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it takes weeks, even years, to write a song, but when moby was challenged to write and record a song in just 2 days by us radio station npr, he surprised everyone by having the track finished in just 8 hours!   he and collaborator kelli scarr had so much time left over, they recorded a second version of the song. and after that, they gave a small concert for the radio station staff. 

moby generally works alone in his new york apartment, but for npr’s challenge, he was asked to bring along a collaborator. he picked kelli scarr, a brooklyn-based singer-songwriter with a breathtaking voice who features on the title track from moby’s recent album ‘wait for me’.

next, they were given a series of words to chose from. moby picked the word "flight." scarr chose "sunday.”

from here, moby puts the card with the word "sunday" printed on it, along with the photograph, on a nearby chair, picks up a bass guitar and immediately starts to play a riff in the key of e. this hastily played bass line becomes the bedrock for their new song.  following this, the multi-instrumentalist adds guitar, keys, drums, and finally he and kelli write and record the vocals. just eight hours after arriving at the studio, “gone to sleep" is recorded. 


Gone To Sleep

Pale Horses

Mistake

Wait For Me

Diana krall

Diana Krall - Fly me to the moon

As well as being given an orchestral make-over, "Extreme Ways (Bourne’s Legacy)" is now set to dominate the world-wide club scene once again thanks to a massive rework from the legend himself Moby under his "Voodoo Child" guise and reworks from German DJ/Producers Tocadisco and Moguai, UK EDM act Loverush UK! for the Progressive House masses, and Loops Of Fury for the electro-house masses. For the dubstep floors there’s PatrickReza and for those favouring a more underground, old skool twist we have Matador completing this awesome well-worthy 2012 re-release of the "Extreme Ways" classic. 

Download Free

Extreme Ways (Bourne's Legacy) Voodoo Child Remix

Come In We're Melodica: Year one of Melodica Recordings remixed and repackaged for total consumer satisfaction!
Wow! Melodica Recordings is one. To celebrate this momentous event I have sent some of our favourite releases on the label to some of our favourite artists, on the label and elsewhere, for a retake, a look back, a flash forward, a new version of the original. It's helped to make the creative family feel that I was after at the start of this process to feel real, we're all swapping ideas and tunes now, helping each other to grow and surprising each other with great new sounds.
If you enjoy these tunes don't forget to track back to the original releases, all still there on the digital stores, waiting for you with open arms. Year two is going to be even more exciting, with fresh, young bands, crazy party events in tents and basements, plenty of proper quality albums on vinyl (with a free download too). But for now, sit back and relax or jump up and dance, but whatever way you do it please go ahead and enjoy this fine collection of most excellent music from some of the most wonderful people around.

1- Chris Coco vs Synkro - My Desire 
2- Deekie vs Joel Hood - Rush 
3- Skintologists vs Chris Coco - Out Of Time 
4- 3 Balearos vs Project Club - Summer Breezin' 
5- Chris Coco vs Skintologists - Love Your Afro 
6- Crackpot vs Antikue - Robopotamus 
7- City Reverb vs Henry Oakley - Roll On 
8- Deekie vs Ejeca - Rush 
9- City Reverb vs Lulu Rouge - City Of Lights 
10- Skintologists vs Architeq - Downstairs Dubbin' 
11- No Logo vs Max Essa - This City Never Sleeps 
12- Electric Zeus vs Max Essa - Believe 
13- Chris Coco vs Electric Zeus - Letter From Erika 
14 - Deekie vs Heion - Rush

Chris Coco - My Desire (Synkro Remix)

The Loops Of Fury heavy raved-up collaboration with Moby called Para. It's the debut release on The Loops Of Fury new label Lotus Recordings, out now on Beatport with remixes by Mumbai Science, Sound Of Stereo & Baskerville: http://btprt.dj/ZUNU9A


Moby & The Loops Of Fury - Para (Radio Edit)

In celebration of 2013’s Record Store Day, moby and @MarkLanegan have collaborated on an exclusive track to be released as a limited edition 7” on 20th April. The Lonely Night 7” comes backed with a remix from electronic music legend @photek and is being released on moby’s own label Little Idiot. The track is also now available as a digital download and stream.

moby on collaborating with Mark Lanegan: 

"i've been a fan of mark's from his early sst records days, and i've always wanted to work with him. he has one of the best and most distinctive voices of the last 25 years. now that we live near each other it ended up being really easy working on a song together."

moby on producing of The Lonely Night: 

“…And in producing the song, spike stent and i incorporated some very unusual production techniques... we ran all of the instruments through a distortion pedal into a guitar amp. so really there are only 3 tracks: left channel through a distortion pedal and guitar amp, right channel through a distortion pedal and guitar amp, and mark's vocals.  The end result is intentionally very broken and atmospheric."

Colin Rich a LA based director who specializes in time-lapse photography has been commissioned to shoot the video to accompany The Lonely Night.  The video features both moby and Mark Lanegan and flits between the desolate and far removed terrain of the Californian desert and the endless electric city expanse of Los Angeles. Watch the video here: http://www.youtube.com/watch?v=4SO0qSfxqyk

Buy on iTunes

Moby & Mark Lanegan - The Lonely Night (Photek Remix)

In celebration of 2013’s Record Store Day, moby and @MarkLanegan collaborated on 'The Lonely Night' that was released as a limited edition 7” on 20th April with a remix by @photek. Moby also created 3 different remix versions of the track - the Quiet remix, the 1962 remix and the January 14 remix.

moby on collaborating with Mark Lanegan: 

"i've been a fan of mark's from his early sst records days, and i've always wanted to work with him. he has one of the best and most distinctive voices of the last 25 years. now that we live near each other it ended up being really easy working on a song together."

moby on producing of The Lonely Night: 

“…And in producing the song, spike stent and i incorporated some very unusual production techniques... we ran all of the instruments through a distortion pedal into a guitar amp. so really there are only 3 tracks: left channel through a distortion pedal and guitar amp, right channel through a distortion pedal and guitar amp, and mark's vocals.  The end result is intentionally very broken and atmospheric."

Colin Rich a LA based director who specializes in time-lapse photography has been commissioned to shoot the video to accompany The Lonely Night.  The video features both moby and Mark Lanegan and flits between the desolate and far removed terrain of the Californian desert and the endless electric city expanse of Los Angeles.  


Moby & Mark Lanegan - The Lonely Night (Moby's 1962 remix)

Flying Foxes

Flying Over The Dateline

Running

Summer

Sunday

Sunspot

Look Back In

Blue Paper

Lie Down In Darkness (Sei A Remix)

The Day (Yeasayer Remix)

The Right Thing (Cosmonauts Remix)

The Poison Tree (David Lynch Remix)

11 Shot In The Back Of The Head (Ambient)

Moby - Porcelain

Moby & Mark Lanegan - The Lonely Night (Freescha remix)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


Innocents

A Case For Shame (feat. Cold Specks)

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