BLUE CARBON

by 

AIÔN LAZURA
_

01
Rooted

02
Ocean

03
Mangrove
(Adhémar's Intercontinental Dance Version)

04
Mangrove

05
Mangrove
(Adhémar's For The Dance Version)
_

This digital release is cut from the 24bit Master Source.

Produced by Aiôn Lazura
Remixes by Clément Davout aka Adhémar
Mastered by Brice Deloose at Incidence Studio (https://www.incidence.studio)
Artwork by Mark Wagner

Distributed by Triple Vision

This is PITCH51.
_

Follow AIÔN LAZURA

https://soundcloud.com/aionlazura
https://www.instagram.com/aion_lazura

Follow ADHÉMAR

https://soundcloud.com/adhemarmusic
https://www.instagram.com/adhemar_music
https://www.facebook.com/adhemarmusic

Indefinite Pitch . Yantai

https://www.indefinitepitch.com

Blue Carbon

Mangrove (Adhémar's For The Dance Version)

download/stream

Aiôn Lazura - Mangrove (Adhémar's For The Dance Version)

ARCANGEL: Dubroom

prickly

Houses II

The house that was growing, 
while you were cooking,
had too much concrete,
too many doors  and 
too many crevices
to become a home.

It had too many walls,
against which anger and sadness were banging,
without being flushed through the drain.

The silence of long afternoons,
needles knitting by themselves,
chamber pots motionless under the beds. 

There were no blankets woollen enough
to cover the winter evenings
and mornings that followed.

The switched on lights were signals falling through.
Slides of words were bouncing off big heavy carpets
like dust
on the floor.

Words: Manca Klun
Sounds: Alessandro De Oliveira Bastos

Houses II

Nobody There Had Anything

Epitaph (for Theo Calis 1960 - 2020)

Martin Hoogeboom: guitar/loop station
Marlon Wolterink: mastering

Theo and I have worked on countless music projects over the past 40 years. I have learned a lot from his stubborn and headstrong views and methods of recording and mixing music. His influence on my soundscapes is immense. In 2014 we both enjoyed working on “Where Do We Go From Here?” (2014 - Etched Traumas - ET77) which became also part of the soundtrack of Australian short movie “Grid Face”. Pieces for acoustic guitar and loop station.

In 2017 I worked on a sequel, the guitar suite "Licht". 
“Epitaph (for TC)” is originally a demo version of one of the pieces but unused in the “Licht” version as it appeared on CD (2018 “LIght / Well” - Thirsty Leaves Music - TLM019). Due to Theo’s health problems it was not possible to collaborate on this project but he appreciated the sober minimal guitar pieces for what they were.

I will remember Theo with great respect for the rest of my life.

Martin

Epitaph (for TC)

Delphinidae

Naked Eye Astronomy 
(Words and Music by David Stephenson 2020)

If I ever really lost you, I would have had to find you
But the haystack hid the needle
And the needle moved around and around
From town to town

The approach, the collision, the after-parting
Seemed over before it even started
From my position it seemed to last a long, long time
A long, long time

The convergence of our orbits
There's proof it really happened
From nosey neighbors and naked-eye astronomers

Boil it down to the brain stem
Neuropathy, a friction
Were the sparkles a mere  figment
An illusion, pure fiction
Pure fiction 

The convergence of our orbits
There's proof it really happened
From nosey neighbors and naked-eye astronomers

They say it was over, before it even started
They say it was over, before it even started

Naked Eye Astronomer

YouTube: https://www.youtube.com/channel/UC4E91iv6ciiQBtsyQaprtug

Spotify: https://open.spotify.com/artist/2z2ugiTNppfcvhmUq8ocsY?si=ooZFkaWIQI29JN7KRHe84Q

Watching All The Planes

Hunting Horn!

the moisturizer

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out