Funk

pfunk

bfunk15

2022 House Rework

DL here ---> https://klubbk.bandcamp.com/album/klubb-kutz-vol-19

Bandcamp

De La Soul - Me Myself And I [Jam Master 2022 House Rework]

Made this for Beatherder.....went down pretty well ;-)

RP Jr - It's Time To Party Now (Pete Le Freq BH Refreq)

The Purple One - Contraversy (Pete Le Freq Refreq)

Parliament Mothership Connection Isolated bass

Do That Stuff from Parliament Live and The Freeze (Sizzaleenmean) by Parliament. 1989, just got hold of a Roland S-10 Sampler, with only 30kHz (4 seconds) - 15 kHz (8 seconds) sample time. Scratch-mixed and sampled direct to 2-track cassette deck. 

Loop That Stuff (SizzaLoopPoop Mix) Pt.3

Just a snippet of "Do Fries Go With That Shake" live rehearsal for FunksTruMental / Loopadelic July 23, 2013. Juancarlos Emiller: Drums. PTFI: Keyboards. Dav Id K-OS: Guitar, Drum Loops. 

Do Fries Go With That Shake - FunksTruMental Loopadelic Rehearsal 07 - 23 - 2013

I'll have some "Special Barbecued Seaweed Sauce" with all that Bull Shhh you servin' up, please. Another snippet of things to come. FunksTruMental/Loopadelic Rehearsal 07 - 23 - 2013. 
Dav Id K-OS: Guitar, drum loops & samples. 
PTFI: Keyboard bass.
Juancarlos Emiller: Drums.
Rickey Vincent: vocals

Special Barbecued Seaweed Sauce - FunksTruMental / Loopadelic Rehearsal 07 - 23 - 2013

Was just Funkin' around with "Working Girl" by Shelly Thunder for the back beat, "P-Funk (Wants To Get Funked UP)" from Parliament Live Earth Tour.

P - Funk Stylee (demo)

I Wanna Know If It's Good To You? - Funkadelic.  One of the first Live Remixes I did on a 4-Track back in 1989. One of my favorite Funkadelic songs of ALL-TIME, I've got a million scratch/remixes of this song, this is just one of them. Billy, Eddie & Tiki looped up into a dubadelic frenzy.

I Wanna Know If It's Dub To You?

Artist: Dire Straits
Album: "Brothers in Arms" 
Original Release Date: 1985

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJ/Producer, I invite you to activate the # josselin montagu tab.

Dire Straits - Money For Nothing (Electro Techno Remix) by Josselin Montagu

The Ting Tings ‘Shut Up And Let Me Go’ (blunt edit re-touched by greg wilson)

108 bpm

Adrian Blunt, then resident at Plan B in Brixton, emailed me in July 2008 attaching a ‘little dub edit’ he’d done of ‘Shut Up And Let Me Go’ by Manchester’s Ting Tings. It was something he said he’d ‘knocked together’ in a few hours round at a mate’s house. He wanted a more dancefloor friendly version to feature at the festivals he’d been booked to play that summer, and thought it was something I might be able to use myself

It was indeed an edit I thought would work for me, and I featured it at Camp Bestival just a few days later. Adrian was there, having played earlier.

Although I really liked what he’d done, I felt it could benefit from a bit more work, and I suggested a few things to him. However, he couldn’t see himself going back to it unless it was officially commissioned – it served the purpose he needed it for as it was, and he had no desire to take it any further, which was fair enough.

There were three things I felt could improve it. The first was a simple extension of the intro for mixing purposes. The next was trickier, because it would mean re-arranging the track somewhat – I felt all the action was in the first two thirds, and that it meandered a bit for the last few minutes. My initial thought was that it might need more of a build-up before the vocals came in, so the final part of the song was positioned nearer the end of the track, rather than there being a couple of instrumental minutes before it finished. Having said that, I liked where the vocal came in, so I figured it might be a case of the track working best at a shorter length – concise and to the point. It’d be a matter of trying out a few options, but I didn’t have time to have a look at it myself because I was already overloaded with stuff to do, including a podcast mix I’d promised for the electronic music webzine Resident Advisor, which would appear in early September: http://www.residentadvisor.net/podcast-episode.aspx?id=119

 It was this RA mix that became the catalyst for my re-touch of ‘Shut Up’. Having decided to buck the trend by going for a more downtempo groove selection, it occurred to me that Adrian’s Blunt Edit would provide a fitting climax, but for it to properly work I’d have to decide what I was doing with the latter third of the track. 

Before I started cutting it up I thought I’d try a couple of acappellas on top, on the off-chance that some suitable alchemy may occur, and I hit the jackpot with Chic’s good old ‘Good Times’, which enabled me to end the mix on a high.

Having completed the RA mix it became apparent that this ‘Good Times’ finale solved the problem I had with the edit’s arrangement, as the track no longer lost momentum towards the end, so I extended the intro and had exactly what I needed. Well almost…

I never mentioned the third thing – a small, but to my ears, hugely important detail. The start of the s in ‘shut’ had been ever so slightly clipped (Adrian had cut tight to the beat, but the singer had started the word fractionally earlier), so it sounded more ‘hut up and let me go’. This had irritated me from the off (especially where the loop keeps repeating itself around two minutes in), and I’d hoped Adrian could have painlessly solved this by nudging the edit points slightly, but it wasn’t to be, so I had to find a way to fix it myself, excavating a suitable s from the song and transplanting it into the necessary places. Happily this sibilance restoring micro-surgery was successful, and you’d never had known had I not told you (I found my infinitesimal s at 2:15). Sometimes it’s all about the finer detail.

