I recorded some toy glockenspiel on top of my telecaster. On the other track good old electric guitar feedback.

Tulppaanit

May (f1)

The theme examines human connections with nature through additional hybrid music - a reflective, soulful and ambient sound.

Aurora's Sweep

Hybrid orchestral soundscape, a simple E major chord progression played on both electronic and acoustic instruments:  4 synthesisers alternating with 4 bowed basses, 2 cellos and a violin.

For this haiku:


pulling light
from the other world . . .
the Milky Way

by: Yatsuka Ishihara

Created by DD in Paris  July 9, 2025
Photo by Alex.

naviarhaiku601  by @naviar-records

Pulling Light (naviarhaiku601 )

Mohniat

pict free wallpaper
The calm and majestic Mount Fuji - Good night.
(Yes, I'm currently reading a Japanese author :-)

2025-07-26

おやすみ

2025-07-29

empty room

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

A/ Like Seeds Without Rain

HIDD3N HAND’s album is a striking debut that finds its power in duality. Rooted in the rhythmic DNA of UK Garage while drenched in the expansive atmospheres of Wave, the album feels both grounded and dreamlike, equally suited for the dancefloor and late-night headphone sessions.

The UKG influence shows up in the shuffling percussion, swung snares, and basslines that give the record its momentum. But rather than relying on nostalgia, HIDD3N HAND stretches those grooves into widescreen landscapes — pads hang heavy in reverb, ghostly vocal fragments drift in and out, melodies bend and fracture. The result is a sound that pushes Garage forward rather than looking back.

Two tracks highlight this fusion best. “Middle of Night” is a masterclass in groove, its crisp percussion and vaporous synths creating the sensation of moving through a city after dark, carried by rhythm but suspended in atmosphere. By contrast, “Call Me” is the album’s emotional centerpiece — stripped back, spacious, and anchored by a haunting vocal motif that feels more like a memory than a lyric. Where one track moves your body, the other stills you, leaving you in reflection.

Across the tracklist, HIDD3N HAND shows remarkable restraint and vision. It’s not maximalist club music, nor is it purely ambient introspection. Instead, it thrives in the liminal space between. In doing so, HIDD3N HAND delivers a record that honors the past, resonates in the present, and gestures toward the future of electronic music.

AVAILABLE WORLDWIDE OCTOBER 31, 2025

HIDD3N HAND - Opaque

studio jam with melancholic energy
moog muse
moog matriarch
erica synths lxr-02
erica synths zen delay
poly beebo
ableton live

iam melancholy

Fading Memories

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

おやすみ

Night Note