DAMN GOOD playlist

Hospitalized

Industrialism

[UNDER CONSTRUCTION]

Dark tracks series (short tracks) no. 94

created: 2022/05/01

Dance music with lots of reverb, echo, and aggressive atmospherics, to summon demons and other mean creatures. More generally think of all your nightmares.

All of these tracks were uploaded between 02/2022 and 04/2022, except for the following older ones:
. . - , [TO BE COMPLETED]
. . - ,
. . - ,
. . - .

Enjoy!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Dark_tracks_94

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 388

created: 2022/05/02

These tracks were uploaded to SC between 02/2022 and 04/2022,
except for the following, older ones:

The Central Committee sends its love.

[TO BE COMPLETED]

HK_Superdance_tracks_388

Experimental

Mad Dogs & Englishmen - Trumpton (1983)

CAPSIZE RECOVERY takes the listener on a ride through a very dark universe of gloomy sounds and atmospheres.

the eight rather longish tracks of the album are characterized by senking‘s epic signature sounds - creepy hovering bass lines, clean and slowed down drums, paired with oscillating and sometimes fierce synth melodies and shots.

with his extremely deep and dubby arrangements that explore the depths and abysses of bass heavy music, he again is able to create soundscapes that convey a subtle sense of unease or even fear, as if they were the soundtrack to a mysterious and disturbing film.

already the opener „chainsawfish“ reflects this perfectly. a minimalistic composition of droning basses and synth pad sounds is decorated by scary voice snippets that seem to be taken from a horror movie, which eventually evokes the uncanny feeling of being haunted.

the track „tiefenstop“ - a truly telling title - is a continuation of this theme and can be seen as the lowest point of the journey where the bass is reaching ever deeper spheres. again, voice snippets are used that intensify the hectic and stressful impression of the track, but here they are juxtaposed with rather positive and balancing melody lines.

besides the omnipresent mysterious atmosphere, the overall sound of jens massel‘s new record is organic and possesses a certain live character that can also be discovered in the last track. senking, by the way, is also one of the few artists who creates his music without the use of a computer.

„enduro bones“ starts with a monotone beat to which single elements like echoes, synth sounds, and fragments of melodies are added. by means of repetitions and extensions, the track is gradually becoming more dense and complex, and therefore it seems to be a song that is being created at this very moment.

senking‘s new record is an excursion to the depths of the human psyche. it‘s like the record is reflecting a difficult situation one can get into, as well as the struggle of getting out of it again - hence the title CAPSIZE RECOVERY.

senking. shading (excerpt). taken from senking. capsizerecovery

senking. tiefenstop (excerpt). taken from senking. capsizerecovery

MUSIC VIDEO : www.youtube.com/watch?v=ZcZwmIiuMIg
Prod. by Plague '94
Mixed and mastered by @chlorinegargoyle 

Track #5 from the upcoming release "The Visage of Hatred" (2022).

Lyrics:
CHASING DELUSIONAL DREAMS
I DEVOLVE INTO A DOPAMINE FIEND
NOTHING GETS IN MY WAY
IF I STAY UNSATIATED

I AM A SLAVE TO COMPULSIONS
HARDWIRED FOR PAIN AND DESTRUCTION
NAUSEOUS FROM THE SIGHT OF MY FACE
AND ALL THE MEMORIES I CAN'T ERASE

HATRED FILLS MY BLOOD AGAIN
I LET IT IN
I CAN'T STOP

DAMAGED CIRCUITS IN MY BRAIN
CAN'T YOU SEE IT
I'M SO FUCKED

HATRED FILLS MY BLOOD AGAIN
DAMAGED CIRCUITS IN MY BRAIN
...
I'M SO FUCKED
...

The Visage of Hatred

The Horror I Have Become

Hummingbirds In The Alley

After a long work, this track is finally finished. This track is my tribute to the Warhammer 40,000 franchise.
Special thanks to Sapi's iLLusion

Drive me Closer

Drive Me Closer

https://www.instagram.com/p/CaVR6s3FqDV/
https://www.youtube.com/watch?v=wenHGdV5iHA

CAUGHT BY THE BIG BAD PANGOLIN(wizz Vid)

LUNA NEGRA

Album: Trial (2000)
 
No copyright infringement intended. 

Senking - Lift

Existing in a Room

1. Senking - Speed Bubbles 
2. Retina.it - Progetto Gettato 
3. PixFoil - Monkey Chant
4. Plaster - Trasducer

C H O N

C H O N : Senking, Retina.it, PixFoil, Plaster

"In the universe there is a core from which we obtain knowledge, strength, inspiration. I have not penetrated into the secrets of this core, but I know it exists." -Nikola Tesla

Follow on:

▪ http://www.dreamstatelogic.com
▪ http://www.youtube.com/dreamstatelogic
▪ http://www.facebook.com/dreamstatelogic
▪ http://www.instagram.com/dreamstatelogic

 [ cosmic downtempo / space ambient / trance / psybient / electronic / chillgressive / futurewave ]

Unreleased

Code Of Existence

Make a journey into a dead space maze, if you can make the time to listen...

