https://soundcloud.com/egroove/premiere-reykjavik-yourself-mobilee/likes

Field Days (Horatio Remix) by Horatio
Field Days (Re-edit) by Michele Conte
The track "Field Days" delves into the wilder times of the original Sydney rave scene, capturing the essence of music and dancing from that era. Sydney's rave culture was renowned, rivaling even the UK scene in its fervor and creativity.
The Sydney rave scene, once the world's largest outside the UK, remains well-documented by publications and interest groups, a testament to its enduring impact. Many pioneers and DJs from those times continue to influence and shape the electronic music landscape. 
DJ Ming D, a prominent figure and the brains behind the legendary HAPPY VALLEY parties, epitomized the spirit of those gatherings. These massive rave festivals held in open fields outside the city became iconic moments in rave history.
The collaborator behind the "Field Days" track, Michele Conte, together with Ming D, is deeply involved in organizing parties, continuing the legacy of these monumental events. The artwork for this release pays homage to the rich history of rave culture, drawing inspiration from the iconic HAPPY VALLEY 1 flyer.
Rave flyers, a culture unto themselves, remain prized possessions among collectors, who trade and sell flyers from that era. Several hardcover books dedicated to showcasing Sydney rave scene flyers highlight the enduring impact of this cultural phenomenon.
Field Days (Horatio Remix) adds a modern twist to the nostalgic vibes of the original track, infusing it with Horatio's signature style. The remix captures the essence of the early rave days while bringing a fresh perspective to the dancefloor, ensuring that the spirit of those wild Field Days lives on in contemporary electronic music culture.

Field Days (HORATIO Remix).wav

In love with Tiga!
support TIGA : http://tiga.ca/

Tiga "Blondes Have More Fun" Steffen´s wig edit

Connect with WWD on FB >>> facebook.com/wwdofficial

Manjumasi co-founder atish makes his long awaited bow on the production front with his very first solo EP in the form of two original cuts and remixes from Lee Jones and Dance Spirit. Peculiar Colors EP, the fifth release on the imprint, tows the party line in offering a refreshing electronic take across the board. Dance Spirit, known for releases on the likes of Sol Selectas, Get Weird, Kindisch and Rebellion, provide a soothing edition of the title track, which you can hear exclusively on When We Dip today.

Follow: https://soundcloud.com/atish // https://soundcloud.com/dance-spirit // https://soundcloud.com/manjumasi

@when-we-dip
www.whenwedip.com
www.facebook.com/wwdofficial
www.youtube.com/user/whenwedip
twitter.com/WhenWeDip
www.instagram.com/whenwedip/
www.mixcloud.com/WhenWeDip/

Peculiar Colors EP

Premiere: atish - Peculiar Colors (Dance Spirit Remix) [Manjumasi]

Read more here: https://www.insomniac.com/media/track-day-basti-grubs-moody-melodic-cut-close-my-eyes

Available July 28 via This and That. 

Follow https://soundcloud.com/bastigrub
Facebook: facebook.com/officialbastigrub
Twitter: twitter.com/grubbasti

Follow https://soundcloud.com/thisandthatlab
Facebook: facebook.com/thisandthatlab
Twitter: twitter.com/thisandthatlab

TNT027 - Essence

Track of the Day: Basti Grub ft. Patrick Kitchen & Phil Oxera “Close My Eyes”

♬ Click for more and download ☞ http://trndmusik.de/2018/07/mit-einem-atemberaubenden-blick-auf-die-berge-poe-und-seine-techno-nummer-haze/

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„Ich hatte Monitore und ein paar Controller in mein Familienhaus in der Berglandschaft viele Kilometer nördlich von Montreal geschleppt und an meinem Lieblingsplatz im Haus aufgestellt“, erzählt @poe-ca, wenn er über die Anfänge zu seiner Nummer „Haze“ spricht. Beim Produzieren genoss der Kanadier einen atemberaubenden Blick auf die Berge und den Sonnenuntergang. (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Free Download ♬

Pōe - Haze [trndmsk]

Debut release from NenaHalena has undoubtably been one of the biggest records for Jonas Rathsman, Blond:ish and Dixon. Get your copy here: 

Beatport: http://po.st/NenaHalenaBP
Spotify: http://po.st/NenaHalenaSP
Apple Music: http://po.st/NenaHalenaAM

NenaHalena - La Ka Ruba [E008]

