(Peterson | Sharbaugh)
Calebass (Mikael Peterson) [ https://soundcloud.com/calebass ]: vocals, acoustic guitar, percussion and drums, and melodica
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: lyrics, 'steely' guitar, drums and drum machine programming, synthesizer and sequencer programming, and 'found sounds'
Recorded by Mikael Peterson [Calebass] [ https://soundcloud.com/calebass ] and Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Mixed, Produced, and Engineered by Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Words and Lyrics by Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Composed and Recorded ca. December 7th, 2021 to February 14th, 2022.
sm19 [edit01] [eM] [24WAV].

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"Bittermouth II" has two 'sister' recordings that preceded it, "Bittermouth I" [ https://soundcloud.com/michael-ash-sharbaugh/bittermouth-disquiet0520-on-the-clock-sm7 ],
and "Bittermouth II" [ https://soundcloud.com/michael-ash-sharbaugh/bittermouth-ii ]-- both instrumentals; this one, "Bittermouth III," features Calebass singing My following lyrics:

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with bittermouth
I take You in

arrested in thought
adorned in sin

betrothed am I
to another's hand
yet succumb so swiftly
to this Siren's strand

where can My Savior
anchor His feet?
where might He gild His lungs
with an air so sweet?

nowhere close
is what I fear
once chance taken
the cost so dear

with bittermouth
i take You in
detesting this thought
the sinister sin

of My Lover's entropy

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"I, for years, had wanted to collaborate with this fine, unique artist, Calebass; this is the fruit of that labour.

Thank You, Mikael!

"

~ Michael

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Bittermouth III

"Bittermouth III" - Michael Ash Sharbaugh + Calebass

Bona (In Blue)

This track was created for the Naviar Haiku group.
428 week haiku
https://www.naviarrecords.com/2022/03/16/naviarhaiku428-end-of-rains/

2022-03-17

End Of Rains  ( Naviarhaiku 428 )

Tools Of Tomorrow - De - Massifying The Media feat. Sonatis

Dreaming Back

2022-04-10

Like A Haze Above The Surface

https://soundcloud.com/ttuttle: cajon, dan moi, electricals, metallophone, percussion, singing, words
doug: bike spokes, bass, cbox guitar, glockenspiel, marimba, percussion and probably a bunch of other stuff



words:

coffee stain a foreword
mud glyphs in silhouette
daisy cutter butterfingers
trudy underbrush lest you forget

Horse jaws met rose hips at broken deer bones station
With glints of sunspots and over wobble the car was racing
Clanking kettles snaking eskers flipping stomach drumlins chasing
why's everybody calling' me chicken
lets drive to unclear alberts junk farm
to look at the moon

on their way up
horse jaws got stuck
in the phylum zanthoxylum
ankle deep like a rebar stick man in the sands of zansibar

lets drive to unclear alberts junk farm
to look at the moon

Horse jaws met rose hips at broken deer bones station
With glints of sunspots and over wobble the car was racing
Clanking kettles snaking eskers flipping stomach drumlins chasing

I bu hebe me maybe mebe I
I bu hebe me maybe mebe I
I bu hebe me maybe mebe I

unclear alberts junk farm

Electric Music

A distinctive piece from the Ballroom Records archive, “Planetarium” by Kostas Maskalides is featured on TEN: The Archive Series, Pt. 4 — a curated collection exploring the label’s most atmospheric and genre-defying Electronica.

TEN: The Archive Series, Pt. 4

Planetarium

Petrichor

rattle.

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

End Of Rains ( Naviarhaiku 428 )

Night Note