Deadline: 10th August 2022

All submissions to Haiku 448:

https://www.naviarrecords.com/2022/08/03/naviarhaiku448-on-the-field/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #448: On the field / where evening has died out / – my footsteps

Die Schlacht vom Fraenkelufer

Die Schlacht am Fraenkelufer

Original Track By;
https://soundcloud.com/senmove/some-disaster-on-difusor

Senmove & Senglar - DoD

Music in response to the Naviarhaiku 448 Challenge:
"On the field
where evening has died out –
my footsteps"

Walking In The Dawn Of Life (naviarhaiku 448)

This track was created for the Naviar Haiku group.
448 week haiku
https://www.naviarrecords.com/2022/08/03/naviarhaiku448-on-the-field/

2022-08-04

On The Field  (Naviarhaiku 448 )

On the field
where evening has died out –
my footsteps

haiku by Ozaki Hōsai https://en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai

picture by Amir Kalhor https://unsplash.com/@amirkalhor

For more information visit http://www.naviarrecords.com/about/naviar-haiku

self footpaths

halF footstepS [naviarhaiku448]

5Aug22

My naviarhaiku448 submission
https://www.naviarrecords.com/2022/08/03/naviarhaiku448-on-the-field/

:D

where evening has died out [naviarhaiku448]

Evening Dies (naviarhaiku448)

This time, we wanted to do something a little bit funky, but we are not quite sure if one can call this really "funk", so we called it Japanese, ファンクかな – is this funk?

Sarah Kaufmann, oboe; Hyeongjin Oh, tuba; Ella Stenstedt, Bassguitar; Hubertus Dreyer, synthesizer and additional instruments, producing and mixing.

Fankukana

This is one of the dungeon tracks of the previous unreleased game Anthador.
What I had in mind was the ruins of a once great civilization that perished many centuries ago. But even after all these years adventurers are still awestruck by the remains of the ancient buildings.

Faded Glory

- Texturex

Goo Dad Vice

See The Light In Her Eyes

For  :   Piano , Flute ,  Cello

Piano  --  Dror   Elimelech
Flute   --  Marcelo   Ehrlich
Cello   --  Ulrich   Langenbach

HOMAGE  TO JOSEPH   BEUYS   3  --   COLLABORATION

From the sound of squeaky wet glass: https://freesound.org/people/scottemoil/sounds/196394/

and the sound of microphone feedback: https://freesound.org/people/FreqMan/sounds/42930/

Photo credit: https://pixabay.com/photos/rock-pub-mic-music-acoustic-2396123/

Study For Wet Glass And Feedback

Just messing about with 7 instances of Piano Motifs and all of the ‘vocal’ sounds that I have I.e. BeatHawk, Decent Sampler and Pipa.
Finished off with a bit of organ from Cantoria.

#298 Exaltation

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

On The Field (Naviarhaiku 448 )

Night Note

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