I love how two lead vibes are chilling together like that

Funky and melodic, the two guitars seem to be discussing the girl in the track art:) The excellent bass seems to be playing referee:)

those guitar lines spin around each other perectly.

Great tone on the guitar great track and great Artwork

Hello. It's been quite long since I made a spacy track like this... Oh... yeah. :D

I'm happy that I made a new spacy track like this!!1 

(did I ever actually make a spacy track like this...? oh. well, now that's a thing, I guess)

Mana Weaver

Here's another cool composition that @nic_nic_nic Nic sent over for me to color on.  Like Vast Fields and Torres Strait, it's got an understated moody kinda vibe to it.   This one really grew each time one of us would touch the project.  It's been fun to hear it evolve over the past month or so.  

It's a 12 minute plus commitment should you choose to make it, but hopefully you'll find it musically interesting throughout.  Nic likened it to a big Italian meal with lots of delicious side dishes.  I thought that was appropriate.  

So check out "Great is the Sun"  and if you like it, take a listen to Vast Fields and Torres Strait  Also don't miss "bow" - one of my tracks that Nic did vocals for. 
https://soundcloud.com/texmex-shaman/bow-collab-with-nic-and-tms 

Music: nic and TexMex Shaman

Lyrics: Robert Louis Stevensson

Great is the sun, and wide he goes
Through empty heaven without repose;
And in the blue and glowing days
More thick than rain he showers his rays.

Though closer still the blinds we pull
To keep the shady parlour cool,
Yet he will find a chink or two
To slip his golden fingers through.

The dusty attic spider-clad,
He, through the keyhole, maketh glad;
And through the broken edge of tiles,
Into the laddered hay-loft smiles.

Meantime his golden face around
He bares to all the garden ground,
And sheds a warm and glittering look
Among the ivy's inmost nook.

Above the hills, along the blue,
Round the bright air with footing true,
To please the child, to paint the rose,
The gardener of the World, he goes.

Great Is The Sun [NIC and the TEXMEX SHAMAN]

https://northfield-lenox.com/
This track features vocals and lyrics created by Jennifer Roe. Please visit her SoundCloud page for more amazing music. 

@jenniferroe

“Crystal Radio” is 4 track album released in 2022.  The central thread related to how time and life flow in an unpredictable pattern, but within boundaries. Lines are created based on decisions we make, big or small.  How different would someone’s life change based on these decisions?  Even say, stopping or not stopping to have a drink at a water fountain, decades previously. Everything after would have been jostled around, but with what impact?  

Two previous tracks have used this theme. ‘Silica Daughter’ appears on the 2021 project “Cloktacs III” and uses a sample where the question is asked, “You won’t fail me will you?”.  Later in 2021, samples from the 90-year-old movie ‘Back Street’ were repurposed to create a radio play called ‘Back Lane’ which will be aired as part of the 2022 Radiophrenia event in Scotland. The storyline of the movie follows a chain of events set in motion by a simple decision that alters the lives of the characters completely, forever, and ends in a classic, ‘what if’…

The final track “Tracing Home” again features Jennifer,  bookending this project with two fabulous performances.

Tracing Home [Ft. Jen Roe]

K-Rodeo Clown

Come At Me Bro
DRUMS JUNEZ
BASS JUNEZ
GUITARS JUNEZ
VOX JUNEZ

The Catz Azz

Bull In A China Shop ( Ripper )

The DRUMAX PROJECT present track number 14 !
https://soundcloud.com/joerxworx > Composition, Instruments, Arrangement, Sax & EWI Trumpet, final Mix
https://soundcloud.com/docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT

No. 14 // PLUTO WANTS TO PLAY

E-Sweetie Q

Made with my Korg SQ-64 and the Roland D70.
Recorded/played 64 step sequence which I speed up a bit and manipulates while replaying it with the sequencer, added delay to give it even more life.

Artwork by Gilbert Garcin: https://artfacts.net/artist/gilbert-garcin/17699

I Never Heard The Bell

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

original composition by Wilfried Hanrath and I, Eternal
added sounds :
https://soundcloud.com/boson_spin/blemph by Boson Spin
https://soundcloud.com/agnosturaelwar/varjevndogn-naviarhaiku482 by Ingvar Tautra
morphed and recomposed by Marco Lucchi

aprile 2023

Wilfried Hanrath, Boson Spin, Ingvar Tautra, Marco Lucchi & I, Eternal - Starcitizens

New Album! Bandcamp!
★[Dual Katana] 
★[no ambient, no life]
Check it out!

E-Sweetie Q

Sanshu Seiso [Experimental Artist]

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