Take 22.

This piece is a product of a few recorded tracks and lots of synths playing live via MIDI, all at the same time; which is a bit out usual for me.

I also turned a few knobs while it was being live recorded, which also adds a bit to the the whole blend of things.

Enjoy!

When It Ripples

Crumblige flur_04

2025-02-25

walking on thin ice

this is my 'The Heart's Filthy Lesson' ;)

THE EDGE OF THE ISLAND

And we come to the edge
of this island we call home
it's a place where
the waves crash on the shore
we come to the edge
of the island we call home
it's a place nobody
can ignore
in the cliffs you find a bone cave
it's an enclave
no it just a bone cave
it's a place
nobody can ignore
in the cliffs you find a bone cave
it's a place where
…nobody can save them
…nobody can save them
We come to the edge
of this island we call home
and
the waves crash on the 
shore
And we come to the edge
of the island we call home
it's a place that nobody can ignore
it's a place 
that nobody can ignore






The Edge Of The Island

2025-04-03

a moment for a drink

unbound
(naviarhaiku587)

Feature-reel here: https://www.instagram.com/reel/DIGwWAouYFa/

Where wind lifts pages and rooftops echo.
 A piece for the powers of play— and the wide horizon within.

Based upon this haiku:

paperweights
on the store’s comicbooks –
spring breeze

– Takai Kito –

Takai Kito is a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

Contribution for @naviarrecords’ Haiku 587.

https://www.naviarrecords.com/naviarhaiku587-paperweights/

unbound

ARABESKEN II

actions/ reactions/ interactions: soprano clarinet/ interactive electronics

040825sc impX

yearn.wav

A mellow and gentle melodic overture shaped by warmth, nostalgia, and quiet beauty. Soft harmonies drift slowly and gracefully, creating an atmosphere that feels peaceful, reflective, and emotionally soothing.

Colors

157 - Path Of An Infinite Dream

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

walking on thin ice

Night Note