Washed Up On Strange Shores

Picture: Ipomea tricolor
warning contains LSA!
a substance belonging to the group of ergot alkaloids and parent compound of lysergic acid amides. LSA can serve as a raw material for the synthesis of LSD. Ergine shows a psychedelic effect similar to LSD in humans.

noxpox - floral dawn

method: crave, voice (through VT4 and equalizer) into zoom r20.
narration: it‘s absurd. the title does not refer to a category made-up by baumgarten. it could refer to one by jean paul sartre, though.

poem / copyright jo richter:

traffic is organized in a two-lane manner, so
that cars, lorries and motorbikes constantly fail to
crash frontally which can not be said for the surrounding air

he remembers a conversation with someone he
had been married to when he felt like suffocating
in plain air, that unidirectional had been her approach

it‘s the atmosphere, akasha, the morphogenetic field
that holds the relational world together, connects
and distributes, unlike the one-way arrow of light

the art of budging is not a martial art at all, he
understands, those who belittle the understood will not
give in to understanding, misconception will prevail

hell is other people, sartre shouted into the void, referring
to those who mistake themselves for the holy flame, who
have not yet learned that breathing means sharing

from an atomic point of view, everything
is a hyperobject, distributed within a medium made
of attractions, repulsions, interconnections and dialogue

and the lines of interference come about when
observed only, when the amorpheous non-understood
is dragged along by the causal, carousel force of a mind understanding

gnoseologia alterior

gnoseologia alterior (soundscape)

Haybarn Sun

K G G - Satellite Of Love

2023-05-13

Gándhí

Underwater Dreams

Prismatic

This is the full orchestral version of "Wind Vine", based around an instance of the kontakt instrument "Scene: Lotus".
All instrument tracks were recorded in one live take (separately), fully improvised and in the case of the Lotus recording, was also modulated live during the take.
Once recorded, the Lotus recording has not been modified in any way, however, the piano and other instruments have had some minor editing, the vast majority of which was removing any parts that didn't work so well, but I also made a few small time corrections or a couple of note adjustments where I hit the wrong keys here and there, but for the most part they are the original recordings. This was to be expected though, as I played my fully weighted key Oxygen 88 keyboard for the first time in a long while, compared to the Korg Micro Key I usually use (which has tiny keys as the name suggests).

The idea was to just run with it, record a single improvised take and then subtract from that take rather than add to, which is a new approach to how I usually work.

The piano used in this is the Kontakt sampled Piano instrument "The Giant"
All additional instruments used in this piece are also played via the Kontakt sampler, including: Stradvari Cello, Balinese Flutes, Bass strings section and Clarinet sfx from the Symphony Series, Hang Drum, and various instruments from the East Asia Spotlight Collection.

Wind Vine (Full Version)

Roberto B (@2roberto2) and I now present our "Electronic Symphony 7". It was composed by Roberto B on 22 September 2024 in MAGIX (initial composition, recording, arrangement and mix), Alex M on 24 May 2025 in Logic Pro using Akai MPK keyboard input (subsequent composition, recording, arrangement and mix), and Roberto B on 5 June 2025 in MAGIX (final arrangements, recording and mix), and released here on SoundCloud this Sunday late evening (in Europe), 22 June 2025. We hope you'll enjoy it.

The artwork cover for the album and all its tracks uses a painting by Roberto B of 24 May 2022 annotated in Mac OS Preview by Alex M on 27 October 2024 - in coordination and agreement between the two.

Duration: 6:46 minutes

Release date:
22 June 2025

Electronic Symphony 7 - Roberto B & Alex M

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Gándhí

Night Note