Name: S K R I K by Gruppo Infernal
Duration: 4 min 33 s
Description: for everyone feeling locked up in lockdown

Awesome and intense style. I think this might work with the Matrix style video game ,,Super Hot".

Created using Virtual ANS and normalized in Audacity for Disquiet Junto 0554, Cage Chord. Any piece submitted was intended to be loopable.

Used pulses in close drone, not only according to chord notes, but in upper registers, within notes to play with additive heterodying/intermodulation, as notes were synthetic, not inherently full of overtones etc. Also to take some cue from the chromatically adjacent notes in the chord notes.

None of it done with fine resolution to encourage any idiomatic lo-fi glitchyness in the program.

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

End Hold

unknown station

YOU KNOW Go with the Flow

evolutionary tactics through splice and chance

More on this 580th weekly Disquiet Junto project, Evo Evol Evolve (The Assignment: Record a piece of music that develops like an organism evolves), at: Disquiet Junto Project 0580: Evo Evol Evolve – Disquiet

More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements here: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0580-evo-evol-evolve/

Evolutionary Phrase Backup [disquiet0580]

ACTUALIS

Fenestra 33

6 May 2023 in the gallery Dezernat5
Susanne Wegener - Vocals
Sascha Sauerborn - Drums/Electronics
Herbert Weisrock - Baritone Saxophone
Thomas Sander - Guitar/Electronics

MERKWÜRDIGER TON

morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 7th June 2023

Haiku by Catherine LoFrumento https://twitter.com/Catherin03

Picture by Alessandro Capuzzi https://unsplash.com/@aleeecap

Morning Glow (NaviarHaiku491)

Pyramid Parsing Ants

Early morning,
One star remaining,
It’s a good day too.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 14th June 2023

Haiku by Santoka Taneda https://www.chzc.org/Nonin.htm

Picture by freezydreamin https://unsplash.com/photos/SV3V-D1G2q4

TO PARTICIPATE
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku492)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

It’s A Good Day Too (naviarhaiku492)

All  sounds on this early morning exercise are double bass processed by modular synthesizer.
8.21.23

daybreak

for everyone feeling locked up in lockdown

S K R I K

A place for sound freaks and aural addicts. 
A good actor plays all kinds of roles. A painter's palette needs a multitude of colors. Create something special, keep drowning me in your work and i will find the oxygen i need. 

There's all kinds of tracks on my page, but after months of buzzing in my head and schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision has been made: all my alter egos got together and decided to form a band. From 2020 on new tracks will be created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal relies heavily on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delayloops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch is/was an alter ego using samples & synths.
Bleached Coffins is/was a project using guitars.

S K R I K

Gruppo Infernal

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