P a b l o presented me this ambient drone titled "lost souls" for me to experiment on. In Belgium we're facing our third covid lockdown in one year. Help organizations worldwide are reporting alarming numbers of domestic violence and abuse due to lockdown. Lost Souls immediately became Trapped Souls in my head. I tried to evoke such disturbing situations through sound. It was an emotional rollercoaster. Anyhow, this is the result.

Gruppo Infernal + P a b l o _ Trapped Souls

Glory to Jah.🙏 No AI.  I’m a musician, since 8 years old, playing guitar, drums & keyboards. Peace & one love 🙏 Free Gaza.
Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile

 "I live and breathe techno.💥
 As a producer, I create dark, energetic soundscapes that draw you to the dance floor. 
As a DJ, I love to play sets that tell a story and put the audience in a trance. 
Ready for the next trip?"🎶🔊


A big thank you to the SoundCloud community👍🏻
It's a lot of fun to exchange ideas with you 🔊🎶


A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

In 1936 a small town suffered plague and pestilence. 11 women gave birth to what the town described as feral, clawed, masked and lethargic￼￼ creatures. The citizens dispatched all but 3 of the mothers but strangely enough let the creatures live. The remaining mothers fostered all of the “children” and were quarantined to an abandoned and barren farm. The farm and its inhabitants became known as Sloth Camp. They were left to fend for themselves, surviving on what little they could grow and animals ( mainly rats) they could catch. An outhouse painted with images of lions and baboons and other creatures from distant lands started being worshipped by the “ children “. This is Sloth Camp...

Songs from the edge of somewhere. Bluesy, soulful rock with roots in folk and blues, shaped by years of traveling and chasing sound.

My debut album Strange Part of the Country earned ★★★★ from Q Magazine, a Blues Matters cover feature, and reached #3 on the U.S. Alternative Radio Chart, with airplay on BBC Radio 2, WWOZ New Orleans, and KROQ Los Angeles. Peter Green (Fleetwood Mac), Marc Ribot, and Danny Thompson have all been part of the journey.

I’m now finishing a new album with Marc Ribot, Tchad Blake, and Danny Thompson — music that digs deep, raw and real.