great performance, really dope guitar riffs on this

Incredible set. Omg I wish I could have witnessed this live 🖤

loving the trippy guitar atmosphere on this, great performance

Guitar: Belial Pelegrim @belial-pelegrim
Keyboards and synths: Fornicata https://soundcloud.com/fornicata
Vocals: Myrh @myrhyum
Bass, drums, production: TMDS @themagneticdogsisters
Lyrics by Myrh & TMDS

Earth Wheel - Belial Pelegrim, Fornicata, Myrh, TMDS

many thanks for the inspiring trumpet playing by malte heseding

dac insomniac + r.s.stropharia - fuga din subsol - remixed by r.s.stropharia (14.01.2022)

Ending Credits from "Ritual Objects", a documentary by Anna Tyurina.
“Ritualnye prinadlezhnosti”, Russia, 2011, 61 min, Beta SP, Portrait

Staff:
Screenplay, producer, director: Anna Tyurina
Editor: Matias Musa
Sound & music: Matteo Mariano
Director of photography: Anna Tyurina

Ritual Objects (Ending credits - 2011)

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

For a voluntary termination of pregnancy at 14 weeks in France, it is said that the fetus must be dismembered and its head crushed before being removed ....
I didn't go through this adventure, thanks mum!

- The Science - Note that according to the current state of knowledge, the fetus is not capable of feeling pain before 22 weeks. 

Pour une interruption volontaire de grossesse à 14 semaines en France, il est dit que le fœtus doit être démembré et sa tête écrasée avant d'être retiré .....
Je n'ai pas vécu cette aventure, merci maman !

- La science - A noter que dans l'état actuel des connaissances, le fœtus n'est pas capable de ressentir la douleur avant 22 semaines.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Fertile Anatomy

In loving memory of Domenico a.k.a. Domenicko – Blissphemy - Arle Quinn 
Many years ago I recorded Domenico's voice - just one verse and chorus he'd written. My experiments back then didn't match and we forgot about it. Covid-19 took away our chance to work together again. I decided to finish the song in his honor. No experiments this time but a ballad, like he would have wanted. On 23/4/2022 Domenico's friends gathered to commemorate him with music, dance and laughter and I was asked to perform the song on stage with Mark Zark on guitar and Emsie Phreddie on bass and, of course, Domenico's voice. We stretched the time between the verses and at the end switched to a largely improvised up-tempo beat so the DJs could take over and get the party going. 
Recorded with a phone by someone in the audience, so don't expect too much. 
And yes, it's something completely different than my other stuff, but I like to think he would have loved this. For you, D

WEIGHTLESS (i.m. D) - Live@Pilar 230422 (plz read description)

Method: Once again, The Pull of the Past (https://soundcloud.com/thepullofthepast) showed kindness in allowing me to integrate one of his compositions into a poetry soundscape.  This time, it is the hauntingly beautiful Autumn Hearted: https://soundcloud.com/thepullofthepast/autumn-hearted The copyright for this part of the composition remains with him. Please listen at his place - a powerhouse of inobtrusive creativity. 

Narration: This soundscape uses noise, music, voice and a field recording to create dense space and to narrow in on https://en.wikipedia.org/wiki/Misophonia . A few days ago, I was recording a brook in the wide open field when two birds of prey started to have an extensive conversation - what could be more menacing to 'a shy little bird' - apart from all the intrusive sounds around it?

Lyrics / copyright jo richter:

stop being present within my body
she yells into her sister's persitant breathing
she so longs to silence the shared dorm room
it's fists, knives, headphones or leaving

the tireless roar of wheels in the streets
makes her shrink with disgust, shudder with horror
there is no room left for her focus to settle
a shy little bird screeching with terror

crowds of people are moving right through her
trampling, coughing, yelling, rushing
her attention disperses, disintegrating
sand on this beach, surrounded by ruins

a hospital clock ticks her awake
time's leaking faucet, relentless
strapped to a frame, exposed, she suffers
cliffside torture, tartarus, helpless

Artwork: By me, as usual.

Special Note: Somehow - hearing myself say 'sand' - I was momentarily transported back into a former composition of mine: https://soundcloud.com/sonic-textures/sand-2012-relic?in=sonic-textures/sets/relics

autumn hearted

Misophonia - with The Pull of the Past

Dark Town

Giraffes, Vomit & a Diva Whose Band Called Hundred Tails and Straight Scales Blowed Her Away [DL!]

Ptaki Makowych Dolin

Friction

Almares

A place for sound freaks and aural addicts. 
Music is like food to me: I like almost everything as long as it's well-seasoned and I don't eat the same thing every day, although it happens when I feel like it. 

So there's all kinds of stuff on my page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

WEIGHTLESS (i.m. D) - Live@Pilar 230422 (plz read description)

Gruppo Infernal

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