Children under rubble

Parched lips whisper to the fleeting sun,
Eyes shut tight as victory cries tear through the air.
Tomorrow is lost—ripped from the heart, leaving only void.

Mire and ash, rain soaked in blood,
Limbs torn apart—what was their crime?

Blood spills over blood, a ceaseless tide of crimson.

Bodies twisted, flesh laid bare,
Again and again—merciless, relentless.
Will we ever understand?
Will it ever end?

We once painted a future upon the sky,
Dreamed of a tomorrow where peace would come.
But beneath the rubble, the beating hearts faded into silence.

Who decides what is just? Who holds the truth?
Beyond the tears, beyond the sky—vanishing into the blue.

We will not forget. We cannot erase—
Not until all who sleep may rest in peace.

--------------------------------

瓦礫の子ども達

乾いた唇　儚く嘆く陽に
瞳は閉じた　耳を削ぐ凱歌響き
失う明日は　心の臓抉る

泥水滲む　灰の雨血の海
四肢を引き裂き散る理由

血で血を洗う絶え間なく注ぐ赫

身体は捻じれた　肌蹴た肉片と
無様に　繰り返す  無情に　繰り返され
いつかは解り合う？
いつかは終わりが？

空に描いていた　迎えたはずの未来
誰も彼も焦がれた安息の日へ
鼓動は静かに消えた　瓦礫の下

誰かが正しい　誰がそれを決まるの？
涙の向こうへ蒼の空へ消え

忘れない消えない　全てが眠るまで

vocal : SANAGI　@mk-yk
Composition and lyrics : カハルタカオ

Composed in July 2024

瓦礫の子ども達 -Children under rubble-

Made only using Attic Grand from CrowHill Vaults, for the October composer challenge. Could do with editing midi as some notes are too harsh and were supposed to be played softer, may post an updated version later.
Instrument: Attic Grand piano, FX such as Crowhill Piano Rack, other FX from Logic and Reason 11.

A Box From The Attic

2025-02-25

walking on thin ice

edward and xylophone and african drum 1 min 2 secs

Time Machines (2024) Anthology CD1 Track 04

2025-04-03

a moment for a drink

unbound
(naviarhaiku587)

Feature-reel here: https://www.instagram.com/reel/DIGwWAouYFa/

Where wind lifts pages and rooftops echo.
 A piece for the powers of play— and the wide horizon within.

Based upon this haiku:

paperweights
on the store’s comicbooks –
spring breeze

– Takai Kito –

Takai Kito is a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

Contribution for @naviarrecords’ Haiku 587.

https://www.naviarrecords.com/naviarhaiku587-paperweights/

unbound

Sea Glass (2024) Anthology CD2 Track 08

144 - Crave the Last Light

A mellow and gentle melodic overture shaped by warmth, nostalgia, and quiet beauty. Soft harmonies drift slowly and gracefully, creating an atmosphere that feels peaceful, reflective, and emotionally soothing.

Colors

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

walking on thin ice

Night Note

Recent comments

gnarrang

Related tracks