I did not use AI support at any stage in the creation of this piece.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

original song: @neowakan- Mist
---
07-06-25

Mist

Echoes in Distortion: a tribute to the sonic rebels forged in the crackling hum of amps and chaotic rhythms, this song aspires to channel the groundbreaking boldness of early Cabaret Voltaire, the relentless energy of Black Tish, and the brainsickness of The Butthole Surfers. Melodic but unruly, unraveling yet structured—it twists and bends, paying homage to the underground architects who aimed to reshape sound itself.

Echoes in Distortion

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

winter time festival fun in Tasmania- it was COLD and Dani and I thought we had been a bit pretty with our Live offerings lately so we decided to bring the noise for this little gig, so fair warning... there is some rude nosies ahead : ) Always a pleasure

Kirby/Ward LIVE @ Good Grief Studios/Dark Mofo festival

This is an experimental song, would like some feedback on it

complicated silence

threnody: a song of lamentation for the dead, an elegy

what’s up doc? just a few words before i go to sleep. i feel like i’m in a dream tonight. big bad ones you know, the kind you like. i guess i feel i can say anything, all my secrets. today’s number is… i feel like i’m in a dream tonight, and the funwork train is rolling. all aboard. here in LA beautiful blue skies, golden sunshine. i only have eyes for you. hot coffee and a cookie! i feel like i’m in a dream tonight. beautiful blues skies and golden sunshine all along the way. everyone have a great day. golden sunshine, muted sunshine, 55 degrees fahrenheit. whirl the number… today’s number is 8.

David Keith Lynch was born in Missoula Montana, January 20, 1946, died in Los Angeles, January 16, 2025. his favorite movie was the wizard of oz.

written & recorded by NG-Xp
VO by david lynch and laura palmer
assorted synths, manipulated sounds & vocals by guillaume
guitars, synths, drums and ambient recordings by naldo
saxophone & whale sounds by steve davy

video version on youtube: https://youtu.be/6JAlQMZQW-8

Threnody for David

Made in June 2025.

Video; https://youtu.be/76WrcXQxL6I

Horizons

listen in it's proper order athttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

the album coming soon to Bandcamp


So Jo and I found ourselves spontaneously firing lines of lyics off at each other on some sort of Mad poetry binge--After these Seething pots of words were left to simmer and percolate Kimchee style--a small percentage of the words and ideas got stuck together somehow and cohesion was attained:)  i then sent Jo another big  pile of guitar stems, 5 in all--
Jo at this point put on his producer's hat and proceeded to form all this noise and racket into a most beautiful series of tunes which by the way is still in process-- An amazing job !! i am honored by his efforts--pure genius!!

all instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

the river rages while my faucet drips
consolation amasses around my hips
off the memory slide we slip
past pointers on the clock
ten times as tall as me
on the precipice of the sheer enormity of it

that old man who sat along the path
with bamboo cane and haversack
he said, while serving me
beans and rice and fruit and tea and bread
turn that little voice off in your head

scalar fields pt 2 fractal fields (1) with Sonic Structures and Silent Stretches

 moodexhibit.bandcamp.com/album/demos

On the new EP “DEMOS” Mood Exhibit takes on an indie, progressive rock sound. The material is intended for easy digestion, with catchy riffs, crisp momentum, and a band energy. This is a new exploration in sound for ME that once again expresses a love for many styles of music. The material on DEMOS is not the destination for Mood Exhibit, but instead yet another side trip on its musical journey.

Mood Exhibit - GLIDE

created on this old Toshiba S5000 laptop i found and it had Reason 1.0 on it. The laptop died on me soon after

UnterPitch_Phase Transition

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out