0909 lp mix

2025: Club Diaries

CD + Digital

Europa - 6 AM Adolescence

better quality track: https://ivanskoryna.bandcamp.com/track/x-ray-blast

x-ray blast

produced by and featuring @oakscreen
outro by @blackwinterwells

purgatory
it's not easy for me either here
but i'll be right here
purgatory
it's not easy for me either here
but i'll be right here when you're leaving

i wanna run away too
we're from the same cave
wanna hang out in graveyards
fake little ravestar
dance in the basement
everything changes and goes away

ur angry now and i get it
i get it
do u wish u had never met me
i'm just hoping u say goodbye

[leave me in the nether 
so i can finally be alone
choking on the weather 
never visit our gravestone
never had any ties here
disappear in my bed
keeping all of my friends close 
as i run away in my head

compartmentalize everything
every soul in your attic
they stole your happiness
and i promise i didn't have it
and i swear i did my best
and i never talk about you
but i write songs about this
and i feel fine without you]

purgatory

purgatory +oakscreen (oakscreen)

Diana Azzuz’s (@dianaazzuz) first solo installment on Standard Deviation is the artist’s initial connection to electronic club sounds and presents a subtle transformation within her artistic practice. Through her mostly conceptual approach, Azzuz seeks to challenge notions of sound explicitly by disobeying common expectations and preconceptions. The EP is called ”Anastrophe”, a fitting title describing rearrangement as a strategy to create sound.  

While ”A Very Touchy Spot”, the first track of the EP is a subtle and mysterious entry into Azzuz’ world of sounds, using ambient textures combined with classical drum elements, ”Recursive Gesture” tries to escape this initial idea towards influences of Grime, Bass and contemporary forms of Dubstep creating a powerful bass roller. ”Pathos”, the last track on the EP, is a heavy hitting roundup taking on modern club sounds, using elements of Gabber, Trance and Hardcore. Inherent to all tracks, a rather dark mood carries the tracks and embeds them into a coherent ambiguous feeling of unpredictability, uncertainty and fluidity. 

The EP get’s supported with remixes from M.E.S.H. (@m-e-s-h), who’s contributing with a new Alias ”eea” (Extreme Energy Availability) on ”Recursive Gesture” and Cologne based musician Swan Meat (@swanmeat) rounds it up, taking a shot on ”Pathos”.

releases July 20, 2021 

Tracklist:

1: A Very Touchy Spot
2: Recursive Gesture
3: Pathos
4: Recursive Gesture (eea Remix)
5: Pathos (Swan Meat Remix) 

Original tracks written & produced by Diana Azzuz 
Remixes by eea fka M.E.S.H., Swan Meat 
Mixed by Paul Georg, eea fka M.E.S.H., Swan Meat 
Mastered by UTC+16 
Artwork by Diana Azzuz 
Art Direction by Diana Azzuz

Anastrophe

Bandcamp

DIANA AZZUZ - ANASTROPHE (W/ REMIXES BY eea FKA M.E.S.H. AND SWAN MEAT) PREVIEWS

Taken from Diana Azzuz (@dianaazzuz) new EP Anastrophe, out July 20, 2021, via Standard Deviation (@standard-deviation)

Read: https://bit.ly/3xmvyVa
Pre-order: https://bit.ly/3hew1mW

Diana Azzuz’s first solo installment on Standard Deviation is the artist’s initial connection to electronic club sounds and presents a subtle transformation within her artistic practice. Through her mostly conceptual approach, Azzuz seeks to challenge notions of sound explicitly by disobeying common expectations and preconceptions. The EP is called ”Anastrophe”, a fitting title describing rearrangement as a strategy to create sound.

The Video shot for the second track ”Recursive Gesture” revolves around the idea of metamorphosis in the modern world, highlighting unpredictable, unidentifiable aspects of human ways of thinking within the so dominantly emerging cross-virtual world. Azzuz wants to present the limitations of human preconceptions in the virtual age of uncertainty and fluidity. As the artist describes, ”why are things perceived to be fixed and certain and how can I communicate and articulate this contingency?”, Azzuz draws on different tools like AI in her work, visually depicting a fluid state of self-modulation, morphosis within time and space, aiming to emphasize the fundamental ambiguity within our lives.

