Techno

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Oscar Mulero - Rotula

Oxia - Not sure

46 (Surgeon Mix)

RELEASE: Pan-Pot - The Mirror EP
MOBILEE119
Vinyl: http://bit.ly/19AQRkB
Beatport: http://btprt.dj/1cC96Zv

Beatport

Pan-Pot "Rosinenbomber"

Beatport: bit.ly/ElementsIVAGUA_bp
Vinyl: http://bit.ly/ElementsIVAGUA_vinyl
iTunes: http://bit.ly/ElementsIVAGUA_iT

Ideal Audio presents the fourth and final instalment of Oliver Huntemann and Dubfire's seminal ELEMENTS series. These techno heavyweights have worked together on numerous projects over the years, but it is their Elements collaborations that have shone impressively as a complete body of work. AGUA is the final piece of the music puzzle and completes the series that first saw the light of day back in 2010 with the scorching FUEGO.

2011 brought us TERRA, firm and powerful with its devastating breakdown. 2013 saw us breathe in the mystical AIRE, harnessing the elements of the previous tracks to build a fresh and magical moment. AGUA, as its name suggests, flows effortlessly, helped in no small part by the sultry vocal of Xenia Beliayeva, but kicks in equal measure.

Signing off in such style has also lead to Ideal Audio drafting in some heavy weight talent on the remixes. Carl Craig, under his C2 moniker, dives straight in to strip the original to its core. A single drum beat, siren, clap… and then the kick. Petar Dundov twists the original’s elements into a bubbling acidic stream that washes over us. An impressive package for an impressive finale!

Dubfire & Oliver Huntemann – Elements Series IV: Agua (feat. Xenia Beliayeva)

Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)

Sumergete en este track lleno de sonidos profundos y melodías pegajosas...

Deeper - Simple Astral

Shall Ocin
The Cliff / The Mist 
HFT044
Single / 12“, Digital

Next up to add his sounds to the ever impressive Hotflush cannon is Argentina’s Shall Ocin. He serves up The Cliff/The Mist, a two track EP that showcases his knack for infectious groove in all its glory.
The man born Nicolas Abalos has released music under a number of aliases over the last decade plus, but it is as Shall Ocin that he has had most success. Putting out music on labels like Culprit and Ellum Audio, he has established himself amongst contemporary tastemakers and here cements his reputation with a great debut on Hotflush.
Opening the account is the excellent ’The Cliff,’ a steely main room house track with grinding synths that roam and whir about above weighty bass. It’s a physical, arresting track that brims and bristles with apocalyptic fervour and will truly work crowds into a lather as it continues to build. ‘The Mist’ is much more in your face, with malfunctioning machines smeared about above metal drums. It’s a real writhing monster that twists and turns with great filter work making for the most dramatic of atmospheres.
This texturally rich, maximalist EP makes a fine new singing for the UK label and is another great entry into Ocin’s increasingly essential discography.

Release date: October 16th 2015

Tracklisting:

A1. The Cliff 
B1. The Mist

The Cliff / Mist

Shall Ocin - The Cliff (Full Stream)

Pan-Pot - The Other Remixes LP [SNDST015]

Wigbert delivers a stunning remix of the track 'Broken Engine'. A blend of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

@wigbert
@pan-pot
@secondstateaudio





VINYL PRE-ORDER

Pan-Pot - Broken Engine (Wigbert Deeper Remix)

♫ Read More ♫:
http://www.deephouseamsterdam.com/premiere-enrico-sangiuliano-moonrocks-original-mix

Enrico Sangiuliano makes his return to Adam Beyer's Drumcode with the highly anticipated EP ‘Moon Rocks’.

Enrico Sangiuliano began his career through illegal raves in Italy. In recent years, Enrico began putting his releases out into the international techno scene with rhythmic, deep, hypnotic and technological tracks, exuding techno from the heart. His work has been supported, selected and played by the likes of John Digweed, Carlo Lio, Monika Kruse, Christian Smith, Joseph Capriati, Ramon Tapia, Steve Lawler and, of course, Adam Beyer. In fact, if you were in attendance at Awakenings this year, you would have heard this fat bassed monster closing out the main man's set, now set to release as part of an electric, eponymous EP.

