Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Long Time':

“‘A Long Time’ was the first song written for Innocents. Originally the whole record was going to all sound like that – lo-fi downtempo dance music. Early dance music was futuristic, but had these sounds that had a broken-down warmth to them. It’s why so many electronic musicians love Bladerunner: there’s all this high tech stuff, but it’s grimy at the same time. 

I like letting an element of wistful nostalgia creep in, specifically through sampling things that happened a long time ago. The vocals that are sampled on ‘The Long Time’ are probably seventy years old: they’re filled with longing and pathos, recorded by someone who’s been dead for quite a long time. It’s futuristic nostalgia, or maybe nostalgic futurism? Electronic music has this openness to bygone aesthetics and technologies that have sort of a naïve wistful quality to them.

A Long Time

Buy on iTunes

Keep Me Alive’ is now available on iTunes. Pre-Order the album "All We Are", with instant downloads of ‘ Keep Me Alive’, 'I Wear You' and 'Feel Safe': http://po.st/AllWeAreiTunes

Pre-Order the debut LP from Domino Mart and receive a bonus 7" featuring exclusive tracks 'Reach' & 'Just Give It To Me':http://po.st/AllWeAreDM

Video Directed by Abbie Stephens

Music by All We Are - Rich (Drums), Guro (Bass), Luis (Guitar). Produced by Dan Carey, mixed by Cenzo Townshend & Mastered at Abbey Road.

Upcoming All We Are headline UK dates:

Monday 9th March - Deaf Institute - Manchester, UK
Tuesday 10th March - Green Door Store - Brighton, UK
Wednesday 11th March - Corsica Studios - London, UK
Tuesday 17th March - Broadcast - Glasgow, UK

All We Are

Keep Me Alive

Witch

This Is For The White In Your Eyes

Hollow Talk

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

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