While ”A Very Touchy Spot”, the first track of the EP is a subtle and mysterious entry into Azzuz’ world of sounds, using ambient textures combined with classical drum elements, ”Recursive Gesture” tries to escape this initial idea towards influences of Grime, Bass and contemporary forms of Dubstep creating a powerful bass roller. ”Pathos”, the last track on the EP, is a heavy hitting roundup taking on modern club sounds, using elements of Gabber, Trance and Hardcore. Inherent to all tracks, a rather dark mood carries the tracks and embeds them into a coherent ambiguous feeling of unpredictability, uncertainty and fluidity.

The EP get’s supported with remixes from M.E.S.H., who’s contributing with a new Alias ”eea” (Extreme Energy Availability) on ”Recursive Gesture”. Cologne based musician Swan Meat rounds it up, taking a shot on ”Pathos”.

Artwork by Diana Azzuz

Mixed by Paul Georg, eea fka M.E.S.H., Swan Meat

Mastered by UTC+16

Released by Standard Deviation

Premiere: Diana Azzuz - A Very Touchy Spot [Standard Deviation]

"Artificial Prodigy (Born In Flamez Remix)" by @born-in-flamez is the latest track from @maxdahlhaus 's upcoming EP out on the 17th of September for @hyperboloid

Read More: https://soulfeederweb.com/premieres/premiere-max-dahlhaus-artificial-prodigy-born-flamez-remix/

Be A Glitch

[Premiere] Max Dahlhaus – Artificial Prodigy (Born In Flamez Remix)

TAR146
@fateabordage

https://www.youtube.com/watch?v=O5FgTDjHOIk

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

TAR148
@fateabordage

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

"Fate Abordage is an art group based in Russia.

There are three of them and they find themselves in the making of music, videos and performing arts.

“Above Us” is taking root in the ancient philosophy, aiming at describing deepest nature of human, his destiny and his critical conditions, which open boundless energy and intellectual possibilities. The general theme of the Fate Abordage originally was a concept of exiting from the wheel of fate through the co-creation of uncompromising, out-of-control energy, that can elevate each member of the process and can help him feel himself out of his own fate line.

V., W., and S. find this ability in the right conditions, which is usually start with periodic sessions of music co-creation and then continue in the process of mixing spirituality, philosophy and art.

“Above Us” is trying to dig deep into authentic human being structure, revealing its fundamental ambivalent nature. The techniques and sound of the EP are seemed to be contemporary and, in some sense, avant-garde, but, probably, it is only about decoration, in which FA has planned a trap for you. A trap, in which it’s necessary to take thought about what human is indeed consists of."

Grab My Hand Before I Burn

Buy/Stream

Fate Abordage - "Grab My Hand Before I Burn"

[via XLR8R]

asSitonmyface

Body Mods

DOWNLOAD

BURN THE WITCH

Mastered by @iseeflame
Artwork by TASHA KAPYUSHON (https://www.instagram.com/tashakapyushon/)

Release date:
7 April 2019

D Life

The album is influenced by skipping CDs and other digital glitches, however, you will find no IDM nostalgia here. The new tracks are tight and direct, consisting of a small amount of very short sounds. An attentive ear will catch the echoes of tribal, house, and trance productions here, but they are merely hints. As tested in big rooms under high pressure, this new LP is a hard-hitter.

Music: Fedor Pereverzev
Mixing & Mastering: Fedor Pereverzev
Artwork: Vladimir Kartashov (www.instagram.com/kartashov.me/)

CHANGE

We kick off 2020 with @realvanboom 'MORFEUS' which manifests sounds drawn from early 2000s bass music and industrial club, with the bullheaded desire to create floor-shattering tracks.

'MORFEUS' is influenced primarily by the horror media that had stuck with Van Boom since childhood, namely 'Resident Evil'. By channeling the feel of those works, Van Boom has coloured the complexity of this EP's raw drums with dread and aggression.

Also featuring unique and shattering remixes from @mynameisbulma, @ansystem, & @thegn-joynet.

