bad ass stuff dudes! Excited to share a bill with y'all!

Beautifully perfect song! I know I'm a bit behind but I'm now off to Itunes to buy Floodlight.

PLAY DUMB, the first single from The Crookes 3rd album SOAPBOX.



The Crookes - Play Dumb

<b>Soft Swells 
title track from their new album <i>Floodlights</i>
in stores 09.30.14 via <a href="http://www.modernoutsider.com" target="_new">Modern Outsider Records</a>
Vinyl + CD + Digital</b>

Soft Swells. Sure it’s a band name (in fact, it’s this band’s name), but it is also a surfing term. Tiny, easy to ride waves that beginners keep an eye out for to build their aquatic confidence up. But what happens when you outgrow those small waves? Do you stop surfing? Or do you step up and try to tackle the biggest waves the ocean has to offer? Tim Williams, the mastermind behind Soft Swells (the band) has been moving towards this moment for years now. Tim started Soft Swells in an effort to reach new heights, and over the course of a full length and an EP, the music has gotten more sophisticated, and the sound of the band has gotten bigger. So if the band’s previous work could be described as soft swells, than their new album Floodlights is like an enormous tidal wave from an action movie. Absolutely everything about the band has gotten bigger. Where once there was just Tim with the help of producer/keyboardist Dave Lynch and a lot of studio magic, there is now a fully formed band. 

In a (successful) experiment to capture the fun and excitement of their live shows on record, Tim brought a motley group of wildly talented musicians together in the studio to lay down all the tracks.  Most of the record was tracked by producer Dave Lynch (the other Dave Lynch) at EchoPlex in Eastbourne UK, with Soft Swells’ touring bass player and multi-instrumentalist Christopher Pappas at Tim’s side, and a guest appearance by resident UK drummer Phil Wilkinson (Jake Bugg, Brian Eno).  As if that wasn’t enough, Misty Boyce (Sara Bareilles), Jonathan Visger (Dale Earnhardt Jr Jr) and Soft Swells’ touring guitarrist Kyle Frederickson all contributed their talents via satellite.  Well, via email.

This impressive roster of personnel leaves Soft Swells sounding invigorated, like a whole new band. A big, stadium sized band to be exact. Drums shake, organs swell, guitars rock and vocals soar. This is no longer a band trying to figure out how to replicate the sound of their albums on stage, because they brought the stage to the studio. With Modern Outsider Records driving the release, the future of Floodlights looks long and bright.  But Tim’s new air of confidence isn’t just due to the stellar lineup, but also because of his recent marriage to the love of his life, Sabrina, who is a constant encouragement to Tim to take chances, and to do what she knows he is capable of.

Thurston Moore of Sonic Youth has said “once the music leaves your head it’s already compromised.” That’s fine if you feel like music is an entirely personal endeavor for the artist. Tim certainly doesn’t feel that way. “I don’t think a song or recording is completed until it hits someone’s ears… The experience is only complete when a listener gives their input – a smile, a foot tapping, a head nodding or whatever reaction a person has.”

<a href="http://www.softswells.com" target="_new">www.softswells.com</a>
<a href="http://www.modernoutsider.com" target="_new">www.modernoutsider.com</a>

Soft Swells - Floodlights

Brass Bed - "I Am just a Whisper"
from their new album In the Yellow Leaf
in stores 04.15.16

pre-order now on LP and CD:
http://modernoutsider.bigcartel.com/artist/brass-bed

http://www.modernoutsider.com
http://www.brassbedisbrassbed.com

Being an undiscovered commodity has its advantages. Growth, movement, exploration, metamorphosis and misfires can be weathered without scrutiny or expectation. There’s no mistaking that Brass Bed is not a young band. Now in their early 30s, the band’s essential trio of Jonny Campos, Peter DeHart and Christiaan Mader are too old to be wunderkinds, too young to be cult, but just old enough to understand themselves.

With their 4th LP, In The Yellow Leaf, BB continues to contemplate the slipping horizon. Where others confront mortality with a self-seriousness that belies a fundamental insecurity, principal lyricists Mader and Campos encounter the void with winks and shrugs.

That’s the most impressive hidden growth of all – the development of a poetic sensibility appropriate to their stage of life. At one time collegiate Wilco-acolytes, cribbing Jeff Tweedy’s romantic nihilism and Jim O’Rourke’s texturizations like teenagers raiding a liquor cabinet, BB now wears a mask commiserate with their age.