Today, we proudly premiere the EPs title track. Packed with booming percussion, intricate synths and brooding crescendos, this one's not for the faint of heart.

"Moon Rocks" is available 22 August on Drumcode

https://soundcloud.com/enrico-sangiuliano

♫ READ MORE ♫

Premiere: Enrico Sangiuliano - Moon Rocks (Original Mix)

The second track is ‘Orbital’ from Moonwalk, a Neapolitan duo who have previously released on Still Vor Talent, Get Physical, Knee Deep In Sound and more. A thudding bassline underpins waves of synth arpeggios, before an atmospheric breakdown provides the focal point of the track.

Moonwalk - Orbital

Over a 15-year period Truesoul has set the standard for engaging and effective club music, drawing in fans from across the techno spectrum. A relentless dedication to quality means it’s logistically impossible for Adam Beyer to release music from all the impressive artists who send him tracks each year for Truesoul. This EP showcases four such outstanding cuts, all of which have been tried and tested in Beyer’s sets in recent months. Indeed, anyone who witnessed his deliciously groove-ridden daytime set at Sonus Festival in August (or listened via episode DCR370), would have already been treated to an unofficial preview of the release. 

Belgian’s Ramon Tapia kicks the EP off in superb style with ‘Hexagon’, an energetic slice of techno that builds towards a pumping finish. Fast rising Manchester duo OC & Verde team up with Italian producer Veerus for ‘Naaki’, the track highlighted by a rousing call-to-arms vocal that saw it go down a storm during Beyer’s annual gig on the Amnesia Terrace for Cocoon in Ibiza. The beautiful vocal-led ‘Take My Life’ follows courtesy of Spaniard Marc Marzenit, adding an extra dimension to the release, while still having enough percussive fizz to keep the dancefloor moving. Southampton’s Ronnie Spiteri is another emerging talent to create waves in 2017 and he delivers the knockout blow with ‘Sugar Lips’, a chunky soul-infused offering that’ll be effective in house and techno sets alike.

Ramon Tapia - Hexagon - Truesoul - TRUE12102

Pan-Pot - Confronted

Marcel Fengler - Thwack - Mote Evolver

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Harvey McKay – First Strike From Mars

Marco Carola: Re-Solution: 01 - Re-Solution (2M via Minus, 2007)

Hello mobilee friends! Please submit your demos to demo@mobilee-records.de
Please make sure its not more than 5 tracks in total and consider wisely which selection presents your own sound signature and production level the best. Please include a few words about yourself including your social media links and full name and contact details. We are looking for new music that fits to the general label sound but not for music that sounds like music from already established artists on the label. Think outside the box and try to find new and own directions to increase the chance to get recognition.

http://instagram.com/MobileeRecords
http://www.facebook.com/mobilee
http://www.youtube.com/mobileerecords

mobilee records launched in 2005 and quickly established itself as one of the brightest new stars within Berlin’s glittering galaxy of electronic music labels, producers and DJs. Founded and owned by Anja Schneider and Ralf Kollmann, the label boasts a sound that is simultaneously familiar and innovative. Rooted in the classic structures of house and techno, mobilee has harnessed the triple threat approach: its records reference vintage dancefloor minimalism, engage with like-minded contemporaries, and suggest surprising new directions for familiar forms. 

mobilee celebrated its tenth year in 2015. The anniversary not only highlighted ten successful years of the label, but served as a testament to the vision, passion, and love of music that continues to drive the extended mobilee team in all that they do, and all that will come. 

With a focus on label showcases, such as the annual drawcard event at Barcelona’s Hotel Silken Diagonal during Sonar, mobilee is committed to developing its roster—the core of whom are booked and managed by the label itself. The famed Sonar rooftop parties that have featured all-star casts of mobilee artists and friends are just one example of the unique, forward-thinking philosophy of mobilee, and its attendant expansion as a music and entertainment enterprise.

Pan-Pot - Confronted

mobilee

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