This soundscape song is created and inspired based on a dream. This style of making soundscapes/music is therefore called ‘ Dream Story sonification’ in my opinion. There is a scientific aproach to capture the brainwaves from dream activity into sounds but not the whole story and atmosphere of a dream. For making this possible, there is just the memory of the mind and use it to translate it in the right sounds and compositions with experimental sounds of a sampler/synth or other gear. This I have been training for years, to memorize my dreams and using these dreams in translated sound compositions. That was my intention in this song/soundscape.

Corridor Of Pareidolia

Zusammenbruch "Will Not Follow" excerpt

Download enabled
-contributing track for Darksiders winter playlist "Shadows"- https://soundcloud.com/all-buttonsin/sets/shadows

Mood Exhibit- Test Subject 38

Riverboat Queen

Closing track for Expo Records's compilation "Beyond the Dream"
Compiled by Dynamic Range
2019

DOWNLOAD

Suduaya - Smile

GIL - Infolding 
Cat. Nr: DN015
Format: Digital
Release Date: 12 July 2019
Buy: https://bit.ly/2ERpTgG

GIL’s latest record Infolding is released by Danse Noire, his second release on the label since Orchids and Wasps. Aptly named, it traces an inward fold, both of the artist's leanings and the listener's experience. The record is reflective, probing, and supple; its arrangements a development of the musical language explored in his previous release.

Infolding engages both with composition and non-determinism, its playfulness skipping across dramatic deluge and expansive gestures to gently paced segments, a game of hide and seek. GIL displays once again his interest in movement as well as an understanding of the fine aspects which determine familiarity and structure; time as rhythm, embodiment as genre, precognition and expectation – the agents of notional listening get questioned gently and persistently. The result is music which will joyfully betray an ear's expectation, replacing it with a twist or sudden space. The record dances on an unstable surface, dipping where it should rise, halting where it could pound, uttering affecting melodies, gracefully yet laboriously; GIL's is an introspective, churning, bone rattling palette.

Hardly ever offering a moment of rest, he creates environments in which something is perpetually pulling, stretching, towards-tending. Laden with cartwheeling themes and hooks which appear and disappear in different shades, the record houses overarching motifs which appear and scatter over the span of several tracks. This dizzying distribution makes for an in-folded listening, in which the artist considers the record's body as outside of single frameworks, its premises and planting delayed or waylaid by new, unexpected considerations.

The distinct sense of motion in the record is the artist making use of his experience as a live musician, and is further developed due to his aphantasiac condition. An inability to visualize both imagery and sound in his mind spurs GIL into sensing arrangements by physical preemption and resonance, reactively. Unsurprisingly then, Infolding takes shape as a blindfolded, visceral dance.

Track 1 & 3 mixed by Jeremy Cox, track 5 mixed by Alexis Chan. Mastering by Jeremy cox.
Artwork by Maya Rochat.

@gilschneider

Infolding

GIL - Compact Renewal

Happy new year to all my amazingly talented Soundcloud friends.  Creativity makes the world worth living in.  With love and respect, Joe
Thanks to Rick at Dark Fidelity HiFi for mastering and for being my best mate :)

Play it Cool

Play It Cool

From the new album "Secrets Of The Stars" available on all platforms April 3, 2020.

Follow Dreamstate Logic:

▪ http://www.dreamstatelogic.com
▪ http://www.youtube.com/dreamstatelogic
▪ http://dreamstatelogic.bandcamp.com/
▪ http://www.soundcloud.com/dreamstatelogic
▪ http://www.instagram.com/dreamstatelogic
▪ http://www.facebook.com/dreamstatelogic
▪ http://open.spotify.com/artist/28v6aJcwl6Wvm6MH6gINzN
▪ http://music.apple.com/us/artist/dreamstate-logic/1493076828

 [ #spacemusic / #spaceambient / #electronicmusic ]

Secrets Of The Stars

Prism Of Lyra

taki taxi live @ loementech hq

Singularity

From the album "Secrets Of The Stars" available now on all platforms.

Follow Dreamstate Logic:

▪ http://www.dreamstatelogic.com
▪ http://www.youtube.com/dreamstatelogic
▪ http://dreamstatelogic.bandcamp.com/
▪ http://www.soundcloud.com/dreamstatelogic
▪ http://www.instagram.com/dreamstatelogic
▪ http://www.facebook.com/dreamstatelogic
▪ http://open.spotify.com/artist/28v6aJcwl6Wvm6MH6gINzN
▪ http://music.apple.com/us/artist/dreamstate-logic/1493076828

 [ #spacemusic / #spaceambient / #electronicmusic ]

Clouds Of Vela

Senking - Black Ice

Mystical Return

for everyone feeling locked up in lockdown

S K R I K

Crushed By The Apostles Vs John5 - The Call Of The Lords (Lords Of Salem Theme Cover)

Bring a crate of Dr. Peter's Blood Vitalizer

Beskar

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out