90482 Orcus

Their Are Witches

Trailer music with bowed upright basses, string orchestra , percussion and effects.
Composed an performed by Daniel Diaz, February/March  2024

For this haiku:

The first thunder
Is likely to shake
The tiered doll stand.


Haiku by Kawahigashi Hekigoto
Picture by Victor Chartin

@naviarrecords

https://open.spotify.com/intl-fr/track/5Q1x79ESZgws3grqdTcaid

Baltic Thunder - naviarhaiku531

The Likely Doll (naviarhaiku531)

HAIKU MUSIC CHALLENGE

Naviarhaiku 531

The first thunder
Is likely to shake
The tiered doll stand.

Like Santoka and Seisensui, Kawahigashi Hekigoto (1873-1937) was an important advocate of the free verse haiku.
Besides being a writer and critic of haiku, Hekigoto was a literary scholar, noh dancer, art critic, calligrapher, social commentator, and mountain climber.
 

Haiku by Kawahigashi Hekigoto

Picture by Yusuf Evli

Submission deadline: 13th March 2024


This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku531)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The First Thunder

The First Thunder (naviarhaiku531)

This track was created for the Naviar Haiku group.
531
https://www.naviarrecords.com/naviarhaiku531-the-first-thunder/

2024-03-08

The First Thunder ( Naviarhaiku 531 )

modified an existing patch for this week's disquiet track - intentionally more sparse, fewer effects - leaving room for collaborators

patch with burst triggers going into plaits processed by rings, sort of call/response thing via beads, added a pulsing low end drone from a looping sample of a previous recording

--

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

disquiet0636 - spaced repetition

The first thunder
Is likely to shake
The tiered doll stand.

Like Santoka and Seisensui, Kawahigashi Hekigoto (1873-1937) was an important advocate of the free verse haiku.

Besides being a writer and critic of haiku, Hekigoto was a literary scholar, noh dancer, art critic, calligrapher, social commentator, and mountain climber.

The first thunder (naviarhaiku0531)

David Cordero is an artist based in San Fernando, Cádiz, on the southern coast of Spain. His work has appeared on many of the Ambient scene’s favourite labels including Home Normal, Dronarivm, Archives, Polar Seas, and Past Inside The Present, among others. He also released ‘Restless Nature’ on Whitelabrecs back in 2024. Having made music since his teens, David began releasing solo material in 2016 after years spent performing as part of a Post Rock band. His music draws inspiration from Ambient pioneers such as Brian Eno and Steve Roach, as well as the Japanese school of minimalism led by the likes of Satoshi Ashikawa and Hiroshi Yoshimura. Nature and everyday life play a central role in his compositions, which are crafted through long hours of experimentation in his home studio. A curator of Ambient and experimental music events in Spain, David remains deeply engaged in fostering the scene while continuing to explore new sonic ideas.

Anthéne is the project of Toronto-based musician Brad Deschamps, who has been releasing music since 2015. Known for his hushed, melodic guitar-based soundscapes, Brad has released on respected imprints such as Home Normal, Oscarson, and Past Inside The Present, as well as through his own label, Polar Seas Recordings. His influences span from the spacious, slow-moving worlds of Stars of the Lid to the delicate intimacy of Julie Byrne, with a constant leaning toward minimalism and melody. In addition to his solo work, Brad is an active collaborator, creating music as Rosales (with Ian Hawgood) and Citrine (with Phoebe Dubar), among other projects.

Their second full-length collaboration is called ‘Let One Bird Sing’ and follows 2023’s ‘Lost Under The Sea’ on the Home Normal label. The two artists began by patiently exchanging small musical sketches, allowing each to build upon and reshape the ideas in their own way. Layers of guitar, modular tones and textures were gradually woven together into a seamless whole. It was an unhurried process where space and subtlety were as important as melody. Both artists have a deep respect for detail and restraint, and this shared affinity is evident throughout this album.
Brad was inspired to choose the album’s title based on a line in a poem by Faiz Ahmad Faiz, which speaks to a hope for freedom. This is something Brad connected not only to humanity but also to the natural world. The pieces on ‘Let One Bird Sing’ carry a sense of openness and quiet reverence for nature, reflected in their unforced, drifting structures and gentle interplay of tones. The artist’s intention was to create a space for calm and reflection, inviting either attentive listening or moments of stillness and detachment. 

-credits-

Written and produced by David Cordero and Brad Deschamps
Mastered by Ian Hawgood
Cover photography by April Suen
Additional photography by Brad Deschamps
Art and design by Andrew Heath

wlr193 David Cordero & Anthéne - Let One Bird Sing

soursaw

too tired to move, too tired to leave

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The First Thunder ( Naviarhaiku 531 )

Night Note