Wonderful, unmistakable Night Note! Fits well to the Haiku :D

Deadline: 13th July 2022

All submissions to Haiku 444:

https://www.naviarrecords.com/2022/07/06/naviarhaiku444-in-the-late-blossom/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #444: In the late blossom / Of red sunlight / One last dance

A fictitious competition where 99 of the 100 competitors in a squiggling competition perish. Somewhat inspired by the Dancing Plague of 1518 and Shirley Jackson's short story "The Lottery".

The original version had more vocals, but a decent portion of them were scrapped for the reupload.

Sinny: percussion (shakers, caxixi, cabasa, tambourines, triangle, finger cymbals, cowbells, jam block, rototoms, djembe, vibraslap, helix bowl, The Night Cricket, brake drum, slit drum, frame drum, flexatone, ratchet, thunder tubes, xylophone, marimba, orchestral chimes); drum kit, kalimba, synthesizers, dobro, samba whistle, bulb horn, sound sticks, vase, chair, voices; synth, drum, and percussion programming

Squiggle Till You Drop

Pista 4 de Versos Sonoros.

Música/Programación: Jesús Patiño.

©2019

-

¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
Mucha sangre
De color rojo, y rosa
Y de la mezcla de los dos,

Que se vea desde muy lejos
Y mucha gente venga
A ver lo que pasa

Y lo que pasa
Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos

Y por debajo de la lengua
Y tambien de los pies
Y de las rodillas
Y de las caderas

Y no paro de correr
Y a mi me gusta sentir
como sale tanta sangre por mi cuerpo
Y a mi me gusta sentir
Como sale tanta sangre por mi cuerpo
Y a mi me gusta sentir
Como sale tanta sangre por mi cuerpo

¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
Y de la mezcla de los dos
Que se vea desde muy lejos
Y mucha gente venga
A ver lo que pasa

Y lo que pasa

Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos
Y por debajo de la lengua
Y tambien de los pies
Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos
Y por debajo de la lengua
Y tambien de los pies
Y por debajo de la lengua
Y tambien de los pies

Y lo que pasa

Es que me sale sangre

De la nariz y de los dedos
Mucha de los dedos
Por debajo de la lengua
De los pies y las rodillas
Sale mucha sangre
sale mucha sangre
Sale mucha sangre
sale mucha sangre
Y a mi me gusta sentir
como sale tanta sangre de mi cuerpo

Es infinita, infinita,
Infinita y todo el rato genero mucho mas
Mi sangre es infinita y todo el rato genero mucho mas

Es un espectaculo
Y si fuera un dolor muy leve
Un dolor divino
Un dolor del limbo
No pasa nada
Por que es como un truco de magia
La gente se asusta y se asombra
Pero no pasa nada
No pasa nada
No, No, no pasa nada, hey, hey

Soy infinita, soy infinita,
soy infinita, Soy infinita,
Hey, hey
Soy infinita, soy infinita,
soy infinita, Soy infinita,

Sangre Infinita (HQ 2021)

My friend @azurium created this awesome remix of my track "Fluorite". 
Don't miss to check his music: https://soundcloud.com/azurium
Original track: https://soundcloud.com/ariadmusic/fluorite

Azurite (remix of Fluorite by Azurium)

In the late blossom
Of red sunlight
One last dance

haiku by James Welsh https://twitter.com/JamesWelsh35

picture by Kevin Mueller https://unsplash.com/@kevinmueller

For more information about the weekly haiku music challenge visit www.naviarrecords.com/about/naviar-haiku

red sunlight  (naviarhaiku444)

a response for NaviarHaiku 444 by James Walsh
In the late blossom
Of red sunlight
One last dance

Sunlight dances into the night.

Sunlight dances Into The Night(NaviarHaku444)

In the late blossom
Of red sunlight
One last dance

(James Welsh )

In The Late Blossom (naviarhaiku444)

8Jul22

My naviarhaiku44 submission
https://www.naviarrecords.com/2022/07/06/naviarhaiku444-in-the-late-blossom/
:D

One last dance [naviarhaiku444]

An electronic composition, sounds created in Pure Data.

Late Sunlight (naviarhaiku444)

This track was created for the Naviar Haiku group.
444 week haiku
https://www.naviarrecords.com/2022/07/06/naviarhaiku444-in-the-late-blossom/

2022-07-11

In The Late Blossom  (Naviarhaiku 444 )

Originally made for Disquiet Junto Project 0563, but abandoned (in favor of https://soundcloud.com/winterer/melodic-walking-disquiet0563 )because of having too much "magic" but no "realism" at all. But for what it is I like the track very much. 

Cover track image made with an image from DALL·E, "oil painting of a drowned rusty synthesizer inside a flooded church with windmill on it".

Time Drowning Mechanism

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

E-Sweetie Q

Original Score inspired by the Adrian Tchaikovsky novel Dogs of War

Morrow Incorporated

Wooden Floor And Wood Bass

Direphosis [part 2]

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a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

In The Late Blossom (Naviarhaiku 444 )

Night Note

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