This track was created for the Naviar Haiku group.
475 week haiku
https://www.naviarrecords.com/2023/02/08/naviarhaiku475-rock-bottom/

NLS - night live session

2023-02-09

Rock Bottom  (Naviarhaiku 475 ) NLS

Ymblis [part 3]

Created on iPad with AUM and several AUv3 synths and effects:
SoundScaper, Hilda, Euclidean, FLUSS, Wires, otherdesertcities, RoughRider, BLEASS Granulizer, Eos 2
 
Mastered with Cubase 12 and Ozone 10.

Photo by zenbytes (2014, Vosges Mountains, France)

Inspired by Naviar Haiku 487:
https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Poem/sample by PlatypusVA:
https://freesound.org/people/PlatypusVA/sounds/440579/

rain - Naviarhaiku 487

Râh: Quintet for Violin-Flute-Clarinet-Bass Clarinet and Harp

Acoustic instrumental written, performed and produced by Sean Ferree

The Crossing

patmos far side /  marc schaffroth / ulrich langenbach

Original Score inspired by the Charlene Elsby novel Hexis

Dark Of The Corner

Praeludium Harpeggiato - Johann Casper Ferdinand Fischer - Clio suite + 3 Variations

Piano with 4 Variations

Influence (Sun, Design 31.6)

pigeons living on the roof

Para Antonio was originally composed on a toy piano & guitar pedal. My nephew, Jack Kehoe, arranged the song enabling new versions including his (for Flute, Clarinet, Bass Clarinet, and Tuba) and St Celfer's (for 4 machines).

Much of my music is inspired by Classical like St Celfer's 11 Suites which follows, albeit loosely, THE "rules" - made with some gambiarra, noise, and chaos, of course.

Antonio tragically passed away for reasons unrelated to the COVID pandemic. He was an actor with an upcoming movie release [ www.imdb.com/name/nm13865825/bio?ref_=nm_ov_bio_sm ].

Bandcamp

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Rock Bottom (Naviarhaiku 475 ) NLS

Night Note