Very good Atmosphere,Great sounds,Cool work!!🔥🔥🖤

good and sometimes scary i would not listen to it if i was alone at night thank U

Disturbed 1

Shadow of Fate

"MaUrMa" by Zoät-Aon combined with "Spectral Metabolism Untitled Track 5" by I.Corax

MaUrMaX - Zoät-Aon + I.Corax

Dementia Dimensions PRETTY DIAMOND MIX

unlike the first version (recorded in 2020) the introduction is missing with that fantastic Pad-style sound which was actually a sample I recorded of a jute piece of furniture, the same sample used for the song precisely called: Juta.
here the piano part, unlike the first version which was more focused on the search for harmonic contrasts, is actually performed and I had to give up many notes (which for technical reasons I am not able to perform) and I don't even know if it is really possible for someone... I have been practicing it for some time and I still do it almost every day in performance and for some time I have wanted a new recording made properly with my hands on the keyboard.
You can find the first version here, in case you want to compare the two versions:

https://soundcloud.com/alias_nadir/dont-forget-to-breathe-whatever-happens?si=c6357eb0ab834e21ba0debb36a9f692c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

still in progress

Don't Forget To Breathe (whatever Happens) _*Solo Piano

Marco Lucchi : piano, synthesizers and tape
*
voice by Akemi Takeya
*
febbraio 2024

Iki no kôzô

Bandcamp

Iki no k​ô​zô # 1 - w/Akemi Takeya

Simon McCorry is a composer based in Gloucestershire creating music and sound design mainly for theatre and contemporary dance, working with companies such as Old Vic Productions, Tiata Fahodzi, House of Absolute, Javaad Alipoor Company & Fabula Collective. Simon is a cellist, often using the instrument in his work processed and combined with electronics, field recordings, and other instruments. His work has been described as “electro-orchestral drone-scapes of, by turns, gauzy intimacy and soaring grandeur” MOJO. He has recently collaborated with artists including Andrew Heath, anthéne, Requiem and, on this record, Wodwo.Wodwo is the alias of Derbyshire-based musician Ray Robinson.

An award-winning novelist and coveted screenwriter, Robinson's foray into the music world began in 2018, and his gentle ambient guitar and lush neo-classical compositions have quickly attracted a blossoming legion of fans. Ray also records as one half of JARR, alongside fellow Brit, Jon Attwood (Yellow6). Their albums have been released by Hush Hush Records and on the Sound in Silence imprint. Ray's solo output has appeared on NCTMMRN, Soundtracking The Void, Submarine Broadcasting Company and Fallow.

Every Creeping Thing is a celebration of mud and moss and slugs and bugs and roots and damp – songs of the forgotten, the small, the overlooked. A musical approach of letting things unfold and follow their path, passing material back and forth, leaving space and following a philosophy of less is more. A journey that evolved through coincidences, and shared interests in literature and the natural world – the music took its course, taking on its own life. 
 
Guitar, cello, and modular synth are played, processed, and recorded live. Nothing is sequenced or quantised, maintaining an organic breath-like quality flowing throughout the tracks. Through the music’s echoes, whisperings, creeks, calls, fluttering and murmurings – sometimes as walls of sound, often as spiderweb-fine textures – Every Creeping Thing invites the listener to immerse themselves in the intricate net of the beauty of the more-than-human world.

The cover art illustrates John Masefield's lines from The Everlasting Mercy: ‘A rushing comet, crackling, numbing the folk with fear of judgement coming.’ Taken from their collection, The Book of Comets, the artists Christopher Crouch and Cherish Marrington worked together to create something that would be a synthesis of their practices, but which would also propel them into new ways of thinking about representing their ideas. However, these illustrations are less about comets and more about the artists’ retreat into the imaginary.

The track titles for Every Creeping Thing are from Jacob Polley’s wonderful poetry collection, Jackself, which Ray happened to be reading at the time of this collaboration. As the album was coming together, he felt a real connection between the sometimes off-kilter, ‘organic’ music he and Simon were creating and Jacob’s collection. It felt as if they were inhabiting similar worlds: a world of frosty mornings, kidney-coloured pools, rosehips, and buzzards’ wings.

Credits:
Written and produced by Simon McCorry and Ray Robinson
Mastered by Simon McCorry
Art and design by Andrew Heath

The titles in this album are taken from the poetry collection ‘Jackself’ by Jacob Polley (Picador) and reproduced with kind permission.

The artwork is an illustration from ‘A Book of Comets’ by Christopher Crouch and Cherish Marrington, reproduced with kind permission.

Every Creeping Thing

wlr158 Simon McCorry & Wodwo - Every Creeping Thing

RELIGION (guest appearance Lht)

King Imagine - electronics, FX - 
Bruno Gussoni - shakuhachi - 
Mixed & Mastered at Interzona Studio, Kyiv, Ukraine - 
Mixing & Mastering Engineer: Olexiy Mikryukov

King Imagine & Bruno Gussoni -  Spring  Spell

Marco Lucchi : piano and synthesizer
Gina Berrett : vocals

*

aprile 2024

Iki no k​ô​zô # 6 - w/Gina Berrett

What if sonic practice were not only artistic expression, but a mode of critical reflection — a way to generate knowledge about the positionality of both producer and listener?
To explore this, I invited the artists I interviewed to contribute sound samples — fragments from their production process — to build a collective sound “database.” With this samples gbw9, Melag0m, Kurzschluss, Mahée and HAUSVRAU produced soundpieces - which are released in the format of this compilation.
Here, sound is activated as a method: both a tool of knowledge and a relational medium. The resulting sample pack reflects diverse sonic practices and acts as a collaborative, affective archive.

