Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Innocents

Everything That Rises

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Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Perfect Life':

“Wayne Coyne and I ended up doing a duet on ‘The Perfect Life’: we sing the choruses together, and then go back and forth on the verses. Wayne and I first met in 1995, when The Flaming Lips and I were both opening up for a Red Hot Chili Peppers’ European tour. We became friends, shared a dressing room and the same bad craft services, and watched the Chili Peppers from the side of the stage. I thought of Wayne for this song because The Flaming Lips have evolved in this very open, celebratory band when they play live, and that was the perfect vibe for what I was imagining for ‘The Perfect Life.’ I texted Wayne and said, ‘Hey, I have a song – want to sing on it?’ Thirty seconds later, he texted me back: ‘Yes, send it to me, it will be great.’”


The Perfect Life

The Perfect Life (feat. Wayne Coyne)

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Saints


Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Tell Me':

“‘Tell Me’ is so much about the atmosphere. The way we mixed it, most producers or mixers wouldn’t mix a song where everything has reverb on it: the kick drum, the snare, the hi-hats, the pads, the vocals. Basically, It was like, ‘Why don’t we just turn up the reverb and see what we have.’ The finished product is really messy, but I like that it creates its own odd, washy, atmospheric, world.”  Oddly enough I was thinking of 'PSK What Does It Mean?' by Schoolly D as the inspiration for the mix."

Tell Me (feat. Cold Specks)

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Talkie Walkie

Alone in Kyoto

♬ Click for more ☞ https://www.beatport.com/de/artist/timo-maas/2640

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get @simbasol and @timo-maas' track on @shantimansion here: 
Beatport ➟ https://www.beatport.com/de/artist/timo-maas/2640

Unlike his heavier club-focused work, “Open Arms” leans into a more expansive and commercially accessible sound. The release comes in multiple versions, including a standout cut with legendary German producer Timo Maas, and with Shanti Mansion also planning a vinyl edition and a high-profile remix to follow as part of the rollout.

Simbasōl is an electronic music producer, DJ, and performer whose sound fuses melodic house and techno with earth-driven grooves, expansive synthscapes, and soulful percussive rhythms. Since 2020, he has made his mark with standout performances across Montreal and the US, with his debut EP climbing to #1 on Beatport within just a week of release.

In 2025, Simbasōl is building unstoppable momentum. With multiple singles already out this year, including a brand-new EP 'White Flags' and a wave of upcoming projects on forward-thinking labels such as Kinetika, Shanti Radio, Gardens of Babylon, Redolent, and Melody Lab, he is carving his own path in electronic music.

Raised by dancing hippies, Simbasōl was moving to music before he could walk. Growing up around campfires with djembes and harmonicas, he absorbed a music-fueled lifestyle that continues to inspire his mission today: to turn dance floors into spaces of freedom, emotion, and connection.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

SIMBASŌL & Timo Maas - Open Arms (Extended Version) [Shanti Mansion]

Rest

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