Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Innocents

Almost Home (feat. Damien Jurado)

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Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Perfect Life':

“Wayne Coyne and I ended up doing a duet on ‘The Perfect Life’: we sing the choruses together, and then go back and forth on the verses. Wayne and I first met in 1995, when The Flaming Lips and I were both opening up for a Red Hot Chili Peppers’ European tour. We became friends, shared a dressing room and the same bad craft services, and watched the Chili Peppers from the side of the stage. I thought of Wayne for this song because The Flaming Lips have evolved in this very open, celebratory band when they play live, and that was the perfect vibe for what I was imagining for ‘The Perfect Life.’ I texted Wayne and said, ‘Hey, I have a song – want to sing on it?’ Thirty seconds later, he texted me back: ‘Yes, send it to me, it will be great.’”


The Perfect Life

The Perfect Life (feat. Wayne Coyne)

Buy & Listen

Check out the latest from Water Music records! Must listen too mix, a great combination mix. There is a piece in here for everyone. Available on iTunes! 

In The Waiting Line (Zero 7)

A track written for a friend of mine (Tyrell) who lost his 16 year old brother, Renell, when he was brutally stabbed by a maniac at a bus stop, and my wife who has lost three of her brothers. I wish I could do more than write a song but I hope it gets over the feelings they give me and how I share in their losses. 

©2025 The Stereo Inspectors, All Rights Reserved

When I Lost You

Looking For Knives

2015 UK & European Tour Announced. Click here: smarturl.it/finkautumntour for all dates & tickets.

Horizontalism out on R'COUP'D May 18. Visit & sign up to Fink newsletter: http://www.finkworld.co.uk for more information.

Pre-Order & Follow
Ninjashop: http://found.ee/horizontalism 
iTunes: http://found.ee/horizontalism-it
Spotify: http://found.ee/horizontalism-sp

The new album Hard Believer out now: http://smarturl.it/finkhbalbum 

Album version of the lead single from Perfect Darkness

Yesterday Was Hard On All Of Us

Yesterday Was Hard On All Of Us (Radio Edit)

One of These Mornings

Innovativeleisure.net

12" Available Early 2012.

Woman

Open

Hey Joe

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

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