This episode features music made by Naviar's community inspired by Tanaka Hiroaki’s poem “whenever we meet / it’s raining / green walnuts”.

Tracklist:

Marco Lucchi · It's raining https://soundcloud.com/musichevirtuali/its-raining-naviar-haiku-616
Ray Cobley · Green Walnut Time https://soundcloud.com/ray_cobley/green-walnut-time
Jimmy Lem · An All-Encompassing Cold Perfume https://soundcloud.com/blisterpop/an-all-encompassing-cold-perfume-naviarhaiku616
Stan Magendanz · green walnuts https://soundcloud.com/stan_magendanz/green-walnuts-naviarhaiku616
cryxuss · green walnuts https://soundcloud.com/cryxuss/green-walnuts-naviarhaiku616
Snowman Lost His Head · We meet https://soundcloud.com/snowmanlosthishead/we-meet-naviarhaiku616

Credits:

music intro: “This ruined house”by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.

To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku

Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #386 – Whenever we meet – Wednesday 5th November 2025

1985 - Toccata

incubation

2025-11-16

changes in the sun

root conductor

Serpentine

Substitutes

身代りはいらない
身代りがほしいのではない
損なわれても生きられるから
大事そうに木偶を抱く人も
他人を責めることは好むが
自分が糺される段になると
木偶を投げ捨てて逃げ去る
街灯の丸い光の下でわたしは
捨て去られ首のもげた木偶を
くらい運河の水に蹴落とした

I don't need a substitute.
I don't want a substitute.
I can live even if I'm damaged.
People who cherish their puppets love to blame others, but when it comes time for them to be held accountable, they throw the puppet away and run away.
Under the light of a street lamp, a puppet with its head torn off has been abandoned. I kicked the puppet into the dark waters of the canal.


Substitutes

2025-11-30

beach in winter

Title:
Dusk

1: "Dusk Movement 1", 06:24 (00:00) (OctaTrig, Soma Lyra 8, Soma COSMOS)
2: "Dusk Movement 2", 07:30 (06:24) (OctaTrig, Soma Enner, Soma COSMOS)
3: "Dusk Movement 3", 05:15 (13:54) (OctaTrig, Soma Pipe, Human Voice, Soma COSMOS)
4: "Dusk Movement 4", 07:38 (19:09) (OctaTrig, OpenTheremin, Soma Lyra 8, Soma COSMOS)
5: "Dusk Movement 5", 04:54 (26:47) (OctaTrig, OpenTheremin, Soma Lyra 8, Soma COSMOS)

Dates:
01-Dec-2025 (inception), 03-Dec-2025 (finalised), 04-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Synthesiser programming and concepts by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/dusk-2

Description:
Dodecahedrons, frequency modulation (FM) networks, free tuning of hardware synthesisers and the sounds of a forest at dusk all come together in this suit, Dusk.

The title is inspired from that magic time when daylight begins to give way to darkness -- dusk. The insects begin to sing,
the forest becomes alive with other sounds. Dusk is an imagined journey into the forest at dusk.

1: Dusk Movement 1
The sun has set, the wind has calmed down, insects and creatures of the forest come out to sing. A normally quiet time except for the chorus from the forest that is slowly building up. A time to reflect on life. In German, we call it the Dämmerstuendchen, a time to sit in semi darkness as light from the sun fads, complemented by sip of a good Australian red wine with a friend. The nocturnal creatures begin to wake and say hello to each other, the bats, owls and possums. 

2: Dusk Movement 2
A distant rhythm of drums are heard, the Cicadas. The birds from tree tops have their brief say. The crickets decide to join in again. Possums scurry from tree to tree. A sugar glider sweeps past.

3: Dusk Movement 3
A breeze picks up, the din of the insects give way to singing trees.

4: Dusk Movement 4
The wind stirs some more, swirling into the caves, awaking the bats, emerge from the cave, flying into the forest.

5: Dusk Movement 5
The wind dies down. The crickets emerge again, the owls fly past. The trees cover the forest in a comforting blanket. Nocturnal marsupials looking for morsels. All settle back to their nests before the sun rises again.

This project has been on the building books and sketch books for a while now. It all started with someone posting an article on the "Mathematical Tiling and Tessellation" FaceBook group about five side shapes (Pentagon) in nature. I was then curious about networking several of these Pentagons for a tuning system, turns out you can connect twelve of these to form a closed surface called a dodecahedron. A very common musical scale in Western music uses twelve notes equally dividing the octave. I started a music project using a scale based upon twelve notes printed on a paper dodecahedron, the notes you would see as you rotated the dodecahedron, that project is still ongoing. This led on to thoughts about how such a shape could lead to a physical instrument -- more trials, more ruminations during my exercise walks. Now, fast forward to Nov/Dec 2025, the pentagon was reduced to a triangle and the closed surface of the dodecahedron was reduced to an open surface triangulation with one pocket.

Eight triangles, eight vertices. My Push2 midi controller, has eight main rotary encoders and eight columns of note pads. An FM synthesiser at it's core has three inputs, a carrier frequency, modulation amplitude and frequency of modulation. Can you see the pattern? The triangles form the topology of the FM synthesis sound generation, the surface the human machine interface. The Push2 as the prototype.

For the full story, see my facebook page at:
https://www.facebook.com/norman.freund.545/
or my BandCamp site.

Find your self a quiet time to listen to Dusk with a set of good headphones or stereo speakers. Lots of timbre evolutions, small detailed changes and an evolving spatial movement of sound voices.

Dusk Movement 4

home

(Dark Ambient Drone) Stars inside the Structure

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

changes in the sun

Night Note