Time spent in sanctuary

Villagers whispered that when El Chalambra appeared, time bent sideways—clocks stuttered, rivers reversed, and memories no longer obeyed their owners. His presence was both omen and invitation: to step beyond the known map, to risk dissolving in the kaleidoscope of his gaze, and perhaps never return the same.

El Chalambra

Sometimes it's the simple things in life, that bring joy.
Cheese and wine, hashish and wine gums, or in our case, a bass and drums. May you be amused and delighted... 
(Legal note: hashish is legal in this country, and I think wine is too... and of cause cheese. I have to check the wine gums...)

O ZERO - JazzFusion

46x0 JazzFusion

Completely created with VSTs and a sax on top :-) ... enjoy !

With the Tides

May I introduce three chosen members of Vocalite and the spherical sound. 
(Also known as a three-part choir) and the godfather of synthesizers, 
Elka-Synthex from Italy... the year is 1987... A Duet with choir 
(three female singers) and an Elka Synthex (three-part harmony)

This is the second part dedicated to the Vocalite.
1.) Vocalite and  2.) Quai uan Ta ru

Story to the Song...
The Vocalites follow an ancient code: "Only those who hear the rhythm of the cosmos can maintain balance." In their dances, which illuminate the desert in eternal motion, they find peace and the eternity that only the techno universe can offer.

The maturation process that the Vocalites must undergo lasts hundreds of years, during which they learn the rhythm of the cosmos. "Quai uan Ta ru" is the song they must perform as a test before the cosmos... the cosmos gives them the spherical triad, which they must follow in three-part chant.  At the end of the cosmic test, the spherical sound unites and sings a duet with the chosen Vocalites.

This duet leads the people of Vocalite to the highest fulfillment of "being one with the cosmos."    

Have fun...  Robert / O ZERO

Statement
I have nothing against AI music, but I would like to point out that this piece was created by three singers and a keyboard player. Even though I myself don't receive a fee, the singers were compensated for their skills and work.
The singers also underwent vocal training to develop these voices. I myself cannot sing and have the utmost respect for their abilities. Furthermore, they sing truly beautifully, which is not due to me, but solely to their talent.
AI music is interesting, but I cannot and will not bring myself to give preference to an AI over these talented people and over us humans in general.

Vocalite Part II - Quai uon Ta ru

47x0 Quai Uan Ta ru (Vocalite Part II)

"Bewahre das Licht in dir"
"Keep the light inside you"
🙏

Keep The Light Inside (Remix 2025)

The Hollow Void

Part of the Naviar Records Haiku Music-Challenge:
https://www.naviarrecords.com/naviarhaiku618-the-harp-player/

the harp player-naviarhaiku618

The Battle of Passchendaele was a major World War I campaign fought by the Allies against the German Empire on the Western Front from July to November 1917.  It is widely remembered as a vivid symbol of the horrific fighting conditions, particularly the deep mud, and immense casualties for minimal strategic gain. The village of Passchendaele was eventually captured by Canadian troops on November 6, 1917, and the nearby ridge was secured by November 10, when the campaign ground to a halt. The advance was a mere five miles, achieved at an enormous cost of an estimated 275,000 to over 400,000 Allied casualties and around 220,000 to 400,000 German casualties. The ground gained was ultimately abandoned by the British in the face of a German offensive the following year. The name "Passchendaele" has since become synonymous with the brutal and often futile nature of trench warfare during the First World War.

Passchendaele

2025-12-05

meditations for mortals

A Midnight Clear

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

meditations for mortals

Night Note

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