is it bad I'm already sold on the whole split?

everytime these guys release something new it blows me away...amazing!

Reminds me of "Caaan youuu feeeeel iiiiit!". This is an original track, however this is not authentic.

Demdike Stare

From illegal open air raves in South America to underground european clubs, DJ and producer @whitneyweiss delivers sets she’s been sharpening for years. Her show It’s Whitney, Bitch has been, since 2015, a platform for queer DJs and producers from all over the world.

Catch Whitney Weiss every 2nd Monday of the month, from 14h to 16h [CET] on rinse.fr

Rinse France Podcast

Download

It’s Whitney, Bitch : Whitney Weiss & Michael Magnan  - 12 Avril 2021

still lockdown - still pttp radio - season two - we never stop.
https://soundcloud.com/adialpha the genius from bern coming through with a burner episode.

A-ALPHA (CH) - PTTP Radio Season 2 Ep. 2

because of thy hand:

When he had said these words unto them, he abode still in Galilee.

Nightdrive (Outro)

Released 02/03/18 - http://smarturl.it/integrity-outrage

- R&S welcome Dutch dance icon Maarten van der Vleuten back into the fold.
- ‘Outrage’ is a compilation of Maarten van der Vleuten’s Integrity project tracks, originally released on R&S sub-label Outrage Recordings in 1992, now remastered by Matt Colton
- Features collaborations with Mike Kivits (aka DJ Aardvarck).

Maarten van der Vleuten is one of the most influential figures in the Dutch scene, and also a man of many aliases - between 1987 to 2007 he racked up releases with over two dozen projects producing Detroit techno, electro, house, experimental and ambient tracks and remixes.

Still highly active and inspired in 2018, R&S see the Outrage release as a perfect opportunity to re-introduce Van der Vleuten’s masterful productions to a new generation, adding to his existing influential fans such as Optimo, Global Communication, Ellen Allien and Dave Clarke.

During the 90s he recorded mainly dance/techno for R&S Records, as Orpheus, 48V Phantom Power and Mantrax. He also memorably released on Apollo Records (check his excellent In-Existence ‘Moonwater’ album), Djax-Up-Beats, See Saw and Klang Elektronik amongst others. 

Van Der Vleuten’s ongoing collaboration with R&S founder Renaat Vanderpapeliere saw the later set up Outrage Recordings in early 1992 to release Van der Vleuten’s tracks that didn't fit on R&S Records, recording as Integrity, Zimt, Flux and Pultec. 

“Every couple of weeks i would drive up to Ghent with my new tracks and meet Renaat,” explains Martin. "We then went straight to Foon Mastering where we played the DATs and decided which tracks would be cut - i had carte blanche when it came to the 'sound' of the label. 

Van der Vleuten’s music on Outrage Recordings moved in the opposite direction of the contemporary rave and gabber scenes; while Techno became faster and shifted to a more aggressive sound, Van der Vleuten focused more on composing and arranging over danceability.  This resulted in these EP’s being difficult to sell back in 92 but listening now it feels vital and fresh well over two decades since they were recorded which is an obvious sign of 
Van Der Vleuten’s deft talent.

The release also includes Van der Vleuten’s collaborations with another dutch icon, Mike Kivits (aka DJ Aardvarck). The pair first met In 1989 when Kivits would sometimes play his demos on cassette-tapes at local clubs. The pair became fast friends and Van Der Vieuten invited Kivits into the studio where they found a natural chemistry that ultimately resulted in the tracks ‘Nightshift’ and ‘Intens’ which feature on ‘Outrage’, both written and recorded on the same day.

Studio Equipment used on this release:
Mixing console: Soundcraft Spirit Live 24
Computer: Atari 1040ST running Notator
Drum machines: Roland TR909, Roland TR707, Roland TR727, Alesis HR16
Synths / Keyboards: Roland Juno 106, Yamaha DX100, Roland D50, Ensoniq EPS

Effects Processors: Alesis Midiverb II, Boss SE-50, Ibanez DD700

Outrage

Maarten van der Vleuten Presents Integrity - Living In A Fantasy' (1992)

TEN BRAINS - PIPE (HIM007)

Ten Brains! Much can be achieved with One Brain, so it begs the question: how much goodness can be conceived with Ten?! There is a very clear and definitive answer, concealed in the aural fine print of the debut Ten Brains release, PIPE, which finds a cosy home on Houses in Motion.

Crisp and emotionally pervasive, the record is punctuated by playful basslines, melodic quips and bouncing broken beats; as fitting in the rainforest as in a jungle of heaving bodies in a dark room.