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Blond:Ish - Cheekon [ABRACADABRA]

Although Robert and Sam have been doing music together as umami for almost nine years, „In Exchange For Everything“ is their first album. This name is an actual description of what happened. They literally did not release anything else for two years while working on the album. It was like a spaceship with a broken engine that needed to be fixed. But now it is ready to take off.
The tracks and songs on the album are all trying to capture a specific kind of feeling. The way you feel when you are riding up in an elevator made of glass, see the sunrise on the horizon and know that this is the first day of the rest of your life.
	Some of them are made for the club, like „Behind The Wheel“ or „Stank“. Others have a more laid-back vibe. „Number Of The Beast“, a cover of an Iron Maiden song, is a dance around the bonfire, summoning devils and demons.  „Stars“ is about a journey into the intimacy of really knowing another person, with hammering synths and airy vocals, which are performed by Sam, like all other vocals on the album.
	The one exception to this is are the vocals on "Terra Mount". These are written and performed by Monolink, the only other artist featured on the album. Enchanted organs and choirs accompany his lyrics throughout the song.
	The album ends with the magical "And Stay With Me There Forever", a song that slowly transforms from a small stream of fragile sounds to an avalanche of bass and synths.
All in all, „In Exchange For Everything“ is the big statement umami wanted to make with their first album. Something that shows the whole spectrum of what they want to achieve with this project and a hint about where the journey goes.

More Info & Content:
http://www.truecolorslabel.com
https://www.facebook.com/trueColorsLabel
https://soundcloud.com/truecolorslabel
https://soundcloud.com/umamiinspace

Umami - I ART U [trueColors]

- Sweet Musique | Digging the best Melodic House & Techno since 2014 -

Follow us on Youtube : ➤ Youtube : https://bit.ly/2eDu8Bg

➤ Instagram: https://www.instagram.com/sweetmusique/
➤ Website: https://www.sweet-musique.com/
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➤ Submit your demo : https://www.sweet-musique.com/demo/ 

♫ About ♫
Release Date :  2019-05-24
Stripped Down hits a super sixth release with the hugely prolific Basti Grub at the helm.
Over more than a decade this German producer has turned out an always evolving and vast amount of EPs and LPs. Using a range of different instruments and modular synths he cooks up inventive minimal tracks that are dance floor focused but packed with new ideas.
First up here is solo track 'Would Be An Angel' which has a zoned out quality thanks to the harmonic bell sounds and stripped back rhythms. Enchanting vocals are hypnotic and the various breakdowns build the tension, only for things to roll on again and surely get huge reactions in the clubs. 'Amelie' is the second fantastic offering and finds Grub link with DJ Slowhand, who has been resident at Tanzhaus West FFM since 2011. Together they cook up a sparse techno track that takes you on a journey to the heavens, with lush chords, choral vocals and synth orchestration all exuding clean, crisp and classy feelings of subtle euphoria.

♫ Follow ♫
https://soundcloud.com/bastigrub
https://soundcloud.com/strippeddown

PREMIERE : Basti Grub - Would Be An Angel [Stripped Down Records]

https://www.beatport.com/release/time/2767133

Mobilee221 - Rey&Kjavik „TIME“
Time
Yourself

Mobilee welcome back regular artist Rey&Kjavik for another cinematic new EP that shows
off his uniquely mystical sound.

This artist is based in Germany and runs his own label RKJVK. He continually evolves with each new EP
and has already impressed with two full lengths that were brilliantly broad and storytelling. Once again here
he serves up two scintillating trips to the stars that stylishly draw on disco, house, ambience and the
cosmos.

The epic 'Time' is an almost 10-minute adventure into brilliantly moody and futuristic house. A robot
vocoder muses on the track's title while cosmic ambiance and far gazing pads make for a truly intergalactic
atmosphere. The rubbery bassline and various subtle breakdowns all add tension to the trip and make this
a timeless journey stuffed with real feelings.

Next up, 'Yourself' is masterfully absorbing thanks to the deeply buried but rasping bass, the infectious little
claps and majestic comic synth sequences and sci-fi details. It's a slow burning track that really casts a
spell and when it drops the club is set to go crazy.

Rey&Kjavik ‘Time’ drops on Mobilee on 6th December 2019.

https://www.facebook.com/rkjvk/
https://www.instagram.com/rkjvk/
https://rkjvk.com/
https://www.facebook.com/mobilee
https://instagram.com/mobileerecords

Time

Get it here!

