Tonique & Man - new single OUT NOW idol-io.link/YouMakeMeFeelSoGood
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An artist’s greatest superpower is freedom. Liberation is both the modus operandi and main ingredient of the fearless five-man band Phony Ppl. Comprised of the cream of Brooklyn’s young musician crop, each classically trained member is a product of musical parents who gifted their children exceptional DNA, exposure to the greats, and most importantly, wings for exploration and self-discovery. The result is a collective that’s as limitless as its music; one that has received praise from the likes of Tyler The Creator and Childish Gambino, performed with Erykah Badu, Jill Scott and The Roots, and killed festivals, late night television and their own residency at New York City’s legendary Blue Note. 					
The warmth of lyrics are mainly credited to lead vocalist Elbee Thrie, a former Manhattan School of Music student whose vocals possess a disarming charm and lyrics glow by advanced perspective and retrospection. Trained composer, Aja Grant provides co-writing, the keys and much of the band’s arrangements. Strings are manned by guitarist Elijah Rawk and Bari Bass, PHONY PPL’s visual artist and bass player. The crew’s heartbeat is percussionist and former Music Conservatory student Mathew Byas (whose father is DJ Jazzy Jay of the legendary Zulu Nation). 
After several jam sessions throughout high school, different iterations of the band, and honing in on their sonic cornucopia – the band has taken pride in their genre-less sound. Throughout the years, their music offerings have dabbled in experimental splashes of jazz, hip-hop, R&B, reggae, soul, rock and many more sub-genres. Their first official full-length offering Yesterday’s Tomorrow (2015) which houses discography gem “Why iii Love The Moon”, received critical acclaim from The New York Times, NPR, Rolling Stone and more. Their next album titled mō'zā-ik (Mozaik) would be released in 2019 via 300 Entertainment. The album earned its name because each of its songs is a singular piece of art possessing shapes and colors separate from the others, while adjoining to make symmetrical magic. Songs like “Way Too Far” and “Before You Get A Boyfriend” represent the dynamic nature of the album and solidify it as a body of work that transcends classification and time. 
The band’s new album Euphonyus is set to release this fall. An interpolation of the band’s name and the word “euphonious”, the album’s namesake comes from the duality represented by their connection to the people (You – Phony – Us) and the most literal definition of the word “pleasing to the ear”. The band’s sonic approach to the album is to connect the dots between the different feelings each song provides; housing tracks that are danceable, vibrant, and joyful under the same roof as songs that are laced with sadness, sorrow, and lust. The long journey to Euphonyus started in 2019 when the band embarked on their headlining tour with sold out dates across the country. Things caught on fire in 2020 during their set on Megan Thee Stallion’s “NPR Tiny Desk” where the artists previewed their collaboration “Fkn Around” which ultimately went viral. Shortly after marked the onset of the COVID-19 pandemic, which delayed the band’s album plans but saw the release of “On My Shit” ft. Joey Bada$$. During that time, the band learned how to make music as a unit without being physically together, a skill that birthed their song “Nowhere But Up” which was made on Zoom through screen sharing. In 2021, as the world started to open back up, the band went on tour again setting the stage for 2022. While the album release took longer than expected due to the pandemic, over the last three years the band was able to record songs across the country and worldwide ranging from their individual homes in NYC to Los Angeles, Philly, Japan, and Germany; building and reinventing each track over time.
In the words of the band, Euphonyus encourages listeners “don’t think, just feel”. With the help of an eclectic roster of features from the likes of JoJo, Kaytranada, Leon Thomas, Domo Genesis, and more, Phony Ppl are ready to step into this new era.

Home of C2C, 20Syl, Parrad, AllttA, Beat Torrent, Hocus Pocus, Ledeunff, Pfel, Greem, Atom. France
Contact : info@onandon-records.com

10A 

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1st Place WINNER of the New Zealand Super Brawl Beat Battle Feb 2013

1st Place WINNER of the Melbourne / Victorian Beat Battle Feb 2014

1st Place WINNER of the Australasian / Southern hemisphere FINAL Beat Battle Sep 2014

1st Place WINNER of the Auckland to Oakland Beat Battle Sep 2015

Top 5 WINNER "Battle of the beat makers"  (Toronto / Canada) 2019

@mrjmedeiros  X @20syl 
https://open.spotify.com/user/alltta/playlist/74sd2zFFJN9jwuEef0jPtd

If being the youngest of four siblings growing up on the Westside of Charlotte wasn’t tough enough, coming up in a house full of hustlers and gang bangers certainly was added weight to an already bending bench bar.  Troubling for some, but this was life for Ray Wilson, known to his friends as “Dubble Up”, or simply “Dub”, for his impressive knack of making ones quickly turn into twos, fours into eights and tens into twenties, in an abundance of ways.  This was a hustler’s mentality, a family trait that he had been birth into its occupancy.  While hustling any and every illicit attribute that his neighborhood had to offer he had acquired a certain sense of purchasing virtually two of everything identical to one another, which is persuasively the rationality behind why other friends, who equally hustled in his neighborhood, called him “Ray Dubz” as he entered into his teenager years.  
With the unquenchable thirst for gain, his hustling ideology only increased, going from 100 to 180, matching speeds only designed to run on the Autobahn.  His gambling with chance raced him quickly to trouble with the law.  After being arrested on numerous occasions, 6 CCWs (carrying concealed weapon), dope charges, assault, and his last being in 2010 for a probation violation, he vowed to never give them another day of his life risking his freedom again.  
While he always been a fan of the gangster tales told by such West Coast Hip-Hop artists as Ice Cube, Snoop Dogg, N.W.A. and Mack 10, mostly because those tales were ones that he could relate to by watching his own family and surroundings, when asked, “what turned you on to music” he simply stated that: “My parents use to party to older records such as BB King, George Clinton and my cousins used to listening to G’ Funk, those old Dr. Dre and Snoop joints”.  However being that he was from the south he always took a strong liking to artists that told similar stories of defiance and rebelliousness with a slang and dialect that mirrored that of his own, such as artists like Project Pat and T.I.  He wrote rhymes as a child, developing better in the skill set of rhyming, and matching his thoughts to his life as a teenager.  Eventually after that last incident with the law he’d convinced himself to fully commit himself to his craft of storytelling as an adult.   
Linking up with one of Charlotte hottest producer, Curt Roca, he had begun an endless rampage of flexing on every hot rap song of current day and of yesteryears that he deemed necessary to help carve out his name on the throat of this game.  Entitling his mixtape projects Flexico Burress Volume 1, Ray Dubz hope is to put his city of Charlotte on the forefront of the rap game by cooking of gangsta chronicles that are reminiscent of the ones he had came into this culture fixated upon and had lived.

_Layla_ is following