misty spring rains...
umbrellas high and low
aboard the ferry

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

Haiku by Masaoka Shiki

Picture by Makoto Tsuka

Misty Rain (Naviarhaiku559)

Plinery aftizi_03

MOOD X

Head behind plant

2025-03-14

signals from the universe

orbiting consciousness

Slentrome_03

MMXXIVXXIRHCK

Taken from Kostas Maskalides’ ninth studio album Soundscapes, For Every Lost Hope blends ambient textures with subtle experimental layers, creating an atmosphere that feels both immersive and deeply emotional.

Carefully sculpted sound design and expressive detail invite listeners into a world where calmness meets intensity, harmony flows into chaos, and every note carries meaning.

Soundscape

For Every Lost Hope

hepimiz ölün

After months of work, I present my 4th collaboration with Chuncho Productions, and the official soundtrack of "COMPLETELY UNREMARKABLE", a wrestling film full of violence, drama and heartbreak. It's definitely worth a watch and this soundtrack is definitely worth a listen!

I experimented a lot with this one, playing around with rock elements, electronic noise and ambient soundscapes. Together, it's a mix of lots of cool genres and ideas in one, with every track bringing something different to the table. I'm excited to finally share this with you all after finishing it back in April of this year. Thank you guys so much for the support and Carlos for putting together this amazing film for me to work on. Hope y'all love it!

- EVERETT

The Good, The Bad, & The Unremarkable

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

signals from the universe

Night Note