David Fenech (born in 1969) is a French musician living in Paris. He plays a large variety of instrument and is a skilled guitar player with his own technique. His main instrument is the microphone and his music features whatever he puts under it. His baroque style has been described as ‘a kind of punk musique concrète’...

He has played and recorded with musicians such as Jac Berrocal, Jah Wobble, Cosey Fanni Tutti, Felix Kubin, Jad Fair, Tom Cora, Rhys Chatham, James Plotkin, Shugo Tokumaru, Ergo Phizmiz, Nurse With Wound, Pierre Bastien, Jean-Hervé Peron and many others. His recordings have been published on Cold Spring, Sub Rosa, Blackest Ever Black, Wergo, Gagarin Records, Jelodanti, inPolysons...

"One of my alltime favourites" (Felix Kubin)

"Truly unpredictable, you never know where any given tune is heading, or which stylistic outfit he is going to whip out next from his magic trunk of disguises. He makes it look easy, but you can bet there’s 500 kilograms of sheer talent and hard work behind his every move. Recommended! " (Ed Pinsent - The Sound Projector)

Mellimbrosia is an imaginary but safe space for sound experiments discovered by Uliana Bychenkova in her bedroom, where she is also wearing many other hats, such as an interdisciplinary artist & designer, curator & researcher, composer & performer, but first of all, a sensual thinker. 

With a background in noise performance, Uliana studied at the school of Ukrainian composer Katarina Gryvul, where timbre and form were paid the most strong attention. Focusing on the intermedial dimensions of electroacoustics and employing feminist optics, she graduated from SeaM (Studio for Electroacoustic Music Weimar, M.F.A.), with an electroacoustic score for the short film “Scales” directed by Anna Sherbyna (e-flux Film Award 2024).

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