@magician-2: Thank you very much, Ian. Such a dark and a little scary story, haha, but the photo and the name Haiku about it so little himself said :-). What's happening at the station when it is night and closed. Certainly there are many ghost passes on trains that no one sees :-). Thank you very much . Have a good time, hi. Milan

Toto je pěkné Milane, strašidelné, spousta lidí nemůže spát a stávají se z nich postupně zombie :))

great ambience with a fascinating ghostly atmosphere! :)

Lovely, noisy, smooth, and entirely listeneable! Thanks!

Naviar Haiku challenge 101 - 150

https://music-editionsiegfriedgrundmann1.bandcamp.com/album/dephts-of-sound

Depths of Sound

Some nice sounds with my Friends, 
so good that i have a Team like that,
Schmitt - Guitar
lofi Menta - Bass https://soundcloud.com/user-672449547
Joerxworx - Saxophon https://soundcloud.com/joerxworx
Ratzzz - Keys im Fuchsanzug

Lunatics 248 the lucky Strike / lofi Menta - Schmitt - Joerxworx & Ratzzz

isn't he horrible

Seven years ago, Oddrun and I released a beautiful collaboration titled “Smile” — a heartfelt reinterpretation of the timeless theme from Charlie Chaplin’s Modern Times (1936) 🎬.  Born from a melody that once underscored silent emotions on screen, our version gave it a new voice — tender, human, and full of light.  For some reason, it never made its way to my SoundCloud page… until now. It feels like the right moment to share this piece again — a little fragment of beauty we both cherished.
 I hope it touches you as it once touched us. ✨

Arrangements by Charles Chambaz 
All instruments, effects are performed by myself. 
For more information, see my public Profile
Vocals by Oddrun (@oddrun-eikli)

Smile: A Charles(music) & Oddrun(vocal) Collaboration

■概要(Overview)
勇気を出して気持ちを伝えてみよう！・・そんな感じの曲です。
長く使っているオーディオインターフェース(UA-4FX)の調子が悪いので、買い替える事になりました。この曲はUA-4FXを使って作った、最後の曲です。寂しいな。次回からは新しい機材です。
※絵はAIに描いてもらいました

Gather up the courage to express your feelings! That's the kind of song it is.
My audio interface (UA-4FX) that I've been using for a long time is malfunctioning, so I've decided to buy a new one. This is the last song I made using the UA-4FX. I'll be sad. From next time onwards, I'll be using new equipment.
*The picture was drawn by AI.

■更新履歴
2025.10.20 音のバランスを微調整(Fine-tune the sound balance)

■歌詞
「ちぎった今を」
冷たい冬が来る前に
積もり積もった気持ちを伝えよう

乾いたのどを潤した夏の水
空っ風に吹かれ消えてしまうさ
泳ぎ切った日の事は遠く幻で
その人の顔も忘れてしまう

失うことは怖すぎるね
いっそ秋の風の吹く方にまかせ
上手くいかないと決まった訳じゃない
天国なのか地獄かなんか　風に聞くさ


変わってしまう景色なら
今をちぎって　届けよう気持ちを

人の気持ちはわからないさ
きっと秋の空のように変わる
立ち上がる時さ勇気ふり絞って
ちぎった今を届けたならば強くなれる

ああ　時を　巻き戻せたなら
ああ　今を　生きる　
今を・・

■Lyrics (translation)
"Before Winter Comes"
Before the cold of winter arrives,
Let me tell you the feelings you've kept buried deep.
The summer water that once soothed your thirsty throat
Will be swept away by the dry winter wind.
The day you swam through it all now feels like a distant dream,
Even that person’s face begins to fade.
Losing something is terrifying, isn’t it?
So maybe just follow the direction of the autumn breeze.
It’s not like failure is already decided—
Whether it’s heaven or hell, ask the wind.
If the scenery around you is bound to change,
Then tear off this moment and send your heart with it.
You can’t always understand someone’s feelings,
They shift like the autumn sky.
But when it’s time to rise again, summon your courage—
If you deliver that torn moment, you’ll grow stronger.
Ah, if only I could rewind time...
Ah, I’ll live this moment—
This moment...

Before Winter Comes（ちぎった今を）

Komposition988 SchalgzeugKlavierStreicher

Wanting And Not Wanting

Storm

Bleach Spiral

Creación hecha en base a unos riffs de sintetizadores con samples vocales modificados.
DAW: Cubase 14 Pro
Plugins: Retrologue, FM8, Halion, Groove Agent 5
Plugin de Masterización: Izotope Ozone 11 Standard.
I hope you like it.

manu002 C14

this jam is split to 2 videos, links below:
https://youtube.com/shorts/vE9YKCEtlUw?si=cGo7PFkG5E5KBrFT
https://youtube.com/shorts/dsn6S9qEeW8?si=90ReVzGMtlze2iQO

stylophone beat & guitar jam 02

This track was created for the Naviar Haiku group.
139 week haiku
naviarlab.tumblr.com/

in the track is used in a lot of sounds from various railways station, the foundation of the line sounds from Yamaha MX49 (This time it will be around for a little hardcore people audience :-)

2016-08-31

insomnia - Railway of ghosts (Naviar Haiku 139)

This track was created for the Naviar Haiku group.
142 week haiku
naviarlab.tumblr.com/

2016-09-22

One note of the shakuhachi (Naviar Haiku 142)

one note of the shakuhachi / resounds endlessly / piercing the winter clouds

all tonal sounds except the background pads and drums are created from a broken shakuhachi sample-CD, sampled in real time. 

sampled, mixed and mastered by www.stachy.dj

Naviarhaiku 142

stachy.dj

hofuku sochi 報復措置 - one note of the shakuhachi (or two?) [Naviarhaiku#142]

went literal: one held shakuhachi note, resonating at C1 - C6

.............. .      .             .

The haiku of the week was written by Sôen Nakagawa, a key figure in the transmission of Zen Buddhism from Japan to the Western world.

The shakuhachi is a Japanese end-blown flute that was originally introduced from China into Japan in the 8th century. If you’re curious to hear how it sounds, check out this video: https://www.youtube.com/watch?v=f7s-wXZWT5o

Seven days to make music in response to the assigned haiku poem. To participate, visit http://www.naviarrecords.com/about/naviar-haiku

DEADLINE: 28th September

Poem by Sôen Nakagawa

Picture by Anne James

shakuhachi d  r   i    f     t (naviarhaiku142)

Written as companion to the following Haiku by Sôen Nakagawa:

One note of the Shakuhachi
resounds endlessly
piercing the winder clouds



For more information and to participate: http://www.naviarrecords.com/about/naviar-haiku/

Piercing Clouds

Piercing Clouds [NaviarHaiku142]

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

insomnia - Railway of ghosts (Naviar Haiku 139)

Night Note

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