Yüäh

A 3,5 Hour set I played last September for Klangwirkstoff Records at the fantastic club RITTER BUTZKE in Berlin. I am happy they recorded it and sent it to me as I extremely enjoyed that night! Let me know what you think! :)

3,5 Hour Namito Set September 29th 2013 at Ritter Butzke, Berlin

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Boiler Room Berlin Boys Noize, Jackson,Djedjotronic B2B Maelstrom, SCNTST,Strip Steve, Housemeister & BLN allstars

[broadcasted on february 26th 2014]

Tracklist and video at boilerroom.tv

Housemeister 60Min Boiler Room Berlin Mix

Freshly squeezed on Leena Music. Lee Van Dowski & Dean Demanuele:
http://www.beatport.com/release/branding-you-damned/1267148

http://www.mobilee-records.de/artists/lee-van-dowski

Lee Van Dowski: The very name exudes style and intrigue—a country lord, perhaps, who at night throws open the manor gates to host all-night bacchanals legendary for their wine and song.

And though the French-born, Geneva-based artist may not have a manor to his name, the rest isn't far off the mark. Born Renaud Lewandowski, Lee has earned a reputation as a kind of dark prince of uplifting electronic music—a trickster who spreads his mischief via long, undulating DJ sets and bewilderingly funky releases. And he's done this in a remarkably short span of time. In 2004, he and Philippe Quenum released the well-received "Extension"/"Oregon" single for Luciano's Cadenza label; since then Lee has gone on to unleash a deluge of material on labels like Mental Groove, Bpitch Control, Dumb Unit, Einmaleins, Memo, Plak, Defrag Sound Processing, Mobilee, Leena, Wagon Repair, Soma (where Lee and Quenum also released their collaborative album, As Told On The Eve Of…) and still more. He's a regular fixture at some of the world's most celebrated nightclubs— Panorama Bar, Weetamix, Goa, Rex Club, D edge, The Arches etc…and even more celebrated afters. And as the director of two labels—Num, alongside Quenum, and 60Sec, with Agnès—he's released dozens of records from the likes of Butane, Mike Shannon, Alex Attias, Exercise one, Pan Pot, Dario Zenker and many more.

But while it's been a comparatively rapid ascent, Lee's roots go deep. His musical prehistory may be similar to many of his generation: raised on rock and hip-hop, complete with the obligatory attempt to learn to play guitar followed by short-lived bands with schoolmates. But Lee was the beneficiary of his stepfather's eclectic musical tastes, which spanned classical, jazz, funk, rock and even musique concrete and academic electronic music. "I was fascinated by the metallic sleeves and their geometrical designs," he remembers, suggesting a possible source for the shimmering timbres and clever vectors of his own music.

The pieces first fell together in 1993, when a friend invited Lee to attend a rave in southern France, near where he lived. "That was the shock of my life," says Lee, echoing a sentiment that will be familiar to many. "That was what I was looking for, without really knowing it—thousands of people dancing and sweating in the open air. An amazing soundsystem. And this never-ending kick that drives you to madness… Since that day, I've devoted my life entirely to being a part of this."

Lee got involved with the infamous Dragon Bal raves, where Miss Kittin got her start; he worked mundane jobs, saved money, bought decks and a mixer and taught himself to spin. He came to production the same way, beginning with an MPC2000, but translating the sounds in his head into its fat, blocky pads wasn't as easy as it seemed. His ambitions took Lee to Geneva, where he earned a degree in music engineering, but it may have been his next job, working in a Lausanne music shop, that really signaled his entry into the world of electronic music. "Even if the boss was a crazy guy, the shop was like a goldmine, full of gear and old analog synths, drum machines, all the recording and mixing tools you could dream of," he recalls with awe. He took advantage of his employee discount to build out his studio, and just as importantly, the shop served as a focal point for all the area's musicians. It was here that Lee would meet both Quenum and Luciano—and from there, as they say, the rest is history…

There's no single description for Lee's productions, which have proved unusually malleable in his half-decade of releases; an early interest in the skittish rhythms of labels like Warp and Skam remains evident, but reformatted for the supple grooves of deep house and classic minimal techno. His time in the Lausanne music shop clearly served him well; Lee's tracks immediately stand out for their fine sense of detail, an almost intangible shimmer. Utilizing samples, drum machines and all manner of synthesizer, Lee's music remains open to every possibility. "It's an empirical process," he says of his method. "Each sound or loop brings me to the next one, and so on, until the moment that I feel I have all the elements I need to finish the track. Of course, there are always surprises and accidents—that's what makes the magic in writing music."

Lee's DJ sets are similarly spirited. "Technically, I like to surprise myself," he says. "I like to do a long, smooth mix, and then a radical one… It's important for me to try telling a story, so of course your technique is another way of doing that, along with the music itself. With time and with age, maybe, the tempo really decreased—I think I play a bit deeper now than five or six years ago. But I still love a good, bouncy track if it's not too aggressive, and if the energy serves the groove instead of breaking it." Slowing down also means stretching out. "I like to play long sets," he continues, "when you don't have to rush, and you can really forget yourself and build something different."

