Native

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

I enjoy mashing sounds together that please me...would love to collaborate with like-minded souls...

The tools I have currently are a Samson Graphite 49 midi controller fed into Logic Pro X run on an @pple Studio. A heavily modified Crate branded Electra Guitar, a Crate branded Electra Bass with Wilkonson pups, an Alvarez-Yairi YM-1 Acoustic, a Vangoa Mandolin, a Kmise Ukelele, a mountain Dulcimer and some other noise-making toys fed into a Focusrite Scarlett 2i2 via various mikes.

Likes are nice,
Comments are even better,
But re-posts can get AI to suck us all up even quicker!

All images are ones I've taken unless otherwise specified...prolly Dall-E3

Amateur de (presque) tous les styles de musique, à mon tour de m’essayer à créer du contenu, influencé certainement par mes écoutes, ces petits plaisirs solitaires qui nous propulsent dans des mondes oniriques… 
Echos, rebonds, résonances, redondance, panoramiques… jouer avec les sons, sans prétention.
Espérant que vous apprécierez ces sons avec autant de plaisir que j’ai eu à les faire !

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A lover of (almost) all music genres, it’s my turn to try creating content, certainly influenced by my listening habits, those little solitary pleasures that propel us into dreamlike worlds… Echoes, rebounds, resonances, redundancy, panoramics… playing with sounds, without pretension. I hope you will enjoy these sounds as much as I enjoyed making them!

Hello my friends, welcome to my SC music wonderland..Many thanks for Your great support ! I'm very impressed about the great number of followers !
I don't play music, I play with sounds
Best audio experience you get by using headphones

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

ThrillMonkey’s love of excitement and danger has evolved into a unique blend of musical styles including hip hop, metal, rock, drum & bass, and rap. Their signature sound is instantly recognized by it’s originality and aggressive presentation.

Official Soundcloud for Dark Electro Songwriter + Producer Scratch Kelly 🖤
West Coast, Tasmania 
Darkwave + Coldwave + Dark Ambient + Experimental

 ⚔️ Please note: I do not use any AI for my music creation and I do not consent to my work being used for generative AI purposes ⚔️
Please do not use or reproduce any work without permission. Thank you.

L'Orastrana è un collettivo mutaforma fluido e instabile che nasce nel 1993 come laboratorio di musica e poesia ad opera di Carlo Natali e Marco Corsetti con l'intento di dedicarsi all'approfondimento dell'interazione tra la musica e la poesia attraverso l'improvvisazione.
Questa pagina è un piccolissimo catalogo di esempi di performance dell'Orastrana.
Dettagli e nomi dei musicisti coinvolti nelle registrazioni sono indicati nelle didascalie dei brani.
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L'Orastrana is a fluid and unstable shapeshifter collective that started its activity in 1993 from the mind of Carlo Natali (Cnat) and Marco Corsetti, which main goal it's the dedication to poetry and to improvvisation music.
This page is a very small catalog of examples of Orastrana performances.
Details and names of the musicians involved in the recordings are indicated in the song descriptions.