Infestation as Sonic Resistance
I use the term infestation to describe how certain practices — deemed disruptive by dominant standards — disturb normative structures, much like weeds invading a manicured garden. Infestation stands for persistent, collective disruptions that challenge the status quo.
This concept ties into anti-capitalist modes of music production. By embracing collaboration, shared authorship, and relationality, the sample pack resists neoliberal values of individualism and competition. It becomes a sonic commons: a space for co-creation, not extraction.
INFESTATIONcan be thought of as a harmful seed, a seed that grows subtly, slowly. The sounds creep in sideways — rough edges, broken rhythms, distorted textures. Infestation is when sounds start growing in the cracks. Cultivated through collaboration, Infestation values disturbance, tension, connection, shared creation and finding new paths.
Some artists in this compilation are boycotting Spotify due to its investments in the arms industry. In solidarity, we are releasing the project exclusively via alternative platforms like SoundCloud and Bandcamp.

your seeds make gardens of doubt

EVERYTHING YOU HELD DEAR

“Dead eyes” are what you see when the spark of presence is gone, when the gaze becomes flat and unfeeling. They don’t track the world with curiosity, don’t soften with warmth, don’t betray the smallest flicker of life behind them. Instead, they look vacant, as if the person is only half-there—or not there at all.

Psychologists might call it dissociation, emotional numbness, or the drained look of depression. Trauma can hollow the eyes until they no longer shine, leaving only a glassy stare. Burnout, exhaustion, even despair can strip away the subtle movements we instinctively expect, making the gaze uncanny in its stillness.

What unsettles us is that eyes are supposed to reveal the soul. When they go lifeless, it feels as if something essential has slipped away. The body is alive, but the windows look out onto nothing. And that nothing stares back.


Artist: KEX0
Album Title: DEAD EYES
Label: OVERDOSE
Catalog: ODEP005
Format: Digital
Release Date: 09/05/2025
Mastering:KEX0
ARTWORK:KEX0

DEAD EYES INTRO

Track from Humanfobia 2019 album: " You Never Are Alone"
free download this track and the full album from 3 alternative links:
- https://archive.org/details/humanfobia-youneverarealone-album/
- https://hearthis.at/humanfobia/set/2019-you-never-are-alone/
- https://humanfobia-official.bandcamp.com/album/you-never-are-alone-2019

For more Humanfobia music visit: https://humanfobia-official.bandcamp.com/
facebook: https://www.facebook.com/humanfobia

Gloomy Visions (Single)

Gloomy Visions

‘Descend’, the new work of modificatory project Lovozero, encapsulates Anastasia Tolchneva’s sound setting of cross-disciplinary performance of the same name, passed during the first TKANI session in Mutabor, Moscow's most spectacular underground music venue. By the guidance of Anastasia, Maria Kharitonova and Anna Kravchenko performers tried to reverberate the processes of genesis, growth and dissolution of various structures in human body during the event. The capture of inevitable fluidity was the main aim of the whole act; the reaching of urgent kinæsthetic freedom that creates a proper possibility for reversing of linkage between impulse and motion.

And apart from industrial multileveled interior of Mutabor and various objects of complex nature (silicon, concrete, aluminum) within it and the dancers’ bodies floating in their presence, it was Lovozero’s sound had been calibrating the sentiment right and righteously. (A)synchronous and (a)symmetric pulses, muted murmuring and lowercase crackles were the same parts of derived (un)certainity, as inclusive presence of spectators and strain of happened movements did. Now this splash of noise and tune is accessible for everybody – and everybody could test his own knuckles and fibers in the same measure that occurred that evening.

Descend Pt. II

Instagram: https://www.instagram.com/fashiongore/
Spotify: https://open.spotify.com/artist/0SbVw4JmC2BS80bqHeY4Ay/about

life is just an intermission brief

This interview really smacked me in the face. I really felt sympathetic to this guy who' s obviously oblivious about the situation. Tried to put me in his shoes and it felt like pure noise. So i tried to emulate the effect of this interview on his state of mind using sound. 
This track is the first born from Me, my Thumb and Jack with UnterPitch and Bleached Coffins. Got tired of determining whether it was a MMTJ track ft. UnterPitch or vice versa. So from now on new tracks will be created under the moniker Gruppo Infernal. This track was recorded using techniques from my different alter egos as a celebration of this new phase in my musical quest. Hope you enjoy.

Ob(li)vious(ly)

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

One-Man (Old avantgarden soul) Theatre/Intergalactic Pirate based in Norway. Musical freedom, exploring unknown space, filterless and honest, for the love of music and it's as faithful as you make it, perfect marriage. Avantgarden soundwaves, besides coming from a background of death and black metal I seek my own ways. Vinlandsraud as an Artist are also in projects like Varbarna/Tiloh/Pax Loyu/The Black Swan Triad/Pitch Black Hour/Dark Mafia Room and some virtual dead sea scrolls more..... .. . .

RELIGION (guest appearance Lht)

Vinlandsraud

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The Empire of the Full Moon

Yiørg_/_Yiørch

Mr Teapot

(blood artist) arild skaug

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