2009 finds Lee stretching out as never before. The year began with his Free For All Crash Endeavors, released on his and Quenum's Num label, and The Variable Man (Leena), with one track featuring Lee's longtime colleague Agnes; Lee also collaborated with Anja Schneider for Mobilee's 50th release, "Deseo"/"La Roulette." Further releases are out now, or due soon, on Saf Series, Material Series and Curle Recordings. But the year's biggest development may be Lee's return to Cadenza, the label that helped launch his career five years ago. In May, Lee will appear alongside Luciano, Glimpse and Guy Gerber on a split EP; he also joins Cadenza Booking, joining a family-style roster that includes Luciano, Thomas Melchior, Petre Inspirescu, Rhadoo, Mirko Loko and many more of electronic dance music's most innovative players. Count Lee has returned to his Swiss manor, the gates are wide open, and the beat is beckoning.

Get the music!

Lee Van Dowski - mobilee promo mix - April 2014

See you in Ibiza at Santos Coast Club on Monday´s afternoon this season!
www.residentadvisor.net/event.aspx?599099

www.facebook.com/mobilee
www.facebook.com/anjaschneider
www.water-gate.de


Get the music here!

Mobilee at Watergate - Anja Schneider live recording

Wasted Beatz

Dance, connect, and play to the sounds of MoM, one of electronic music’s most acclaimed storytellers and producers. His attraction to Acid-House and FunkyDisco led him to turntables over two decades ago. MoM’s sonic quest is elegant, deep and anything but indifferent, but a hallmark of continuous discovery and good taste – perfect to celebrate and bring the whole crowd on an amazing ride through vibrations. The profound and exquisite ethnic elements acquires great importance on his DJ set and live set. In his pursuit of bridging music, technology and culture, he creates the band “Mosáfires”, formed by three musicians, where they fuse electronics with “Sephardic music”. Currently, he is one of the most outstanding Spanish artists internationally. He has published in Crosstown Rebels, Rebellion, DeNature, Underyourskin, Bar25, Still vor Talent, LDKHN, Cosmic Awakenings among others and he has collaborated with artists such as: Acid Pauli, Holed Coin, Alvaro Suarez or ANüT.

Cat is Burning

MoM, ANüT-Cat is Burning (Radio Edit)

Absolut Problem

This Israeli master really nailed it during ADE's Steyoyoke showcase. If you want the bigger picture, check out this stream too: https://www.youtube.com/watch?v=yfkB1wzdrSY

Bis bald,
komm schon Alter.
Upcoming event: komm schon Alter X on.fb.me/1LHXVl6

Ran Salman LIVE @ WesterUnie x komm schon Alter ADE - 17.10 WesterUnie

With The Social Festival fast approaching, we hooked up with Monkey Safari for a special warm-up podcast.

The German duo made big changes in 2016, retiring their previous labels to focus on new imprint, Hommage. Since then it's been onwards and upwards, with successes in both the studio and at some of the world's biggest festivals.

Taking place on Friday 9th and Saturday 10th September at the Kent County Showground in Maidstone, UK, The Social Festival will see Monkey Safari joined by allstars from across the dance music spectrum including Carl Cox, Eats Everything, Solomun, High Constrast, Andrew Weatherall and Bicep to name but a few.

Tickets for the event are available from the link below, and while you wait check out Monkey Safari's The Social Festival Special podcast. Crank up your system and prepare for an entrancing journey through house and techno...

The Social Festival Tickets: http://bit.ly/1rxYO5g

DJ MAG WEEKLY PODCAST: Monkey Safari — The Social Festival Special

The Boom Room
Broadcast date: Saturday May 21st, 2017
https://soundcloud.com/nakadia

More Boom?! KLIK!!

154 - The Boom Room - Nakadia

Tracklisting
1. Hyenah - Elinga - Watergate
2. Rodriguez Jr. - Baobab (Tim Green Remix) - Mobilee
3. Sascha Dive - House - 8bit
4. Dachshund - Ready - RYM
5. Saed Younan, Electronic Youth - That Feeling - Moon Harbour
6. CJ Jeff - In a cloud of dust (Gorge Remix) - Kling Klong
7. Tolstoi, Andsan, Makanan - Waxtrax - Under no Illusion
8. DJ Sneak - Beat Phreakin’ (Tripmastaz Remix) - Reptile Dysfunction
9. Gorge - Flashing - Knee Deep in Sound
10. Musumeci - Mood Organs - Diynamic
11. Dennis Cruz - Feeling High (Los Suruba Dub in the Dark) - Suruba X

Gorge - Kling Klong mix

BEATAMINES on:
- Facebook: www.facebook.com/beatamines.live
- SoundCloud: @beatamines

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to BEATAMINES:

Q: True classics inside your mix. Why did you choose these tracks? 
A: Yes, absolutely! A lot of classics. It was a difficult task to find the right tracks, but I think I have managed to integrate my musical checkpoints in the mix. I have chosen these tracks because they shaped me musically. You get a glimpse of my breakdancing time and my first electronic experiences. And the last one is a special tune from my liveset, it’s a re-vison of Patrice Baumel’s „Departure“. 

