MARCH 2022 PART 1

La prog Avril—Juin 2022

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

04/2022 - Âpre est la ville

Vacances 2022

beyond punk.

Best of Found in 2023

Farwell Day Ripper

ARTHUR SATAN - SUMMER

Cannibale - Life Is Dead

Harmonizer

Everything Is Burning

Buy/stream

Claude VonStroke & Nala - Everything Is Burning [DIRTYBIRD]

Charlotte Adigéry & Bolis Pupul 'Topical Dancer' [DEEWEE055] is out now. 
Buy the 2LP vinyl/stream/download the album here: 
► https://charlotteandbolis.lnk.to/topicaldancer

Buy tickets for our upcoming UK, EU and US tour 
► http://charlotteandbolis.com/tour 

Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul release their phenomenal debut album Topical Dancer via Soulwax’s iconic label DEEWEE.
 
Cultural appropriation and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte and Bolis have ripped up the rulebook with their debut record. Featuring standout singles ‘Blenda’, ‘HAHA’, ‘Thank You’, ‘Ceci n’est pas un cliche’ and today’s focus track ‘Making Sense Stop’, Topical Dancer - which cements Charlotte and Bolis as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.”
 
Follow Charlotte Adigéry & Bolis Pupul 
► http://charlotteandbolis.com
► https://charlotteadigery.lnk.to/instagramyo
► http://bolispupul.lnk.to/instagramyo 
► https://charlotteandbolis.lnk.to/twitteryo 
 
Follow DEEWEE:
► http://deew.ee 
► http://deewee.lnk.to/instagram​​yo 
► http://deewee.lnk.to/facebookyo
► http://www.youtube.com/deewee

Topical Dancer

It Hit Me

Smthng

Pacific Trash Patch

A Dream I Have

A Dream I Have (Damian Lazarus Re-Shape Remix)

Human Crime

Lost Track

Open Channels

The Smoke

The Smoke (Dennis Bovell RMX)

Angelica

Billionaire

Snakey

Money Talks

New single by Leeds / Norwich band Gladboy:

"I wanted this track to be a sort of reverie about life before the public smoking ban - something which I'm too young to have seen for myself. I enjoyed the idea that people would smoke anywhere and everywhere they can. It's a totally unrealistic view of that world though - it's full of stupid, cartoonish images about dogs smoking and people eating cigarettes for pudding. The actor, Boris Karloff, became the antagonist of this straight-edge anthem. He briefly haunted my childhood dreams, so I felt he'd be the perfect totem for this world I had the misfortune of creating."

Gladboy are George Orton, Adam Bentham, Sonny Mitchell, Janani Arudselvanathan, Lotte Davis and Alex Calder.

Karloff

pure misery

Magic Powers

One track from the debut LP by ukrainian neo-krautrockers REFLECTOR.
LP comes on randomly coloured 180 grams recycle vinyl made in Germany, limited to 500 copies. Plus downloadcode!

REFLECTOR - 1

God Is An Astronaut - All Is Violent, All Is Bright

Bantam Lyons - "03 BEDS"

At Mount Zoomer

Fine Young Cannibals

Strange Pleasures: 10th Anniversary Edition (2023 Remaster)

The Trip - 2023 Remaster

Les Olivensteins – Euthanasie [Les Olivensteins, mélodies – massacre, 1979]

Leeds-based noise-rock band Thank will soon drop their second EP Please. Coming out as a joint venture between Buzzhowl Records and Belgium’s EXAG, Please is the follow-up to the group’s debut EP, 2017’s Sexghost Hellscape.

A major change in Thankland since Sexghost Hellscape is the group’s full integration of Theo Gowans, well-known in his own right on the UK’s harsh noise scene for his hyper-prolific output under the pseudonym Territorial Gobbing. Gowans is a fellow member of Leeds’ autonomous space CHUNK, the co-operative rehearsal/event spot that has also incubated projects like Cattle and Slut Drop. Though he joined the band in the run-up to Sexghost Hellscape and did play on that record, Please is the first Thank release which has involved Gowans throughout the writing process. Here he forms part of Thank’s midfield, busying himself on electronics while Lewis Millward and Cameron Moitt oscillate between guitar, bass and synths.

Compared to Sexghost Hellscape, Please is at once more defined and more ragged - a result of these tracks being refined more extensively in the studio. Though recorded with live drums from Jack Gordon, the precision-engineering of the grooves here is reminiscent of sequenced dance music. Lead single ‘Think Less’ is anchored by a bassline as rubbery as anything you’ll hear coming out of DFA Records, and disco beats propel ‘Commemorative Coin’ and ‘No Respect For The Arts’.

Now bolstered with an extra pair of hands, Thank have paid increased attention to textural work. The angular guitars heard on Sexghost Hellscape have mutated into a monstrous scree that sounds like a swarm of angry hornets. It is a maelstrom not dissimilar to recent work by Daughters and The Body. The juxtaposition of frenzied noisescapes with tight rhythms makes for a discombobulating listen - you find yourself unsure whether to dance to these tracks or run away from them.

While the tension in Please could be too much for some bands to hold, Thank sustain it expertly across the four tracks here. This is thanks in part to superbly-balanced production by Rob Slater and Jamie Lockhart (Greenmount Studios) as well as a meaty mastering job from Declared Sound’s Dominic Clare. Furthermore, vocalist Freddy Vinehill-Cliffe (Beige Palace) acts as a lightning rod for both elements of Thank’s sound. Vinehill-Cliffe’s lyrics tackle by turns Catholic guilt, deaths in the family, his experiences in therapy, sex, loyalty and betrayal. Whatever the subject matter, every syllable of Please is delivered in a self-flagellating yelp that is equal-parts Xiu Xiu and post-Nite Flights Scott Walker. Such a tragi-comic performance is the perfect focal point for Thank’s harsh, powerful Please.

FFO: The Body, Xiu Xiu, Daughters, Whatever Brains, Scott Walker

Pacific Trash Patch

MNNQNS