Rey&Kjavik - Yourself - mobilee221

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🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @fulltone's EP on @klassifiedrecords here: 
➟  Beatport: https://bit.ly/35pPyHL

trndmsk: What inspired you to produce the EP?

Fulltone: I got inspired to produce “C’est bon” during my last visit to Paris, "C’est bon" was one of the sentences I kept hearing while walking through the beautiful streets of Paris, surrounded by the beautiful architecture and history. When I got back to the studio I had an idea of making a track that would capture the vibes I was getting during my trip. 

The idea of “Mahe’” came to me during my trip to Seychelles and got inspired by the mesmerizing out of this world nature, Mahe’ is the name of the Capital of Seychelles and I wanted to make a music piece that breathes and reflects the beauty I was in during my trip. 

Where did you record it? And how?

The whole EP was recorded at my studio in Cairo using all my beloved gear! 

With "Mahe" I used a Charango (South American stringed instrument), a kalimba and a classical guitar for the main melodies, all recorded using an AKG C414 Mic and SSL preamp going to a universal audio Apollo interface. For the beats I used my Elektron analog rytm and some field recording I did with my iPhone. For the bass I went for my go to synth for bass the Moog sub37 and also used bass guitar for the baseline during the first part of the song. I remember also using a Gibson J45 acoustic guitar to play the main riff.

“C’est bon” I started with the groove and struggled for a while to find a nice hook for it, then one day my step sister was at the studio and she has a beautiful voice, I had an idea of recording some vocal pads playing the chords of the track, so we recorded each note of each chord of the whole chord progression and I still felt something was missing, so I tried a trick I had read about a while ago, I side-chained a gate on the vocal pads triggered by a programmed hihat pattern and instantly got that stuttering effect you hear on the vocals on the drop, the rest was all fine crafting to finalize the track.

How did you get in contact with the record label?

Klassified label owners (Julien and Thomas AKA Parallells) are very close friends of mine that I consider family. When we decided to release a Fulltone EP on their label I sent them some tracks but highlighted that C’est bon and Mahe were my favorites, they agreed and here we are now :)) EP is about to go out with fantastic remixes from Audiofly & Jonas Saalbach 

What’s up next after the release? Are you working on any other projects? 

I have a few releases in the pipe line, I have an EP coming out early next year on Keller Berlin with an amazing remix from Powel, a podcast for All Day I Dream, a remix for my dear friends ElMundo & PHCK coming out on Earthly Delights and finally a collab track with “a surprise” coming out on “another surprise”.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🥁🌪🤖🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Fulltone - C'est Bon (Audiofly Remix)

Click for more ♬

Hello mobilee friends! Please submit your demos to demo@mobilee-records.de
Please make sure its not more than 5 tracks in total and consider wisely which selection presents your own sound signature and production level the best. Please include a few words about yourself including your social media links and full name and contact details. We are looking for new music that fits to the general label sound but not for music that sounds like music from already established artists on the label. Think outside the box and try to find new and own directions to increase the chance to get recognition.

http://instagram.com/MobileeRecords
http://www.facebook.com/mobilee
http://www.youtube.com/mobileerecords

mobilee records launched in 2005 and quickly established itself as one of the brightest new stars within Berlin’s glittering galaxy of electronic music labels, producers and DJs. Founded and owned by Anja Schneider and Ralf Kollmann, the label boasts a sound that is simultaneously familiar and innovative. Rooted in the classic structures of house and techno, mobilee has harnessed the triple threat approach: its records reference vintage dancefloor minimalism, engage with like-minded contemporaries, and suggest surprising new directions for familiar forms. 

mobilee celebrated its tenth year in 2015. The anniversary not only highlighted ten successful years of the label, but served as a testament to the vision, passion, and love of music that continues to drive the extended mobilee team in all that they do, and all that will come. 

With a focus on label showcases, such as the annual drawcard event at Barcelona’s Hotel Silken Diagonal during Sonar, mobilee is committed to developing its roster—the core of whom are booked and managed by the label itself. The famed Sonar rooftop parties that have featured all-star casts of mobilee artists and friends are just one example of the unique, forward-thinking philosophy of mobilee, and its attendant expansion as a music and entertainment enterprise.

Rey&Kjavik - Yourself - mobilee221

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