CIty

Immerse your audience in the chilling solitude of a world undone with 8 haunting tracks from the Plagued Earth - Survival Music Collection.

This collection is meticulously crafted to evoke a profound sense of melancholy, horror, and isolation, perfect for the desolate landscapes of your survival games and content.

Crafted by our producer Pathum with no AI, Plagued Earth resonates with:

Haunting and Sparse Compositions: Minimalist arrangements that amplify the feeling of emptiness and the struggle for existence.
Melancholy and Somber Melodies: Themes that convey a deep sense of loss, dread, and the quiet despair of a ruined world.
Eerie and Desolate Soundscapes: Atmospheric textures that paint vivid sonic pictures of abandoned places, lingering threats, and profound loneliness.
Breathe Life (and Despair) into Your Survival Worlds:

Authentically Produced: Experience the unique creative vision of our producer Pathum, ensuring a human touch and distinct sound.
Cinematic Immersion: Each track is precisely designed to deliver a powerful emotional impact for crucial moments, desolate environments, and introspective sequences.
Crystal-Clear Audio: High-quality WAV format ensures pristine sound across all platforms and media.
Seamless Integration: Effortlessly weave these evocative tracks into your survival games, post-apocalyptic narratives, videos, streams, and more to create a truly unforgettable atmosphere.

Normally $19.99, let the chilling sounds of Plagued Earth - Survival Music Collection define the desolate beauty of your next project.

7 - Phat Phrog Studio - Plagued Earth - Humanitys Remnants

Hello everyone! I'm presenting to you "Tales of El'Azar" a project of mine based on the same novel. It's a set of ambient & orchestral compositions that follow the story of Ulenth, the Mists traveler, as he arrives in the fabled world of El' Azar and explores it. Two different parts compiled into one album coming straight from the time I experimented a lot with music. I hope you enjoy!

Across the Pallatar Valley

Let there be light

"canal (noun) - a long, thin stretch of water that is artificially made either for boats to travel along or for taking water from one area to another"

This track was inspired by permitted-exercise-during-lockdown wanderings and was produced entirely in Ableton Live during Spring 2020.

Massive thanks to Oscar Pullen for the use of his wonderful photograph.

Canal

Those Fanzine Days is collection of 6 songs and 1 bonus track collated as a mini LP.  3 songs* had a limited release, as part of another project, and have since been remixed and remastered.  Lyrics below.
Bandcamp download:  https://theaffectionatepunch.bandcamp.com/album/those-fanzine-days

1.  Papercuts
2.  Now You’re Not Here
3.  Always Standing in the Same Place*
4.  Not Everything Is About You*
5.  Leaving Bohemia Behind*
6.  Will We Ever Know?

Bonus track
7.  Papercuts (A5 edit)

Videos:
Papercuts:  https://youtu.be/xbklqZouSRI
Now You're Not Here:  https://youtu.be/a0cevyCVTSI
Not Everything Is About You:  https://youtu.be/9MU91N3TC0s
Will We Ever Know?:  https://youtu.be/D8ptoTcmVic

Thanks are due:
CZ for the inspiration, support and song titles.
G for patience and support.

Living in the past in a fanzine daze
Losing all the time with our ‘winning’ ways
Everyone will buy one just wait and see
Our fingers on the pulse, just 50p!

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

Sighs of disinterest from our social scene
They really want to buy one but can’t - you see …
There’s a hundred million things that they have to do
Before spending 50p on unlucky you

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

If I had a Kross it’d be pink, I think?
If I had a Spacehopper I’d hop, I think?
If I were a Stanley I’d die happy.
If I were a Sister, I’d be cool, probably?

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

Those Fanzine Days

Papercuts

Isolation assignment No 13 is a song from the 2015 musical "Waitress", written by singer-songwriter Sara Bareilles.

Once again it was a great pleasure to sing with the amazing Diane Roberts, while my fabulous vocal coach Helen provided music and inspiration.

I hope you'll enjoy :)

Keep safe, and sane, and don't forget your mask ;)

You Matter To Me (Waitress - With Diane And Helen Roberts)

This track was created for the Naviar Haiku group.
343 week haiku
naviarlab.tumblr.com/

2020-07-30

Persistently I Stare At The Moon Still I Cannot Hear ( Naviarhaiku 343 )

Sonopoetry and field recording by https://soundcloud.com/ilaria_boffa

Field recording: recordings taken at the 'Anello dei Colli Euganei'. The deafening noise is the sound of leaves (only) rustling in the wind.

Sonopoem: 
'Translations

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.'

Translations

This track starts ominously but soon lightens up with a slightly haunting  strings and horn theme. 

It's taken from Lockdown Jam 3, recorded on the 27th of April 2020, using the wonderful work of @idin-samimi-mofakham, @martyna-kosecka and Michael Vallone (@taraexperiment) as source material for our improvised manipulations!

Horn Melt

Ep-21

Ep-21  Pt. 1

Ep -  21 1

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Persistently I Stare At The Moon Still I Cannot Hear ( Naviarhaiku 343 )

Night Note