Taking the reins for the flipside’s reinterpretations are trusty pilots RP and Andy Garvey, who both add a large helping of heat and euphoria to the mix.

The future sound of now is here, tomorrow and always, courtesy of Ten Brains.

Artwork by Russell Fitzgibbon

Pre-Order

Ten Brains - PIPE | HIM007

Following a well received string of releases on ‘Analogical Force’, ‘Furthur Electronix’ and ‘Feel My Bicep’ James Shinra makes his debut release on 20/20 Vision. Shinra displays his musical dexterity and diverse influences across this 4 track EP delving deeper into the realms of electro and techno 

’Route 909’ serves up emotive melodies rooted down with a heavy kick before working the keys hard to maximum effect. ‘Flyby’ is a beautiful moment of electronic bliss reminiscent of the great Aphex Twin, while the acid soaked ’1111’ is a certified dance floor bomb. Shinra isn’t adverse to switching tempos and beats and can also deliver flawless techno. The cleverly structured and melodically complex ‘On & On’ rounds up the wax with a track that makes you want to drift away on the dance-floor, prepare to be transported to a future world where machines have emotions.

James Shinra - Flyby  (Sinppet)

The second sesssion in the BROTCAST mix series!

This time stepping up is our own https://soundcloud.com/jonbjorn

Jónbjörn - BROT 04 (Limited 12" out now): https://jonbjorn.bandcamp.com/album/brot-04

Tracklist:
https://soundcloud.com/hermigervill - Global Warming
Sigur Rós - Syndir guðs (Recycled by Biogen)
Jónbjörn - Kommissar Rex
Jónbjörn - T-Rex
https://soundcloud.com/aspetuck - Tonic
https://soundcloud.com/nikki-nair - Animals
SZTVO - Untitled (A2)(https://soundcloud.com/pep-gaffe)
Jónbjörn - Tbilisi
https://soundcloud.com/gugusar - I’m Not Supposed To Say (Jónbjörn Remix)
Jónbjörn - 8
Jónbjörn - Modsiw
Jónbjörn - Layhe
https://soundcloud.com/smoodsmoodsmood - K_Pro3v5
https://soundcloud.com/ruxpin - Reuniq
https://soundcloud.com/asmus - Sjúskað
https://soundcloud.com/dynkur - Mangla
https://soundcloud.com/sansotrax - Go Figure
https://soundcloud.com/shelteronwax - Just A Bit (Instrumental)
Jónbjörn - Sakuragawa [smarturl.it/BROT04]
https://soundcloud.com/dynkur - Hangar
Jónbjörn - Argur Svargur
https://soundcloud.com/c_e_q_i - dogman
Jónbjörn - BAF
Jónbjörn - Tinni [smarturl.it/BROT04]
Felix Leifur - Bruiseblood [BROT05]

Grab BROT 04 here

BROTCAST02 - Jónbjörn

Demdike Stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the Testpressing banner. 'Collision' was recorded in late 2012 and is pretty much unlike anything you'll have heard from Demdike before, an intense high-frequency re-arrangement of Jungle and Noise, like a more brutal variant of the Demdike-affiliated HATE project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. 'Misappropriation' on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you'd most commonly associate with Muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

Collision

So here we are at part two in the series : "Grows Without Bound" on the A-side is a monster; a noisy analogue session ressurected from the burning embers of Industrial and Noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between Vainio and Nate Young. Over on the flipside "Primitive Equations" takes for inspiration the bare-boned, hyper-tense production of Photek's still devastating "Ni - Ten - Ichi - Ryu",  slugging out feral, steely noise and 'ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

Grows Without Bound 1

Primitive Equations 1

Disco bangers for the celebration of 2020 finally coming to an end

😘♥️🥂✨💥🍾

End Of The Year Mix 2020

Proceeding missions into the no-mans-land of noise and jungle, Demdike Stare adopt a typically schizoid stance at House and Techno tempos on the 3rd Testpressing. Their A-side 'Eulogy' is a square bass devotional to the soul of deep Chicago and Detroit house, most notably the magic of Mr Fingers and Terrence Dixon. A constantly morphing, Escher-like bassline folds in and out of itself, accented with offset kicks and washed out with effervescent, barely-there synth strokes. It's lip-smacking sunset/sunrise gear and a perfect set-up for the flipside shocker. Destined to become a classic in Demdike's canon, 'Dyslogy' comes off like an early 'Waveform Transmission' or H&M bomb spanked by Anthony Shakir; an evil, droning intro ratchets the tension for martial kicks and darkcore chords before a feral breakbeat romps loose like the spirit of '93 unchained. They really don't make 'em like this any more…

Eulogy

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