Q: You ́re a fulltime music maker. Tell us about all your projects you ́re currently workin on! 

A: Over the years I have mutated into a real workaholic. Very rarely is it quiet in the studio (laughing). At the moment I am working on my third studio album. It will be released in May 2018. Further informations are available on my Facebook fan page. Otherwise I do a lot of mixdown and mastering for other artists and labels. That makes me a lot of fun! At the beginning of 2018 I will produce my first "Artist Sample Library" for Loopmasters! This request makes me very proud and it is an honor to be on this platform alongside Carl Cox and many other great artists. 

Q: Do you have any Hobby’s outside of music? 

A: Yes you should absolutely still have other hobbies to equalize! Over the years, I have a passion for photography and graphics. Meanwhile I am doing the artworks of Moonbootica's label Moonbootique Records. It makes me happy to be able to visualize music. Another hobbies are cooking and making friends to cut the hair. I always love being creative. For me, it is important to create something new and make others happy with my activities. What about you? Are you hungry or need a new look? (laughing)

Beatamines - HOW I MET THE BASS #76

For all artist info and bookings visit: www.muted.be/artist/maxim-lany

UNMUTED Series 008: Maxim Lany

Here is our tenth Afterhour Sounds Podcast mixed by....&#13;
&#13;
…Viperflo  who is based in Berlin, Germany. As long as he can think he´s making music. At first he made it for himself and his friends so he has not planned to make professionel music, he just made it for fun and to process different things in his life. so every mixtape is a little story he wants to tell. More and more people began to love his music and wanted to see him live on stage. After hesitating a little bit he confirmed his first live shows. Since then he played shows in Germany,France, Ireland, and several festivals like „Nation of Gondwana“ and made experiences he never imagined.&#13;
&#13;
&#13;
Full Playlist:&#13;
Karocel - It's me (Wareikas Hot Summer Night Remix)&#13;
Boris Werner - How far can I go&#13;
Powel - Shake the Birds of the Tree&#13;
Stu Patrics - Town talker&#13;
Homework - Raw Groove&#13;
Nick Holder - Love Em Leave Em (Remix)&#13;
Sender Pavloff - Your Love&#13;
Prompt - Addiction&#13;
Dapayk Solo - Michael Doodiekopf (John Hester RMX)&#13;
Reinhard Voight - Vision 03&#13;
Andhim - The Wizard of us&#13;
Kölsch - Goldfisch&#13;
&#13;
&#13;
Viperflo on Soundcloud:&#13;
https://soundcloud.com/viperflo&#13;
&#13;
Viperflo on Facebook:&#13;
https://www.facebook.com/viperflo2&#13;
&#13;
Afterhour Sounds on Facebook:&#13;
https://www.facebook.com/afterhoursounds.official&#13;
&#13;
Thank you Viperflo for your amazing work and your friendly way&lt;3

<a href="https://theartistunion.com/tracks/7df071?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

download

Viperflo presents Afterhour Sounds Podcast Nr. 10 °SunON°

Hello mobilee friends! Please submit your demos to demo@mobilee-records.de
Please make sure its not more than 5 tracks in total and consider wisely which selection presents your own sound signature and production level the best. Please include a few words about yourself including your social media links and full name and contact details. We are looking for new music that fits to the general label sound but not for music that sounds like music from already established artists on the label. Think outside the box and try to find new and own directions to increase the chance to get recognition.

http://instagram.com/MobileeRecords
http://www.facebook.com/mobilee
http://www.youtube.com/mobileerecords

mobilee records launched in 2005 and quickly established itself as one of the brightest new stars within Berlin’s glittering galaxy of electronic music labels, producers and DJs. Founded and owned by Anja Schneider and Ralf Kollmann, the label boasts a sound that is simultaneously familiar and innovative. Rooted in the classic structures of house and techno, mobilee has harnessed the triple threat approach: its records reference vintage dancefloor minimalism, engage with like-minded contemporaries, and suggest surprising new directions for familiar forms. 

mobilee celebrated its tenth year in 2015. The anniversary not only highlighted ten successful years of the label, but served as a testament to the vision, passion, and love of music that continues to drive the extended mobilee team in all that they do, and all that will come. 

With a focus on label showcases, such as the annual drawcard event at Barcelona’s Hotel Silken Diagonal during Sonar, mobilee is committed to developing its roster—the core of whom are booked and managed by the label itself. The famed Sonar rooftop parties that have featured all-star casts of mobilee artists and friends are just one example of the unique, forward-thinking philosophy of mobilee, and its attendant expansion as a music and entertainment enterprise.

Mobilee at Watergate - Anja Schneider live recording

mobilee

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