place without waves (r.s.stropharia + chr.ruoff) 13.08.2021

https://www.youtube.com/watch?v=CnR1vugWdEk
Free download--> https://www.zabirski.art/library/tracks/224
Photograph pixabay-AngelaL_17

Zapałki/Matches

Kit: uKORG, Hammerhead, Fugue Machine, Sampletank, Yamaha Synth&DrPad, Logic Pro X.
Acknowledgments: 
Samples 1) Samuel Corbin - “tba” copyright 2016.
2) Dead Peoples Records, No. 31 Mediated Voice & Silence (2014).
Both sample sets - Licensed under a Creative Commons Attribution license, CC-BY (freemusicarchive.org). 
Cover Art: Cold Dark Matter: An Exploded View (1991) by Cornelia Parker - a shadowy interpretation from Tate Modern.

Anthropomorphism 3

LYRICS:

I do what I do, not for you, just for pleasure
I do what I can and I can't do no more
It's all up for grabs, there for keeps, for good measure
This ain't gonna go down like it has before

The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)
The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)

I do what I do, not a want, but a have to
You take what you can 'til I can't give no more
It's all just a show, a facade, a half measure
This ain't gonna go down like you think it should

The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)
The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)

I know you know
I'm hanging like hangman
With nowhere to go
I know you know
I'm hanging like hangman
With nothing to show
I know you know
I'm hanging like hangman
By neck or by toes
I know you know
I'm hanging like hangman
I scare off the crows

You do what you do, what you think, what you bother
You take what you can 'til you can't take no more
It's all an exchange, give and take, that you squander
This ain't gonna play out like you'd like it to

The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)
The more you take, the more you break
(Gonna break it down, gonna break it down)
The more you deal defines what's real
(Gonna break it down, gonna break it down)

Like Hang Man

Taking five, waiting for the time to arrive, searching for the will to survive, on the drive of your lives
Taking four, chilling for another cold war, dreaming of the broken dance floor, falling through another trap door, hoping for more
Taking three, dominoes are falling over me, imprisoned in the land of the free, submerged in a fake reality
Taking two, power trippers calling after you, looking for another breakthrough, rejoicing at the callous menu, it’s true
Taking one, mad dogs running for the sun, fat cats have only just begun, creaming cream, having fun

Counting Down

Witnessing the fascinating conjunction of Venus and Jupiter from my hostel window prompted me to revisit one of my early attempts at writing music for solo MIDI electronics. 

"Celestial Dance", composed in May 2019, is in three parts, each following the other attacca, without pause. The harmonic structure of the work is derived from the clash (conjunction!) of two diminished seventh chords, with their root notes a semitone apart. Pierre Boulez had used such a chord in Sur Incises (and Incises)  which piqued my interest in its sonority. The instrumentation albeit MIDI oriented (which allowed me to push the instrumental performance to superhuman virtuosity) is made up of the instruments Boulez used in Sur Incises - with the addition of an electronic piano and solo strings. 

Celestial Dance, for electronics (2019)

Updated June 7, 2023: Synline has made collaboration work for me.
https://soundcloud.com/synline/the-river?si=d85aada01c7b4a0a9c8e26a590f06cce&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

--
In January this year, we lost the great musician and drummer of YMO, Yukihiro Takahashi. As if following him, last month, Ryuichi Sakamoto also passed away. Having lost two respected musicians, I find myself without emotional support and have been creating music daily, tracing their music and lives. Unconsciously, the songs I create are heavily influenced by their music. This song is one of them. When I listen to the finished piece, I feel it somewhat resembles YMO's "Expecting Rivers." These days, I find "HOPE" in the Milky Way, the heavenly river that spans the sky.

Rivers of Aspiration

This track was created for the Naviar Haiku group.
486
https://www.naviarrecords.com/2023/04/26/naviarhaiku486-lost-in-tranquil-seas/

2023-04-27

Lost In Tranquil Seas   ( Naviarhaiku 486 )

Completed the trio piece using @noodletwister & @pineyb track https://soundcloud.com/noodletwister/triskas-bunker-disko-disquiet0592?si=357c25b33eb44c42a77c8df5eb0bf1ce&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Triska Disko Refraction With Pineyb & Glitcher (disquiet0593)

Inspired by the following haiku written by Darren Bourne:
Caterpillar
Opens her new wings
Metamorphosis
You can find Darren’s music on Soundcloud (https://soundcloud.com/half-unusual) and Youtube, and check out his website to find out more about his publications and merchandise: https://www.halfunusual.com.
Thanks to Naviar Records: https://www.naviarrecords.com/2023/08/23/naviarhaiku503-caterpillar/

My Naviar Haiku

The Painful Opening Of The Wings (naviarhaiku503)

Sinfonía

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Lost In Tranquil Seas ( Naviarhaiku 486 )

Night Note

Recent comments

Amomus

Emma Caiman

idematoa

progettosonoro

Related tracks