Such a great deep sound that leads the whole track! 😎

I've been trying to find the right words to express how this track makes me feel since the first few minutes. I give up. It's so wonderful that anything I say will fall short.

Excellent music and sound. Love the drums!

Buenas partitas de juego sonido. Hasta pronto Milan

This compilation is in celebration of our Berlin party, Cocktail d’Amore, which we started with Boris five years ago along visual direction by Pindar (GoldNSour). What began as a gay monthly focused on bringing quality music into the alternative culture of Berlin has grown to be host to a diverse range of open minded freaks,queers and more seeking a carefree atmosphere. The music we have compiled is a reflection of the variety of sounds our guests expect from the unique Cocktail experience.

- Discodromo

B2 J.E.E.P. - Rockefeller's Punch

Utwór pochodzi z mini albumu Julia Rover - "Co z Tobą?", który ukaże się 29.11 na winylu i w formie cyfrowej nakładem labelu The Very Polish Cut Outs.

Spotify:
https://open.spotify.com/album/6u9ZvUeA3RCxCN5SaZW4gt?si=GKiVwHEDRayUtETjwr7e4g

Słowa: Julia Rover
Produkcja: Pejzaż/Tamten/Freux
Okładka: gawron_stuff
Zdjęcie: Ewelina Dudaszek

Co z Tobą?

Vinyl Edition

Bladerunner inspired Ambient track from forthcoming album "Megalopolis 2:  Neon City Blues"

NEON CITY TEARS (Glitter In The Dark)

E-Fauvisme

method: all the sounds you hear, apart from the voice, stem from a piano that is more than moderately out of tune, most of them morphed by audacity and samplitude
image: copyright jo richter

wunderbar geborgen / copyright jo richter

am wunderstumpfen ende
einer zweispur-einbahnstraße
senkt sich eines planers wendeplatte
zwischen steile bordsteingrate
in deren runden schenkels wölbung
die allerletzte eiderente ein
einzelei ausbrütet - solch memento
prospektiver nostalgie lädt
karrussellgenau zum grübelkreisen
ein, zum rasend innehalten

wunderbar geborgen

#film, #dark, #wall of sound, #liminal, #pulse, #ambient, #mysterious, #industrial, #Lynch, #Cocteau, #Crash, #chromatic, #shimmer, #throb, maximalist, #gothic

See Me in the Darkness

This one's pretty typical of how I tend to compose music - I often create a drum beat I like, then add a bass and build around that. The main inspiration for this ditty was basically to play to a less common time signature, in this case a 7/8 rhythm. That reminded me of the funny 'yes, but yellow' meme circulating out there on the internet, so I whipped up this quick image in Photoshop to go with it (note the yellow slice is 1 eighth of the pie).  😊

I'm playing all instruments here on keyboard, except the slide guitar (dobro?), which is made up of several short loops in Garageband, sliced up to fit the 7/8 pattern I wanted)

Thanks for listening; hope to ketchup with your stuff soon!  


INSTRUMENTS:
-bass
-drums
-percussion
-Wurlitzer electric piano
-slide guitar (loop)
-tenor sax
-trumpet
-clavinet
-B3 organ

Most of the Time (Funk in 7/8)

A song from my EP SUPERNOVA. I wrote this song to make people happy when they listen to this. 129 BPM. 2m43s. The main genre is Alternative rock. This is a fun song. This song is influenced by Britpop, too. I'd say this is more influenced by Blur. And this is also influenced by Interpol. I personally think this is an interesting song. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics : 1 2 3 4
1 2 1 2

Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh

Baby, sorry
I and rock are goin' to
And the story
Her white room is fadin', too
You could stole me
But fear is a psychedelic truth
I'm sorry
"One, two" I'm the monster true

I sing along
You sing along
Let's sing along

Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh

She is lovely
Her sister is planning cruel
'Cause I know it
'Cause I know he has what to do
Take it easy
Evil can't beat the good
Please tell me
Why I'm your No. 2

She wants to sing
He wants to sing
Let's sing along

Ah.....
1 2

Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh
Na Na Na Na Na Na Na I AI Ahhhh

It's your turn
It's your turn
It's your turn
It's your turn
It's your turn

TAKE OFF YOUR MASK

Guitars, bass and production - Llanpsych
Beats - Inactive Caller & Active Caller by fakestarstudios (Looperman)
Should you ever find yourself in Scotland check out The Crawick Multiverse
https://www.crawickmultiverse.co.uk/

Open Multiverse

just a little improvisation in two layers, keyboard first, sopranosax on top :-)

Keys & Sax Improvisation / 7.9.2025

#electronica #deephouse #electro #experimental

Round and round

with many thanks to Christelle on vocals, me on classical guitar


in the rain

ruhelos

so it began .... Inspired by the novel by Haruki Murakami
https://en.wikipedia.org/wiki/The_Wind-Up_Bird_Chronicle
pict. - web   
sound - clavia nord lead A1r

岡田徹 (Toru Okada)

We've been playing this edit out quite a while, gave it to a few people already, but the demand was so high we decided to put it out online for free. Hit the FREE DOWNLOAD button to get your copy :)

FREE DOWNLOAD

Fatima Yamaha - Whats A Girl To Do (Redondo Edit)

A collaboration with the awesome 'Forhill'! 

Check out Forhill here: https://soundcloud.com/forhill

Art by Eric Weidner: 
www.instagram.com/weidner_art

Forhill & oDDling - Supernal

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

岡田徹 (Toru Okada)

Night Note

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