Sabine was born and raised in Berlin. She grew up listening to a diverse array of hip hop, soul, funk and crossover beats. Sabine discovered her passion for spinning vinyl around the early 2000’s, when she was first exposed to electronic music. 

She plays a deep blend of techno, electro, Chicago & Detroit house with nuggets of acid, funk and breakbeats rolled in.  Besides club music, she is also available for Ambient sets. But regardless of the style, you will always find Sabine playing vinyl only sets  as she prefers the warmth of analog sounds and the classic feel of turntables. 

She has played at almost all the leading clubs in Berlin such as About Blank, Tresor, Heideglühen, Salon zur wilden Renate, Berghain Kantine, Suicide, Griessmühle, IPSE, Farbfernseher,  Golden Gate, Arena Club and the list goes on. Her international profile has been steadily increasing, she already played in Tiflis, Paris, Baku, Yerevan, Krakow and Thessaloniki to name a few.

Since 2016 Sabine works at the well known OYE record shop in Berlin. She is taking care of all OYE club events and also all Instores happening at one of the record shops. Since January 2023 she is hosting the OYE Podcast series.

Sabine is the founder of “Frauengedeck”. It´s an event series focusing on an all female line up. She wants to support and present female DJs. She has held many events at different clubs throughout Berlin like Wilde Renate, Griessmühle, Farbfernseher and Beate Uwe. The first international events outside of Germany, were held in Armenia, Azerbaijan and Georgia.

She finished her Audio Engineering studies at SAE. Inspired by her gained knowledge, she started putting her focus on music production. The first result, a collaboration with No Mad Ronin is available on the label Zaijenroots.

For worldwide bookings please go in contact with booking.sabinehoffmann@gmx.de.

2025

11.01. renate
25.01. tresor
07.02. instore xk thule records
25.02. killekill podcast

01.03. paloma
06.03. golden gate
08.03. staub 
13.03. refuge radio
27.03. vinyl matters @matter of fact

11.04. humboldt forum
12.04. triebwerk, erfurt 
18.04. sisyphos


01.05. instore xk
06.05. sektgarten at about blank
09.05. instore xk
10.05. kater
15.05. latitude instore
17.5. rauh Indiego glocksee
22.05. loone
24.05. renate with in the loop

04.06. sektgarten at about blank with tigerhead
13.06. black.round.twelve instore
26.06. hör
27.6. tanzwüste @fusion 

05.07. tresor
08.07. sektgarten at about blank mit shaleen
12.07. sisyphos
19.07. dub nation at kater

09.08. tempelgarten
13.08. sektgarten at about blank
15.08. weekend
20.08. tmn trax podcast
29.08. paloma mit oye

02.09. sektgarten at about blank
06.09. geheimclub magdeburg
15.09. geheimclub podcast

18.10. tba, schwerin
25.10. private event
31.10. paloma
01.11. about blank

14.11. crack bellmer
22.11. tba

06.12. tba, helsinki
13.12. tba, oulu


2024

27.01. paloma
06.02. refuge radio
08.02. tresor
22.03. oxi
06.04. golden gate
20.04. selectors club, göttingen
27.04. sektor evolution, dresden
02.05. echocord @tresor
11.05. marmor bar
08.06. staub @about blank
15.06. tresor
21.06. else
22.06. killekill @about blank
29.06. oel garten
18.07. tresor globus
27.07. dub nation instore @oye records
28.07. dub nation @about blank
31.07. refuge radio
03.08. about blank
23.-26.08. freiland festival
25.08. kater blau
01.09. dub nation @about blank
12.09. latitude instore
13.09. opening lens studios (vernissage)
19.09. tresor globus
27.09. renate
05.10. plötzensee
10.10. paloma
21.10. selectors club podcast 
25.10. renate
06.12. in the loop instore
12.12. killekill podcast
28.12. golden gate
31.12. loreley bar

2023

14.01. renate
27.01. suicide
03.02. humbolt forum
10.03. crack bellmer
14.03. refuge radio
18.03. rosa, greifswald
13.04. tresor
19.04. crack bellmer
10.05. refuge radio
30.05. aeden
02.06. renate
01.06. oye records podcast
16.06. ava
23.06. humbolt forum
07.07. about blank
09.07. suicide
15.07. diffuse reality podcast
29.07. tresor
30.07-12.08. holidays
19.08. ava
08.09. renate
12.09. oxi
16.09. fiese remise
27.09. metroplex instore @oye records
02.10. paloma
07.10. mask records instore @oye records
13.10. golden gate
15.10. ungesund podcast
17.10. refuge radio
9.11. tresor
16.12. tresor

Guitarist based in Paris, Current member of SUNN O))), NAZORANAI, KHANATE. Originating New Hampshire 1974, arriving Paris in 2007 via NYC via LA via Suffolk via Seattle. Fortunate frequent collaborator; with artists and musicians from various paths of creativity in live and recorded music, visual art, design, theatre, film. Curator of IDEOLOGIC ORGAN label imprint in collaboration with Shelter Press. Thank you for your sustain, interest, attention & for listening to my efforts.

James O’Callaghan is a composer and multimedia artist based in Berlin. His work has been described as “very personal… with its own colour anchored in the unpredictable,” (Goethe-Institut). It spans chamber, orchestral, live electronic and acousmatic idioms, audio installations, video-music, site-specific performances, electronic dance music, and interdisciplinary collaboration — most recently with choreographer Edouard Lock and artist Lois Brown. In 2016 an album of his acousmatic works, Espaces Tautologiques, was released by empreintes DIGITALes, and his extended collaboration with Ensemble Paramirabo resulted in a portrait album of his works in 2019, entitled Alone and unalone.
	His music has received nearly forty prizes and nominations, including the ISCM Young Composer Award (2017), the Salvatore Martirano Award (2016), and the SOCAN Foundation John Weinzweig Grand Prize (2014). Significant nominations include those for the Gaudeamus Award (2016), Prix Métamorphoses (2018), and two JUNO Awards (2014, 2020). In 2021 he received the Prix Opus for “Composer of the Year.” 
	Active as an arts organiser, he co-founded and co-directed the Montréal Contemporary Music Lab. Originally from British Columbia, he lived in Montréal for 11 years and since 2022 has been based out of Berlin.

Berlin’s CTM Festival supports an open, networked, mutually-collaborative, global music culture through its yearly 10-day festival as well as countless collaborative and research initiatives, co-commissions, concerts, and other constantly-evolving formats. The 2 decades old festival stands out for its conscious pairing of daring artistic content and adventurous club experiences with an in-depth discourse programme, framing today’s sounds and music cultures within a shifting, hybrid global society.

M.O. Abbott is following