Armec - Reconbination [Furthur Electronix] Previews

Guest Mix By Vladimir Ivkovic

Born and raised in Belgrade, Yugoslavia, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Witnessing the peak of alternative culture and disintegration of the society in his formative years. Moved to Germany in the beginning of the 90’s, in the late 90’s early 00’s invited artists like Carlos Souffront, I-F. I-G, Marco Passarani, Serge (amongst others) to play Selected and Substance events.
He first dabbled in DJing as a teenager in the mid ’80s, but it was only after leaving Serbia (to study in Germany) and later coming back for a summertime visit that he truly immersed himself in the craft, taking up position behind the decks during a series of impromptu parties at a lakeside restaurant owned by his parents.
From there, he spent much of the next two decades honing his skills while throwing events like Selected and Substance that played host to a cross-section of boundary-pushing DJs, long before it was fashionable to do so. Eventually, Ivkovic found his musical and spiritual home at Salon des Amateurs, an unassuming spot in Düsseldorf that’s gradually proven to be wildly influential, giving rise in recent years to otherworldly talents like Lena Willikens, Tolouse Low Trax, Jan Schulte and many others, including Ivkovic himself.
Offen Music, a label he launched in 2015 specialized in authentic subjectivism. Although the imprint’s output is all but impossible to neatly categorize – experimental Serbian rarities sit alongside ambient excursions and moody synth-pop in the label’s catalogue – the label’s open-minded approach and embrace of off-kilter sounds perfectly encapsulates Ivkovic’s artistic temperament.

Vladimir Ivkovic social media:

https://soundcloud.com/vladimir
https://www.facebook.com/vladimirivkovic011
https://twitter.com/V_I_011
https://www.instagram.com/vladimir_ivkovic


Playlist Mutant Disco Radio Show by Leri Ahel #384 - Guest Mix Vladimir Ivkovic

Leri Ahel Mix

01. Aksak Maboul - Tout a une fin (The Notwist Version) (Crammed Discs)			
02. Arandel - Capriccio (Infiné)
03. Reinhard Vanbergen & Reinhard Roelandt - Rootsy Regulator (Music For Dreams)
04. Ex Ponto - The Middle Path (Tolouse Low Trax Version) (General Purpose Promo)	
05. Fango - A + B (Oddysee)
06. Theus Mago - Rumores (Kaputt Promo)	
07. Cosmo Vitelli - The Shy Dictator (Alternate Version) (I'm a Cliché)
08. Harlem - Stringer (Veyl)
09. Religius Order - L.A.W.E. (Rat Life Records)
10. Religius Order - Under My Skin, I Cant Forget (Rat Life Records)
11. The Pop Group - She Is Beyond Good And Evil Dennis Bovell (Dub Verison) (Mute)
12. John Tejada - Abbot Of Burton (Plaid Remix) (Kompakt)

Vladimir Ivković Mix

01. A Bad Diana - Notes From The Underground To a Crazy Girl (United Jnana)
02. Michel Banabila - In Other Words (Web SDR Mix) (Knekelhuis Promo)
03. Teresa Winter - Hard Life in Plastic (The Death Of Rave)
04. SKY H1 - Blade - (AD93)
05. Group Zero - We Need Water (Touch Sensitive Records)
06. Squid - Global Groove (Cosey Fanni Tutti Remix) (Warp Records)
07. Christos Chondropoulos - Jungle X (The Death Of Rave)
08. SCALPING - Cloudburst (Mogwai Remix) (Houndstooth)
09. Tamir Hassan - Guitarot (Ivan Smagghe Edit) (Age Of Self)
10. Cranes - Heaven Or Bliss (Bite Back!)
11. Sitaranha - Adana (Dense Remix) (Cosmicleaf Records)
12. Weird Weather - Axle 2 Grind (LASH)
13. Nadav Samuel - Bright Sun

Airing dates:

November 22nd @ Radio Roza 9 PM CET (Croatia)
November 26th @ Radio Aparat 10 PM CET (Serbia)
November 27th @ KLFM 00 AM CET (Croatia)
November 28th @ Dinamo FM (Turkey)

Mutant Disco Radio Show By Leri Ahel #384 - Guest Mix Vladimir Ivkovic

ele vai bota ( mc dl 22)

sentagem tabacada (mc vuk vuk)

Back In The Day

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DANIFOX - PARABENS LYCOX

Song from 'What The Night Is For' [RAVE025]
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Teresa Winter - For Murder

feat. Laurel Halo, Kuljit Bhamra, Jonny Lam, Verity Susman, Untold

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Back In The Day

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