Disturbed 1

Nuclear Wasteland

To make up for the lighter tracks I've made lately I made this abomination lol

Open Collab by AudioBake
https://soundcloud.com/audiobake

Original Track
https://soundcloud.com/audiobake/my-horror-valentine-open-for-collabsremix

AudioBake + Insatiable Void - Tormentor (Open Collab)

Shadow of Fate

((( :) )))

"MaUrMa" by Zoät-Aon combined with "Spectral Metabolism Untitled Track 5" by I.Corax

MaUrMaX - Zoät-Aon + I.Corax

Created entirely with sounds from a release by 'Ask Heroin Sally'. (with permission)

Keeled Visitation Fracture

Improvisation on 3-string cigarbox-guitar, analog bass synthesizer, effect pedals, unsynchronized loops, tube amps, field recording (subway). All sounds, mixing and production: VSS. 

This piece is part of the six-part series "Underground" 
soundcloud.com/velvetsomethingsuperdark/sets/underground
Auditory impressions from the Berlin Subway merge with harsh drones, glitchy beats, weird sounds and melancholic melodies to invite you on a psychedelic journey beneath the surface of the city.

Subterrestrial

Time Sawyer

Shit Creek

RELIGION (guest appearance Lht)

Drowning (Gasp for air mix)

L'Oiseau De Chadarnook

Soft Mutilation

‘Descend’, the new work of modificatory project Lovozero, encapsulates Anastasia Tolchneva’s sound setting of cross-disciplinary performance of the same name, passed during the first TKANI session in Mutabor, Moscow's most spectacular underground music venue. By the guidance of Anastasia, Maria Kharitonova and Anna Kravchenko performers tried to reverberate the processes of genesis, growth and dissolution of various structures in human body during the event. The capture of inevitable fluidity was the main aim of the whole act; the reaching of urgent kinæsthetic freedom that creates a proper possibility for reversing of linkage between impulse and motion.

And apart from industrial multileveled interior of Mutabor and various objects of complex nature (silicon, concrete, aluminum) within it and the dancers’ bodies floating in their presence, it was Lovozero’s sound had been calibrating the sentiment right and righteously. (A)synchronous and (a)symmetric pulses, muted murmuring and lowercase crackles were the same parts of derived (un)certainity, as inclusive presence of spectators and strain of happened movements did. Now this splash of noise and tune is accessible for everybody – and everybody could test his own knuckles and fibers in the same measure that occurred that evening.

Descend Pt. II

0000

Instagram: https://www.instagram.com/fashiongore/
Spotify: https://open.spotify.com/artist/0SbVw4JmC2BS80bqHeY4Ay/about

life is just an intermission brief

This interview really smacked me in the face. I really felt sympathetic to this guy who' s obviously oblivious about the situation. Tried to put me in his shoes and it felt like pure noise. So i tried to emulate the effect of this interview on his state of mind using sound. 
This track is the first born from Me, my Thumb and Jack with UnterPitch and Bleached Coffins. Got tired of determining whether it was a MMTJ track ft. UnterPitch or vice versa. So from now on new tracks will be created under the moniker Gruppo Infernal. This track was recorded using techniques from my different alter egos as a celebration of this new phase in my musical quest. Hope you enjoy.

Ob(li)vious(ly)

Untitled - 02-01-21

pull the plug

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out