (pre-din) – Untitled 8
1:42:00  Stan Magendanz – eybolutin
1:45:00  Six Microphones – part 4 (excerpt)
1:49:26  William Fowler Collins – Slow Motion Prayer Circle
1:54:48  Jefre Cantu-Ledesma – Where You End And I Begin
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Image: Lexica.art

Eclectic current – The truth of a thing is in the feel of it

Unforeseen (PM 7960) 3:32 30-07-2025

A cover/remake of one of my favorite songs of all time. I made this as an inquiry into themes associated with my root chakra. I envisioned an empty desert at night, with me under a tree with bare branches. This image has accompanied me throughout my adolescence quite a lot, always as some sort of imaginary save haven, even though it feels like a place of great solitude. I hold a certain sense of melancholy and solitude very close to my heart, even though I can't quite put my finger on what it is exactly, there is something in those states that is incredibly dear to me. Maybe it is because in this image - alone under a tree in a desert, endless horizons, the sky always waxing and waning between twighlight and night - there is a quality of peace, and absence of hostility and danger, that enables a part of me to be and unfold itself.
At the same time - this is where the double-edged-sword-likeness of the situation lies - I'm alone. I'm by myself. There is no one around. I - the part of myself in that imagination - perceive other people as a threat. Still I long for company.
But I need to be here - this is heaven, even though it hurts.
This song is that place, that feeling, that part of me, made audible. This is what helps me connect to silence when I'm in the need of solitude. This helps me to accept that part of me, so it too may find true peace and love one day. This is what aids me in transforming the loneliness and sadness I hold. Or in relating differently to the loneliness and sadness I hold.
I sincerely hope and wish, for those of you who can relate, that this song can offer something of similar importance.
Maybe we are together in solitude. 

Hiatus [Stone in Focus Cover]

Kolchis

https://youtube.com/shorts/UKQkKALSoD0?feature=share

@ Midnight

Stillness isn't absence, it's memory frozen in motion, a spiral suspended in velvety air. Echoes return with form and warmth, transforming silence into presence. Dreams leave residue in reverse, and names become breath, refracted. Somewhere between static and radiance, emotion is reproduced not to be understood, but to be felt again, ever softer.

Breathloop of Her Name

Inspired by a performance of 'Drumming' by Steve Reich.  Sound Source: https://freesound.org/people/drotzruhn/sounds/439504/

Humming After Reich

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

おやすみ

Night Note

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