This track was created for the Naviar Haiku group.
448 week haiku
https://www.naviarrecords.com/2022/08/03/naviarhaiku448-on-the-field/

2022-08-04

On The Field  (Naviarhaiku 448 )

Cosmic Energy

Dararat Chemnasiri - Alto Sax
King Imagine  -  electronics

King Imagine  & Dararat Chemnasiri  -   Asteroid

4Sep22

https://soundcloud.com/boson_spin/sets/bakgrownd-sownz

:D

Bakgrownd Sownz #6

Premiered by Riot Ensemble and Tyler Bouque. Conducted by Aaron Holloway-Nahum.
Commissioned by the Gaudeamus Foundation.

For Baritone, Soprano, Bass Clarinet, Trombone, Double Bass, and Percussion
no processing or fixed media (in the traditional sense)

consumed; teeth shut (2022)for Baritone, Soprano, Bass Clarinet, Trombone, Double Bass, & Percussion

Sorrow

Clams Pass

"The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus's mother, Mary, recalling, "I played my best for him" and "He smiled at me".

This version is performed by Robert Brogan. Thanks for listening! Check out more of his music and dont forget to like, follow, & subscribe! Thanks so much!

Acoustic Christmas

Little Drummer Boy

Cosmétange Theme

Reflections unfold in a landscape of shifting mirrors, where water sparkles, silence breathes, and memories float like smoke. Each track is a passage between shadow and starlight, tracing hidden patterns in time until they dissolve into trails of light that never fade.

Shadows Dancing in Dust


Sanctuary I – Gentle Rain
A gentle curtain of crystalline rain falls softly in a wide-open soundscape, washing over the senses like a cleansing breeze. Beneath the hushed rainfall, waves of warm analog synth pads and subtle harmonic textures bloom and dissolve in ebbing swells, each transition guided by the Golden Ratio’s naturally soothing cadence. There’s no beat—only a vast, immersive field of rounded frequencies, delicate overtones, and the faintest shimmer of wind chimes. The spatial mix feels infinite, inviting stillness and introspection as the rain envelops the listener in a cocoon of sonic tranquility.

Sanctuary II – Flowing River
Evoking a sacred river’s slow journey through ancient woods, this piece begins with the pure sound of running water—a gentle current that trickles and eddies from left to right. Silky pads and shimmering harmonics drift in, tracing organic patterns inspired by nature’s geometry. Each swell and fade unfolds at a pace that feels both endless and familiar, helping dissolve boundaries between self and surrounding. River ripples and distant waterbirds weave in and out, while the 3D sound field creates a sense of floating, your consciousness gliding downstream in harmony with the flow.

Sanctuary III – Chimes in the Breeze
Awash in the luminous atmosphere of dawn, faint wind chimes dance lazily in a soft, timeless breeze, suspended above a bed of slowly billowing pads and gentle texture layers. No rhythms intrude; instead, sound events occur with the intuitive timing of sighs and exhalations, shaped by the Golden Ratio to maintain balance without structure. Every chime, overtone, and subtle swell is rendered with microscopic detail for an almost tactile presence—an environment designed to quiet the mind and open space for light and peace.

Sanctuary IV – Rain & Ripples
This track captures the interplay between gentle rainfall and water’s surface, focusing on watery, textural movement. Drops fall in soft patterns, echoing and blending with undulating waves and deep ambient harmonies below. Enveloping pads create a lush warmth, with movement and tonal modulation always slow, always organic. The piece unfolds in waves—sometimes rising into shimmering radiance, then subsiding into deepest warmth—each transition smooth and harmoniously proportioned. It’s a restorative soundbath, perfect for letting tension melt away.

Sanctuary V – Distant Skies
A vast, open sound world: faint rumbles of very distant thunder blend with ethereal wind chimes and cumulonimbus-sized pads that pulse and recede like clouds in slow motion. Textures rise and fade on long, fractal-shaped arcs, the entire space saturated in natural warmth and subtle spatial echoes. There’s no sharpness, only the boundless calm of a sky after rain, inviting both awe and deep rest. This closing track is designed to leave you feeling weightless, cradled by space and sound

Healing Waters

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

On The Field (Naviarhaiku 448 )

Night Note