This is largely Adrian’s work, I’m very much playing a supporting role here, so props to him for a fine edit that’s served me well. I wouldn’t have shared this without his agreement, but he’s more than happy to spread the love. Glad I could bring some ‘Good Times’ to the party.

 Greg Wilson – August 2010

The Ting Tings 'Shut Up And Let Me Go' (blunt edit re-touched by greg wilson)

Madonna - Like A Virgin (Mighty Mouse ReWork Mix)

Holiday [LNTG Muscle Mix]

Its another multi-track freakout....my take on a Funkin classic. Just the stems with a little percussion added :)

F - Knee Deep (Pete Le Freq Refreq)

From the upcoming - "Long & Stanky" project. 
This is a sneak peek into the Remixed World of EULA MUSIC Recording Studios 
Take a listen now because it wont be posted here long!

ZootZilla - The Funky Conduit Remix

What started off as a hardcore Funk/Thrash/Reggae band in 1981-82 Oakland, Ca. simply phased out due to growing pains (all members were in the 10th grade). Anthony Bryant a.k.a. Dave Id K-OS pushed on and took
his Funk, Rock, Reggae and Hardcore influences to the turntables. After getting hired at a local record store in 1984, K-OS unleashed his style of mixes and scratches with hip-hop beats cut over his musical influences, which
included: Parliament/Funkadelic, Jimi Hendrix, Sly & the Family Stone, Black Flag, Flipper, and Killing Joke.

The year was 1985, Hip-Hop was in it's infant stage and samplers weren't even popular, George Clinton discovers K-OS mixing P-Funk records at his job. In the Spring of 1986, K-OS was featured on Clinton's
"R&B Skeletons In The Closet" LP which also featured Vanessa L. Williams' vocal performance on "Hey, Good Lookin'". Always the pioneer, Clinton foreseen what was to become the next big thing in music, Scratchin' and Samplin'. As part of the Mix-Master project, Clinton released a series of 12 inch singles labeled as Scratch Pads in order for DJ'S to do their "Thang" with.

By 1987, sampling became dominant, drum machines were putting drummers in the unenjoyment line, Punk Rock became 'Alternative music'. K-OS was introduced to DJ Ricky Vincent (History of Funk's Uhuru
Maggot), and DJ Illenstein. Joining Rick's DJ squad giving P-Funk parties around town in addition to spinning at the Berkeley Square as opening acts for headliners such as Primus, Limbomaniacs, Smoking Section and
Fungo Mungo.

Hip-Hop was bubbling on the West Coast and DavId K-OS along with EmCee Quick (Naru Kwina) were starting to make some noise. Digital Underground was starting to make some noise too, Then Rickey introduced Quick & K-OS to Shock G. D U wasn't afraid to sample the 'P-Funk' and K-OS had plenty of it and started work with their pre-production crew for the Humpty Dance. The song became a rap anthem, the group blew up very rapidly and the rest is history.

After this explosion of Hip-Hop and Funk fused together, the Original K-OS went back to George Clinton & P-Funk in the fall of 1989 merging the Funk with Hip-Hop in various ways. Uncle Jam (Clinton) then arms General K-OS with an arsenal of FUNK from then, on to this day.

1991: K-OS becomes an underground legend in his own right, occasionally resurfacing to work with longtime P-Funk percussionist Muruga Booker, James Gurley (Big Brother and The Holding Company),
and Buzzy Linhart .

May of 2001: K-OS performes with Buzzy Linhart and The Big Few with Leon Hendrix (Jimi's brother) on guitar at Eric Burdon's 60th Birthday Party
at the El Rey Theatre in Los Angeles, Ca.

2002: saw the merger of Spoken Word/Hip-Hop and Funk with a 5 song E.P. by his short lived duo, Isolated Compound.

2003 - 2005: K-OS joined forces with Bay Area Funk band ZootZilla. Playing rhythm guitar, live sampler, drums and turntables. Landing an opening act spot for George Clinton and The P-Funk All-Stars at Studio Z in San
Francisco May 11th, 2004.

2005-2012: K-OS is the DJ for P-Funk All-Star RonKat Spearman in his band, RonKat Spearman's Katdelic.

2006 to present: K-OS starts a residency at John Lee Hooker's Boom Boom Room, opening for an endless amount of bands such as, The Monophonics, Wil Blades Trio, Benny D and SpyBoy, Con Brio and Sister Sparrow and the Dirty Birds to name a few.

2012: the Original K-OS can be seen and heard around the Bay Area, Funkin' around with various Muggz at various clubs & studios. Joins forces again with PTFI and Bay Area Funk phenom ZootZilla for a spot at the 2012 Long Beach Funk Festival.

2013: Who knows. You may just get a long awaited CD/album from this guy.


P - Funk Stylee (demo)

K-OS (P-Funk Mix-Master)