Moby (thelittleidiot)

Moby - Wait For Me

Mix tape

Moby

yalt

Moby - waiting fór me

Set list #1

Down In  The Darkness

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Almost Home (feat. Damien Jurado)

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Everything That Rises

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Perfect Life':

“Wayne Coyne and I ended up doing a duet on ‘The Perfect Life’: we sing the choruses together, and then go back and forth on the verses. Wayne and I first met in 1995, when The Flaming Lips and I were both opening up for a Red Hot Chili Peppers’ European tour. We became friends, shared a dressing room and the same bad craft services, and watched the Chili Peppers from the side of the stage. I thought of Wayne for this song because The Flaming Lips have evolved in this very open, celebratory band when they play live, and that was the perfect vibe for what I was imagining for ‘The Perfect Life.’ I texted Wayne and said, ‘Hey, I have a song – want to sing on it?’ Thirty seconds later, he texted me back: ‘Yes, send it to me, it will be great.’”


The Perfect Life

The Perfect Life (feat. Wayne Coyne)

‘The Low Hum’ was another broken down electronic, instrumental track and I gave it to my friend Emily Zuzik and what’s funny is, I didn’t even tell her what the album was about the theme of music for empty cities at two o’clock in the morning and she basically wrote these lyrics about being in a hotel room at two o’clock in the morning in an empty city. 

So maybe she is psychic. I don’t know but it’s a song without a chorus, which I like. And her voice has this quiet sort of disembodied quality to it, which was really hard for her because she is a big singer. If it was up to her, she would have sang it broadway style but I wanted it to be that sort of disconcerting, warm, womb like quality, where the vocals are almost like someone singing to themselves instead of projecting for all the world to hear, it’s sort of like someone in a bath tub, in a hotel next to the Stuttgart train station at three o’clock in the morning singing to yourself in the bath tub. So vocally I think that’s what I was trying to get her to do.

The Low Hum

The Day was written in a hotel room in Spain at dawn when I hadn’t slept. It was a beautiful hotel room, a beautiful perfect hotel room and it was six or seven in the morning. I wrote it on a acoustic guitar and recorded it on my phone, brought it home and re-recorded it with old broken down electronics that I have in my studio

The Day

The song ‘After’ is another one of those many songs, that starts off with a vocoder and it’s also another song about messed up relationships that have stopped working.

What I really wanted to do with this song is have a middle section that goes on way too long and I hope I have achieved that. The song starts quiet and strange and then gets propulsive and energetic. And then about half way through the song it sort of stops for about a minute and a half and then it all comes back in. Whether anyone will notice this or care I don't know. 

On this record I played around with making things just a little bit longer than they should be, I like that with certain movies and books and pieces of music when something plays with people’s time expectations. You expect something to resolve at this point and it doesn’t, it sort of creates almost like a sense of tension and the person who is experiencing the movie or the piece of music. So when it does finally resolve, you’ve created more tension so it almost feels better. Hopefully I won't irritate people too much with some of the long songs on the record. 


After

Auf und davon (Panic Tool)

On May 17th, Moby will release 'Wait For Me. Remixes!', an album consisting of reworked versions of tracks from the critically acclaimed 'Wait For Me', released through Moby’s label 'Little Idiot' last year. Moby has enlisted some of dance music's biggest names for the project including Tiesto, Laidback Luke, Gui Boratto, and Carl Cox.

Mistake (Yuksek remix)

Division

Pale Horses

Shot In The Back Of The Head

Study War

Walk With Me

Jltf 1

A Seated Night

Ghost Return

Slow Light

Via http://www.youtube.com/watch?v=bMdXi6f5KRg

Demo track for "You're not Reagan, I'm not Gorbachev"

Dispatch - Bats In The Belfrey [Acoustic]

Pyro - Kings of Leon

A brand new 30min ambient track by Moby, included as part of the 'Small Room' DJ mix on the 'Destroyed Remixed' album, out on May 1st

All Sides Gone

This was my first memorable experience with Ambient music and I can't believe I didn't think to do this cover earlier!

Composed by Kazumi Totaka 

Mario Paint Ethereal Theme

Buy Link : http://clr.net/data.pl?release=CLR051

CLR releases a strictly limited, vinyl only remix EP with three different versions of Chris Liebing´s take on “Lie Down In Darkness” (which owes its title to William Styron’s strange dark novel of the same name) from Moby´s recent studio album “Destroyed”.

“Lie Down In Darkness” has been described as an “achingly soulful track of sublime melancholy and symphonic grandeur”. If you want to know how this will sound, remixed by one of techno´s most sought-after producers of our time, we suggest you to get one of the 1000 vinyl copies of this release. For several obvious reasons, CLR 051 is an extraordinary record and already a collector´s item.

You can also get the full remix bundle including the original album version along with an array of remixes including, among others, Photek, Chris Liebing, Michael Mayer and Paul Van Dyk as a digital download on Moby´s very own label “Little Idiot”.

Released by: CLR 
Release/catalogue number: CLR051 
Release date: Aug 15, 2011

Moby - Lie Down In Darkness (Chris Liebing Dub Remix)

Moby - Lie Down In Darkness (Chris Liebing Anti Dub Remix)

Remix made for the documentary http://grtwrk.com/

Tordennatt-nodrumsremix

1. the human league vs pryda - don't you want me allein (gabriel & dresden mashup)
2. david tort, axwell, dimiri vegas & like mike vs kings of leon - one look is on fire (gabriel & dresden mashup)
3.tate & diamon - electrfied (mat zo electrofied dub)
4.andain - turn up the sound (gabriel & dresden remix)
5.muse - starlight - (gabriel & dresden remix)
6.sander van doorn vs adrian lux - eagles (gabriel & dresden's wolfgang van sander edit)
7.the killers - mr. brightside (marco v treatment)
8.andain vs porter robinson vs zedd - language of promises (gabriel & dresden mashup)
9.beatles vs dada life - eleanor red meat (gabriel & dresden mashup)
10.sia - breathe me (gabriel & dresden remix)
11.duncan sheik - on a high 2012 (gabriel & dresden demo)
12.paul oakenfold vs sandro silva & quintino - epic sun (gabriel & dresden mashup)
13.modek vs michael woods - flip flop on full access (gabriel & dresden mashup)
14.gabriel & dresden feat molly bancroft - tracking treasure down - original mix

Gabriel & Dresden Electric Zoo 2012 full set

...a little bit of my October ambient session "Regeneration". In the graphic design of the track used by the magnificent work of the artist, my friend and a good person Dragon Smile [eulsei.gallery.ru ]

Awareness

Хотелось бы поставить точку…
Мы заигрались! Это так!
Но, почему-то, слезы льются…
И нет улыбки на устах!

Virtual Love

The Big Dream dj aka Dj bobo presents on to next year mixtape  46 Short Cutz tracks
and some of them blended by me .
Words that i said in the intro are /That was a Bottle sound for the new year, dj bobo bxl aka the big deam dj presents you the new year's eve mixtape aka we on to the next year, you know what  make sure you cop that mixtape just because it's my way to say good baye to 2010 and welcome all of y'all in 2011 , on to the next year mixtape oncle snoop start the thing let's goooo .

DJ BOBO NEW YEAR'S EVE MIXTAPE

Overlands

Study War (Ambient)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

Official SoundCloud for recording artist and DJ Moby. Follow for new music, remixes, DJ mixes and more