I still remember when @eivydask gave me this song a few years ago. It was two words from  - winter wonderland, but hyou could choose Salmon as extra.

I still remember when @eivydask found this song and gave me to listen. From the first sounds I was in shock. It sounds me like winter wonderland, everything around is so white and sharp. Please do not delete this song. I need i t for my  winter magic!

such a contrast...  <3  -this is just lovely 

Lifted - 1 
Format: LP / DL
Cat.No: PAN 61
http://p-a-n.org/

Lifted 'Medicated Yoga' (PAN 61)

Bass: Marijn Degenaar
Vocals: Rahel Tierbach, Molly Wasser, Moon Wheel
Hi-hats and production: Moon Wheel
Other music: Stolen
Photo: Emmet Green

Just Business™

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

Appears on R.A.N.D. MUZIK — RM Picture 01 12"
Buy: https://randmuzikrecordings.bandcamp.com/track/b3-circular-ruins-ta-voix-tes-yeux-snippet-vinyl-only

Ta Voix, Tes Yeux

Poetry, speech, melody and electronics combine on this limited tape from new sub-label ‘Purely Physical Teeny Tapes’.

A change of pace for PP, ‘Figures’ is also a divergence for the two artists involved. Emerging from Melbourne, 'Figures' is a rare artefact for devotees of both poetry and electronic music. The release marks a protean coming together by two figures with curiosity for each other's practice, forming a union between sound and speech to explore themes of bodies, time, language and power.

Lucy Van, who works as a post-doctoral researcher in English and Theatre studies, offers her poems in spoken form and also transcribed in full for the poster in the release.

Laila Sakini, a DJ who has recently emerged as a songwriter-producer, shapes music around each poem intuitively, adding context with restraint, in an experimental, yet pop-conscious process.

Initially developed as a one track hobby project for a noise and spoken word poetry night (which was cancelled), 'Figures' continued to evolve into a more complete body of work, with Laila leaking the demos on her NTS guest slots, leading to this eventual, finalisation of an EP.

The release is presented on a pro-dubbed all clear tape, packaged with an A2 double sided fold-out newsprint poster, all housed within a PVC heat sealed pouch.

Out June 2nd, 2017.

Mastered by Rashad Becker.

Edition of 100.

Laila and Lucy:

Lucy writes about poetry and photography. She is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an editor at Cordite Poetry Review. Lucy also writes lyric and prose poems, and has spoken at venues including The Slow Canoe, Station Gallery, and the National Gallery of Victoria.

Laila's role as a DJ and emerging producer/songwriter has seen her traverse between her home town of Melbourne and London. She has performed across clubs and festivals in  Melbourne and in various venues throughout London, Paris and Belgium along with art spaces including The National Gallery of Victoria, Carriageworks and The Australian Centre for the Moving Image. She presents semi-regularly on NTS Radio, has appeared on Boiler Room and has opened for the likes of Dopplereffekt and Optimo. Laila has recently begun producing, writing and performing live solo and collaborative works.

Laila Sakini & Lucy Van - False Ceiling

Title track from the new LP, 'Insignia', out in Japan-only on cassette for Ryo Murakami's Depth Of Decay label.

https://depthofdecay.bandcamp.com/album/insignia

Insignia

Curated by Palmbomen II & Betonkust
Mastered by Brendan Zacharias at Cirrus Audio

MDM P

Palmbomen II - In Bath With A Salmon

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

vinyl:   https://honestjons.com/shop/label/Mana      
digital: https://manarecs.bandcamp.com/album/de-leon     
info:     http://manarecords.com/004 

Gamelan and capoeira in dub. The collective behind this doesn’t like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years.

They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all delivered with an impressive commitment to anonymity and clarity of vision through cut-and-dried aesthetic minimalism.

These six pieces of music seem formed from wood, metal, air. Dramatic, balletic flourishes and tightly woven interlocking patterns are embedded in slowly changing and "live" atmospheres. The shadow of a hand over the mixing desk makes gradual adjustments to alter the pressure and dimension of the space.

A number of tracks first appeared on De Leon's set for Blowing Up The Workshop in February 2016.

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi

De Leon

De Leon - B1

Bendik Giske - Up

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

~
TAPES AND FUN NIGHTS
FRANKFURT AM MAIN
~

Palmbomen II - In Bath With A Salmon

MMODEMM

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