Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

P.C.The Game - 10:29:24, 7.11 AM

Kraut It

Galop Technokracji

This track was created for the Naviar Haiku group.
565

https://www.naviarrecords.com/naviarhaiku565-springtime-woods/

2024-10-31

Springtime Woods (Naviarhaiku 565 )

Disquiet Junto Project 0670: Right of Way
The Assignment: Music for turn signals.

With an indicator, we either want to turn only left or only right, but in my head it was always left or right within the same indicator. So I added some undecided strings. And because life has many surprises in store that don't want to fit into the constant back and forth, these one too. 

Credits for used CC0 samples:
wesleywestmusic
https://freesound.org/people/wesleywestmusic/sounds/644427/
rafunzela
https://freesound.org/people/rafunzela/sounds/677998/

More on the 670th weekly Disquiet Junto project, Right of Way — The Assignment: Music for turn signals — at https://disquiet.com/0670/
https://llllllll.co/t/disquiet-junto-project-0670-right-of-way/

undecisive [disquiet0670]

VUTABEL

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

Tauche ein in die sanfte Schwingung von 639 Hz, der Frequenz der Herzöffnung, Harmonie und Verbindung.
Diese Klänge begleiten dich auf einer Reise zu tieferen Beziehungen – mit dir selbst, mit anderen und mit dem ganzen Universum.
Lass dich tragen von einem neuen Wunder der Liebe, des Friedens und der inneren Balance. 💫

Perfekt für Meditation, Heilung, Entspannung oder einfach, um dein Herz wieder spüren zu können. 🌿



✨ 639 Hz – Relationship New Wonder ✨

An ambient journey into harps, moods, chords and beyond

Arpchaeopteryx

Gris

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Springtime Woods (Naviarhaiku 565 )

Night Note

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