- Credits -
Produced: Van Boom, Matt Tecson,
Bulma, AN System & Thegn.
Artwork: Van Boom
Sketch: Sahaf Al Sahaf.
Photography: Elvis Luizinho Dcosta .
Mixing & Mastering: Martjin Comes & Thegn

Van Boom - DREDD (Thegn Remix)

Two Moscow producers collaborate on an experimental EP inspired by drumming, and — surprise — there are no beats here. Zurkas, a master of anxiety-inducing, quasi-political nightmare ambiance makes his perhaps most club-influenced track and his first remix here, and Moa Pillar (who often crafts smart dancefloor-ready weapons) is at his most abstract. “Drumming” is a beautiful example of friendship, collaboration, and most importantly, communicating ideas across.

The project started from Zurkas’ obsession with the moment when live drummers go wonky while still keeping the groove — and that could be one of the main differences between electronic and live music, really. This original track, aptly titled “To Grab a Stick”, sparked Moa Pillar’s interest who just like his comrade had started out playing in rock bands (yes, his instrument of choice was drums). But unlike the slightly jungle-tinged Zurkas Tepla original, Moa Pillar’s original “Drumming” is an exercise in his own brand of deconstructed club music: staccato hits and hiccups that modulate into oblivion.

And then we have the ping-pong remixes: Zurkas edits Moa’s slick production is his trademark sound vérité approach spiced up with existential horror, while Moa Pillar does the opposite. 

Clocking at around 10 minutes, this EP boasts a lot of good ideas and brilliant musical coin-flipping.

Moa Pillar - Drumming

CRSL 001 is a glimpse into the range of sounds that have touched Cakeshop’s dancefloor over the past 8 years, an ode to the dynamic energy of vibrant independent scenes, and the synergy between east and west in their basement corner of the world.

CRSL 001: 8 years of Cakeshop

CRSL 001

2. Ase Manual - World Music Part 1 Ft Marvelito

https://soundcloud.com/jafgenos

Smackdown x Paprika - https://youtu.be/MxIY-yM9ISU

‘I just wanted to make good UK Bass music' is what Francesco said to me as we spoke about his remarkably unique approach to electronic music. Considering the three-track sophomore EP, It is evident immediately that this initial incentive was one that he was quick to let go of. We started to notice this in a big way when his first EP 'Pianta Tenera' was sent to us. Our ears pricked up as we listened to this standalone producer amongst a sea of talent. It can be hard to distinguish between unique styles as easily these days; but there was no issue here.

Jaf Ge Nos makes his second appearance on NHS with a release that takes an even greater leap out into theatrical, psychedelic progressive territories that span across 3 starkly different pieces. Often jazzy, frequently emotively eclectic, moving and undeniably rhythmic, Jaf Ge Nos has dialed up the originality tenfold on ‘Un Discorsetto’ and broken through the chains of restriction (Not that he really had any before anyway, but you get the idea). Branching out of the digital realm and skittering into instrumentation to add a whole level of depth and individuality to already obscure sound. We have decided to dub him the 'Nektar of Bass Music'. It's as if Southern American rhythm entered into a deep loving relationship with Prog Rock and they conceived this litter of love children. It's like watching a film that is comprised of every genre in one sitting.

Jaf Ge Nos set out to assimilate into the UK Bass music scene and ended up further away than he ever intended; and we love him for it. Let him whisk you away on an adventure across the three epic stories that make up the ‘Un Discorsetto’ EP.

Artwork by Myles Cody
Mastering by Raffaele Marchetti
Vocal samples in Smackdown by Sophie Vitelli
Additional mixing by Francesco Luigi Lenci

Un Discorsetto - EP

Jaf Ge Nos - Smackdown

An indisputably strong mix by Lensk (@anonymouscomplicity) for this Valley Radio. Let this half an hour long show be all you need to dive into Lensk's world and check out their impressive releases and otherworldly mixes. 

Image courtesy of artist 
Lay out by Oliva Rawlings

Valley Radio 050 - Lensk - 'Quiet Loud Snow'

https://moapillar.bandcamp.com

ПИР https://peerworld.bandcamp.com/
DM me if you want promos.

CHANGE

Moa Pillar / ПИР

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