An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between a technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.

Infinite Jest

On the cutting edge of sweet sounds

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A free-thinking semiological phenomenalist with an environmental conscience, an appreciation for the arts, sciences, and progressive communitarian society. 

POV: Of an expansive mind comes an expansive world, a living world that is as mental as it is physical. The immaterial of the imagination may be expressed into the material just as the material is sensed into the mind. Feelings exist as mere evaluations of our interactions, assigned to tone and scale, and when applied to sound provide semiotic correlatives. Music therefore, can be understood as the representative assembly of emotional interactions with our world. As does time, music only exists while it is in play, and is disputed only when it is misunderstood and not assigned a construct of meaning.

improvised experimental music mixes
featuring ephemeral & found-sound sources

Infinite Jest

modernlove