They’ve grown up. They’ve learned about shit. They can talk about it honestly now.

Yellow Leaf finds the band in much the same headspace as their 2013 breakout The Secret Will Keep You: angsty vortices of sound draped over pop idioms constructed with a grad student’s eye for abstraction and musical grammar. With the help of guitarist Ben Jones (Generationals, Youth Lagoon) and a pilot recording with engineer Chris Woodhouse (Ty Segall, Thee Oh Sees), the band rediscovered the exuberance of guitar rock and forced it to grow up.

Faced with an audience not yet listening, BB turned up. Where other bands age into balladry, BB traded their ill-fitted pining in for decibel urgency and caterwauling feedback. Their musings sit much better over fuzz, spit, and glistening reverb.

The result is a record that is as eclectically inventive as it is fundamentally raw and abrupt. Lead single “I Am Just A Whisper” captures the band’s ability to charm snakes of anxiety while creating enough speed to allow melody, decay and sustain to hover over the scurrying madness like whispers. Thematic center-piece “Yellow Bursts of Age” evokes a haunting innocence arranged with studio-ghosts that vanish like falling evening snow. From all this it may seem as though BB is trapped in a cycle of morbid meditation. But consider the apostate sarcasm of “Maiden Voyage” and witness that Yellow Leaf is a cradle for artists at peace in an unsettled universe.

Brass Bed used to be wide-eyed pop dreamers. Now they are realists finding wonder in the dark comedy of mortality. They are the eponymous bursts of age – kids hopping into leaf mounds and making the most out decay.

Brass Bed - "I Am Just a Whisper"

in dreams fur summer

Cover of Elvis Presley's "Can't Help Falling in Love"

"Can't Help Falling in Love"

Cover of "American Girl" by Tom Petty & The Heartbreakers for the ALL ATX VOL 4: LOW DOWN VIOLET CROWN compilation benefitting HAAM, SIMS, AMF, and Black Fret available at Waterloo Records:

http://waterloorecords.com/UPC/888295498623/Various_All-ATX-vol-4-Low-Down-Violet-Crown

AMERICAN GIRL

Curtis Roush
Cosmic Campfire Music 
release date: 02.09.18 on Modern Outsider 
pre-order now: http://smarturl.it/curtisroush

Fusing bedroom soul with the ambient expanses of shoegaze, singer/songwriter and multi-instrumentalist Curtis Roush explores love and loss away from the purview of his psych-rock comrades The Bright Light Social Hour. Roush was born in Austin, Texas. Suffused with the 70s album rock of his Californian parents, Roush picked up his first instrument, an acoustic guitar, at age 13 in a vain attempt to win back the affections of his 8th grade girlfriend. After his first romantic defeat, Roush buried himself in instruments and musical genres shifting from the metal and classic rock of his teenage years, the hardcore and post-rock of his college years, and into the expansive psychedelia as a member of The Bright Light Social Hour.

Coming off years of heavy touring and relationship upheaval, Curtis Roush composed the songs of his debut album, “Cosmic Campfire Music,” on a laptop during fleeting moments in motels, a tour van, and his parents’ spare bedroom. A reflection of these hushed, quieter spaces, these songs conjure an existential meditation on love - how it rarely arrives, how it often leaves. Working with producer Erik Wofford at Cacophony Recorders, Roush tracked the album to analog tape over one month in the winter of 2016. He played every instrument.

The second track “Getaway” releases an early blast of propulsive energy from its Motown churn and crackling guitar. Album centerpiece “Polestar” nestles its country-tinged yearning in stately slide guitar and languid synths. On “Never Leave You Cold,” Roush ponders devotion over a breezy motorik rhythm before exploding into an immersive hymn of professed love. The album closes with the interstellar gospel of “Space is Empty (Come With Me)” - a seven minute epic reflecting on defeat and rebirth following the disastrous 2016 election. From its calm confessions to its skyward gaze, “Cosmic Campfire Music” is a listen for hushed respite before the long struggle ahead.

Cosmic Campfire Music (MP3)

Curtis Roush - Real Love

Moving Panoramas - Texas Blues

Independent record label based in Austin, TX. 

Soft Swells - Floodlights

Modern Outsider Records

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