Hypnotic composition - great work Maestro

Just do yourself a favor, take a minute and listen to 
https://soundcloud.com/debra_buesking

Loud and Clear - With Debra Buesking

Wasting Time

You Could Never Take Away

First track from my new Anonymous project Autjoy.
GOLD has a experimental beat arrangement. 

A mix of spoken word and singing vocals delivers my exploration of what it means to be neurodivergent. 

GOLD will appear on my new Album out on 5/5/2023 on Bandcamp.


GOLD   https://autjoy.bandcamp.com/album/gold


I feel like I am trespassing on solid ground 
Too long have I just been floating around gathering beats subconsciously tuning in the reverberations and details and the patterns of your 
Words
The pulsating light from the fluorescent tubes abuses my senses along with the background hum
I walk about numb with psychic blinkers on trying to ignore the glare from the
Sun
I get multiple interpretations of expressions and instructions so I try to follow your flow 
I want to know so I carry out my own private investigation of your 
Soul

I exist and feel the twist
Push and pull 
I get the gist
Analyse the hows and whys 
I just don’t think like you

Can’t do the things the way you do
Got my quirks and reasons too
Analyse the lows and highs 
And all that’s in-between

Emotions strike I ride the rush 
It’s almost like I feel too much 
Analyse the truth and lies 
Arrive at my own  view 

I need clarification to make sure I know what it is you’re talking about 
I could’ve zoned out I’m not being rude but the first thing you said was really interesting but I think you’ve moved
On
Its ok I always frown don’t worry about it it’s where I hold my attention
Anyway you keep changing the subject and it’s a bit Intense 
I don’t think my thoughts are matching my
Face 
You got emotional in what seems like a negative way 
It’s like a black hole I need to escape from I’m shutting down on some kind of overload 
I can’t process your information and the energy 
Hurts

I exist and feel the twist
Push and pull 
I get the gist
Analyse the hows and whys 
I just don’t think like you

Can’t do the things the way you do
Got my quirks and reasons too
Analyse the lows and highs 
And all that’s in-between

Emotions strike I ride the rush 
It’s almost like I feel too much 
Analyse the truth and lies 
Arrive at my own view

GOLD

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/TKimSdseDEY

Heptagram

Flying Spies

It's been a while since I posted my latest track, which in fact dated back to 20 years ago. I've been struggling with several issues, and sadly I haven't had many chances to record any new stuff, these latest months or years. This time I won't say things are going to get better in future, because I'm not so sure they will; still I really hope so.
This piece is about spiritual dawning.

Teth Sin : acoustic guitars, flutes, synthesizers, samplers (piano, Tibetan bells), sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Upside Dawn

"太鼓（beat a drum）"

Vocals: Vocaloid Yukari
Art work: Victoria_Watercolor via Pixabay

太鼓打つ子の後を追う浮雲のおもい足取りわれの後追う

I followed a boy as he walked, beating his drum.
Anxiousness followed behind me.

太鼓 (beat a drum)

E-Lima

Future Dreams

dream loops

So happy to work with Dani on this amazing piece of music. She's a brilliant songwriter, singer and musician. Check out her beautiful songs: https://soundcloud.com/dontkillbutterflies

Beats and synths - Alex Jackson https://soundcloud.com/allsmilesuk
Guitar, lyrics and vocals - Don't kill butterflies
Lyrics and vocals - learningtoplay

slow dissolve

Planetary nature -- Don't kill butterflies (~ ltp)

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Notre-Dame

Marco Lucchi

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